Violin Lessons in Georgetown, CT

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Ukulele Recorder Electric Violin Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Music Keyboard Electric Guitar Acoustic Guitar

I am incredibly fortunate to have access to the resources at NYU and to love teaching music more and more every day: I have had practical experience in woodwind, brass, string, voice, and percussion pedagogy, as well as music in early childhood and for students of all abilities. My teachers include Jason Noble (instrumental conducting), Paul Speiser (choral conducting), Kim McCord (childhood/special ed music pedagogy), Ethan Hein (electronic music pedagogy), and Christopher Bush (clarinet performance). Read More

Instruments: Violin Viola

I will vary my methods based on the individual student. For students between 3 and 7, I will use the Suzuki method, which in my experience is best for students of that age. For beginners after that, I will use method books and repertoire that not only addresses the students technical and musical development at that point in time, but is also fun and enjoyable to play. I encourage students to play in their school or community orchestra and will assist and encourage students to play in chamber ensembles. Read More

Instruments: Violin Viola Electric Violin

My approach to teaching is to share my love for music with my students. I will allow students to go at their own pace, and set realistic goals and expectations. I like to focus on intonation heavily, as anything other than excellent intonation is not good playing, in the words of a former instructor. I also encourage creative expression in my students, and will often ask them to try different methods of playing a single phrase in order to increase the depth of their musicality. Read More

Instruments: Piano Voice Violin Viola

Music is deeply personal; one must get to know each student's own personality, interests, and connections to music. Early on (both in the teaching relationship and in each lesson) one must assess where the student is, as to technical and musical growth, and with the music at hand. Then one finds, models, explains and encourages the next steps the student can achieve. Clear guidance and dialogue about what will happen outside the studio (listening, practice, rehearsal, performance) helps turn the weekly cycle of lessons into an upward spiral of progress, achievement, and reward. Read More

Instruments: Piano Violin Viola

I try to create a unique and individualized lesson methods and plans. I try to personalize my lessons in a way that best suits a student's personality. Not everyone learns in the same manner. My lessons include theory, technique, solo repertoire, ear training and performance preparation. Performance is an art form and takes preparation and practice. I have tips to help students to get the most out of every chance they have to perform and we practice those ideas throughout the lessons. Read More