Violin Lessons in Redford, MI

Instruments: Piano Guitar Violin Viola Bass Guitar Synthesizer Banjo Ukulele Mandolin Lute Electric Violin Fiddle Electric Guitar Classical Guitar Acoustic Guitar

I take the great things about the Suzuki Method and use them (fun, creativity, by-ear learning, group jams). Then I take the things I don't like about the method and disregard them (pre-established repetoire, no composition or improv). I teach kids how to concentrate, how to teach themselves, how to ignore distractions, and the philosophy for joyful performance without nervousness. The result has been that I have trained hundreds of children to have fun playing music well, plus four of my child students have become national acts. Read More

Instruments: Piano Guitar Voice Violin Viola Drums Electric Violin Fiddle Conga Latin Percussion Music Keyboard Djembe Acoustic Guitar

There is nothing more rewarding then to see a student achieve and accomplish a goal. I believe and always positively affirming and acknowledging there accomplishments. Positive reinforcement and encouragement always assist the student to strive and succeed. I always give my student the choice to decide between multiple pieces, but I always choose pieces with a new technique or concept, so the student is consistently learning. My job is to discovery the students desires then to formulate a lesson plan that will not only stimulate, educate and challenge but also make the learning experience enjoyable. Read More

Instruments: Violin Viola

For young children (3-9) I exclusively use the Suzuki method and require a lot of parental involvement. I am happy to start children ages 10+ as well as teenagers. Having been a product of a school orchestra myself, I will use a more traditional teaching approach. The adult beginner or adult returner presents unique challenges but I wholeheartedly believe its never too late to start playing an instrument. Scales and other technique builders are at the forefront of every players lesson. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Harp Accordion Harmonica Lap Steel Guitar Banjo Ukulele Mandolin Recorder Lute Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Shakuhachi Oboe Bassoon English Horn Conga Latin Percussion Music Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

There really is no limit to which methods work for people. Every person learns their own way, and it is true that a variety of methods work for an individuals learning process. I enjoy employing all ways of experiencing music including playing by ear, reading sheet music, learning music theory and its practical applications, as well as playing with others and truly feeling what the music is wanting to say. Read More

Instruments: Violin Music

I am a newly graduated musician who is eager and motivated to pass on my knowledge and experience to others! My experience with music has extended back 17 years, beginning at the age of six. For the first twelve years, I was mentored under the tutelage of Janet Houston. I also have a combined 14 years of orchestral performance experience, beginning with the Dearborn Youth Symphony which lasted ten years. After that my experience increased further by spending four years performing with the Eastern Michigan University Symphony Orchestra. Read More

Instruments: Violin

For beginning students who are children, I start with Essential Method Book for Strings. Once the students has progressed more, I use Suzuki Method books, and also, choose (introduce) solo pieces for recital performance. For adults, I find out what the student is interested in and find the book that fits their interest (and guide my instruction accordingly to engage them). Easy pop melodies book or other genres violin sheets will be also fun, no matter their ability level. Read More

Instruments: Piano Guitar Violin Double Bass

I love transfering my love of music to students. I help them achieve their goals at a challenging, yet doable pace. When parts of the music are too difficult, I always break them down into their simplest possible parts. I am not strict, however I am realistic, and let students know that it is critical that they practice so that they can improve. Read More