Voice Lessons in Browntown, VA

Instruments: Voice

My name is James and I am an operatic tenor and voice teacher based in Northern Virginia. I most recently graduated from the AJ Fletcher Opera Institute at the University of North Carolina School of the Arts, and hold a Master's degree in Opera Performance from the Maryland Opera Studio at the University of Maryland and a Bachlor's degree in Voice Performance from the University of North Carolina at Greensboro. Read More

Instruments: Voice Music

I am an evidence-based voice teacher. This means that I approach teaching from an anatomical point of view. I value the importance of science and knowledge of how the voice works. For all students, I begin with finding relaxed positions and strengthening exercises. It is important to find your voice! I prefer to talk to singers about what they like in their voices and what they’re specific goals are. Read More

Instruments: Piano Voice

I teach breath support, vocal range expansion, resonance, tone placement, posture, proper diction, sight reading notes, ear training, releasing tension and stage performance. I can help my students improve technique for any genres of music they want with a focus on building a solid and healthy technique. For beginning students who are children, I typically start with Alfred’s piano book library Essential Elements. I recommend Alfred’s Prep course for age of 5 to 6 years old. Read More

Instruments: Voice

Regular practice is essential for all developing musicians as it tends to produce continuous musical growth and passion for their instrument. With both voice and piano, I like to combine both classical and modern music because it lies a solid foundation, while also keeping students engaged and having fun. Read More

Instruments: Voice

I have a deep enthusiasm and excitement for helping young people reach their musical goals. I enjoy helping my students develop knowledge of the vocal apparatus and mechanics of singing and breathing. In the studio I can find examples of or demonstrate vocal techniques and styles. I have found that most students respond well to the use of imagery to extract the emotional component of singing and I find that my flexibility, energy, ability to maintain focus on objectives, and my ability to communicate musical concepts and instructions clearly is essential to getting my students to produce better sounds. Read More