Saxophone Lessons in Powder Springs, GA

Instruments: Saxophone Flute Clarinet Recorder Piccolo

My teaching experience dates back to my pre-college/ post high school days where I was a volunteer director of a community ensemble in Jamaica. This opportunity opened doors for me to teach music theory and private saxophone and flute lessons in a community based project that was geared towards using music for social development and change in the inner city youth. I eventually moved on to the college setting where I served as a Graduate Assistant who had the responsibility of providing private and supplemental lessons to students who were enrolled in the University, all while operating a private studio of my own. Read More

Instruments: Piano Guitar Voice Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Harp Accordion Harmonica Recorder Lute Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Conga Latin Percussion Music Keyboard Djembe Acoustic Guitar

My passion for sharing knowledge begin during my time as high school tuba section leader, which led to Senior band president. Assisting my peers so we could sound better via musical corrections, this would build our confidence levels and the moral throughout the ensemble. I furthered my passion for music at Berklee College of Music, where I studied various aspects, methods, and approaches to educating someone about the art of music. Read More

Instruments: Saxophone Clarinet

I started teaching Privately in 2007 and have continued off and on since. I have worked with students in Woodwind and Brass either privately or in a school setting. Also, I had the opportunity to work with multiple schools ensembles and marching bands. I encourage all of my students to maintain a constant practice schedule in order to work toward our goals. Music is meant to be enjoyed, so I like to find what it is my student enjoys and improve on those aspects. Read More

Instruments: Saxophone

For brand new students, I usually like to do an assessment of where they are starting in order to recommend the best method books to use that way there is no fear of being overwhelmed in the process of developing. Fundamental techniques are also used in order to gauge what direction to go as the instruction proceeds. For non beginners, I make the adjustment according to goals and desires so that the lessons are also engaging and fun regardless of age or ability. Read More

Instruments: Piano Guitar Saxophone Flute Clarinet Ukulele Recorder Keyboard Electric Guitar Acoustic Guitar

All methods are relative and based on the student. However, certain ages and ages require a general foundation of basic fundamentals. Guitar: Mel bay basic guitar method 1, to more advanced etudes and transcriptions of chord melodies, etc Piano: based on level, children’s books to advanced repertoire for adults Woodwinds: essential elements or more advanced etude books (rhubank- ferling studies-karg Communication of goals and a realistic approach to those goals will guide our curriculum and change from student to student based on level and available time, etc. Read More

Instruments: Piano Trumpet Trombone Saxophone Flute Clarinet Drums Euphonium French Horn Tuba Mallet Percussion

I have the most Experience using the following Method Books: Standard of Excellence, Essential Elements, Accent on Achievement, Instrumental Methods and many other methods. Initially (and throughout) I place a high value on performance fundamentals. I start with a focus on proper posture and breathing. Once this can be executed I breakdown the nomenclature of the student's instrument, how to put it together and break it down. Next the focus becomes proper grip for mallets/sticks and embouchure placement for winds. Read More

Instruments: Saxophone Clarinet

Developing respect and passion for music is paramount in music lessons. I don't believe in forcing method books and content that, at the end of the day, the student doesn't care about, on my students, they should have a voice in what their being taught. I tailor my teaching style to fit every single student differently. Young players must learn scales and etudes, but that is usually only for half of the lesson; the other half usually consists of finding inspirational performances and pieces that will be FUN for the both of us to learn. Read More