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Featured Trumpet Teachers Near Richmond Heights, FL

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Here are just a few of the many teachers offering Trumpet lessons in Richmond Heights . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Ari N

Instruments: Trumpet

I have taught in a variety of musical settings with a wide range of students and abilities. I have taught independently as well as for organizations such as the Youth Orchestra of Central NJ. In 2012 I worked for Camp Encore Coda where I taught trumpet lessons, directed the Symphonic Band, coached jazz combos, and taught music theory/musicianship class.  My experience working as full time music faculty for Camp Encore Coda sparked my graduate research on overnight summer music camp, which has since been presented at three major professional conferences in the music education field at the state, national, and international level. Read More

Milosz S

Instruments: Piano Guitar Voice Trumpet Synthesizer Ukulele Music Keyboard Acoustic Guitar

I have played piano and trumpet since I was 5 years old. I began my journey with music in Europe at Henryk Wieniawskis School of Music at age of 7. At that time I already performed on stage. My career as a musician began in Poland where along with Classical piano and trumpet I was influenced by such Jazz greats as Herbie Hancock, Chick Corea, Thelonious Monk, Joe De Francesco, Joe Zawinul, Miles Davis, Eddie Palmieri, Chucho Valdez, Woody Shaw, Keith Jarret and McCoy Tyner. Read More

Charles M

Instruments: Piano Guitar Trumpet Trombone Drums Bass Guitar French Horn Tuba Mallet Percussion Orchestral Percussion Latin Percussion Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I believe each of us learn differently; for some students I find that they are very hands on and prefer that I show them how to do something and then allow them to perfect it others I find that they need a little more guidance and need me to go at a slower pace but regardless of the student's learning language I take my time to understand where they are and outline a plan to help them exceed to the next level. Read More

Bruna B

Instruments: Trumpet

For beginners I normally use Talking Trumpet as a primary flow exercises book and Edwards-Hovey Method for Cornet or Trumpet to start the practice in articulations and fingerings in a comfortable pitch. In according with the improvement I add or change practice books. To intermediary level I certainly will apply Arban`s Complete Conservatory Method for Trumpet and some alternatives to flow exercises and technical studies. In a appropriated moment, and if it was a student desire, I start to introduce solo repertoire. Read More

Alejandra P

Instruments: Piano Guitar Trumpet Ukulele Music Acoustic Guitar

For beginning students who are children, I typically start with Faber collection (Piano basic adventures) or Hal Leonard's Essential Elements. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their first recital performance. For adults, I try to find out what the student is interested in, and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. Read More

Mario D

Instruments: Guitar Voice Trumpet Flute Accordion Acoustic Guitar

My teaching started in the final years of high-school. I started teaching trumpet to kids. Once I started college in Buenos Aires(Argentina) in a music composition degree I worked with several masters in a multitude of instruments(violin, flute, trumpet, guitar) which i was able to start teaching and performing live. At the same time I developed a craving for movement practice and martial arts. This 'kinetic' approach allowed me to be much better with my students, analyzing their body and consequently their needs in regards to practice. Read More

Evan S

Instruments: Trumpet Trombone Euphonium French Horn Tuba

Jacobs approach of "song and wind" is the basis for my teaching style. It is essential as a brass player to focus on hearing the sound in your mind, training your ear, and allowing your body to produce the result without intervention.  To train students to hear the sound, to learn to play with others, I believe strongly in demonstrating examples on the trombone for the student, playing things back and forth, and sometimes playing together.      Read More

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