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Featured Trumpet Teachers Near South Farmingdale Plainedge, NY

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Here are just a few of the many teachers offering Trumpet lessons in South Farmingdale Plainedge . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Daniel B

Instruments: Piano Trumpet

The approach I take is individualized and utilizes multiple teaching methods. Every student brings unique qualities and different interests and it is my job to find a way to connect those qualities and interests to music. One thing I emphasize is continued learning. If we are working on fundamentals of piano technique I find a way to slowly introduce more concepts that will be developed later on in our lessons. Read More

Mitchell C

Instruments: Trumpet Trombone Euphonium French Horn Tuba

I currently hold a Bachelor's degree in Music Education from the University of Cincinnati and a Master's degree in Trumpet Performance from Western Michigan University. I love the idea of encouraging the next generation of brass players to achieve a high level of success and pushing them to push their own limits. I have performed mostly in orchestras and brass quintets though I have experience playing in many other styles. Read More

Joe P

Instruments: Piano Voice Trumpet Trombone Saxophone Flute Clarinet Recorder Euphonium French Horn Tuba

I have been teaching students of all ages since 2010. I have been teaching both in my home studio and at the students home, I have also taught in Public Schools and in Music stores. My goal as a teacher is to get students excited about music and have them looking forward to our lessons together and inspire them to learn more and practice. The Trumpet is my main instrument but as a certified Music Educator I'm comfortable and highly qualified to teach many different instruments such as all of the Brass Instruments ( Trumpet, Trombone, Baritone, Tuba, French horn, Euphonium, Flugelhorn etc) and all of the Reed instruments (Clarinet, Saxophone and Flute) as well as Piano and Voice. Read More

Dominic C

Instruments: Piano Trumpet Saxophone Flute Clarinet Bass Guitar Recorder Double Bass Music

For beginning woodwind students, I have had success using the Rubank method books as a starter. Alongside a method book, I like to work on material chosen by the student, as well as my own supplemntal exercises. It is important for the student to understand the musical concepts associated with the repertoire, as well as focusing on performing well. I also prefer to have my students keep a practice log book, in order to track their progress. For piano and music theory, I like to use the John Thompson method for beginner students, and the Bastien Piano Literature series for more advanced students. Read More

John E

Instruments: Guitar Voice Trumpet Trombone Bass Guitar Double Bass Euphonium Tuba

Lessons are catered to the student. I have studied with pedagogical masters and I have learned how to make creativity maps. Most of your questions are simple answers for me, and most of my students experience rapid growth from the very beginning. Read More

Jake K

Instruments: Trumpet Trombone Euphonium

I am a musician offering teachings on Trombone and Trumpet. I have a bachelors in Jazz Studies from the University of Michigan and currently freelance in NYC/Asia. Experience -Playing in groups of all genres (Jazz/Salsa/Classical/Funk/NeoSoul).-Teaching Private Students-Touring the USA and Asia-Holding workshops with beginner playersStrengths would be improvisation and meditation. How to play in the moment and be honest with ones self. Creating a good tone/sound to express yourself. Read More

Jillian M

Instruments: Trumpet

My approach is repertoire-based, meaning that we learn technique through the demands of particular pieces; I also teach strength-training exercises to help students develop their fullest potential on trumpet. Deriving inspiration from both classical and jazz methods, I also believe in exploring the physical capabilities and limitations of the instrument so that the player can develop a personal relationship to it. Indeed, this relationship forms the crux of true musical expression, which is the overarching goal of my teaching. Read More

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