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Featured Piano Teachers Near Plainfield, IL

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Here are just a few of the many teachers offering Piano lessons in Plainfield . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Serena P

Instruments: Piano Voice

I began teaching when I was in middle school when I got the opportunity to assistant direct theater workshops in my town. I was hooked and for my Girl Scout Gold Award in high school, I ran a theater company for children of social service recipients. In college, I tutored struggling music theory and piano students and felt it was the perfect way to use my enthusiasm for music in a positive way beyond teaching. Read More

Benjamin D

Instruments: Piano Drums Bass Guitar Ukulele Keyboard

Im a bassist, composer, and producer born and raised in Chicago Illinois. As a Berklee College of Music graduate and Merit Scholarship recipient, I feel that it is important that I have an impact in my hometown, and believe that educating young musicians is the greatest impact I can have. Its my goal to help young artists and musicians prepare for the different paths they may take, whether they are just starting out or enrolling to music conservatories. Read More

Michelle H

Instruments: Piano

My teaching journey started at an early age in Canada. Thanks to parents who entrusted their childrens education to me, I was inspired to pursue a degree in Music Education from the University of Victoria, BC. Throughout my 30 years teaching career, I have closely worked with students of different age groups and cultural backgrounds in Vancouver (Canada), Chicago Northern Suburbs (Illinois) and Kuala Lumpur (Malaysia). I have honed my teaching styles over the years and adapted my instruction to meet specific needs of each student. Read More

Gabriel A

Instruments: Piano Drums Bass Guitar Organ

For all students during the first lesson I have them play something regardless of their skill level. Based on personal experience I’ve noticed that not all students have the same level of ability. For example in drum lessons I’ve had some entry level students sit down and play a groove and have another sit down and have no coordination. After determining the students ability level, my next step is to determine what the students likes. Read More

Clifford G

Instruments: Piano Guitar Violin Cello Viola Bass Guitar

For the child and adult alike I begin with different types of instuctional material. Since instuctional materials use similar but somewhat different ways of presenting concepts, I use the the series that will allow the student to grasp and master the fundamentals. The older student, along with learning the fundmentals, will also explore their interests. I'll begin tailoring their lessons to include their interests as well as other genres. Read More

Matthew J

Instruments: Piano Trumpet Trombone Music Keyboard

It is important to have a broadened perspective of what it means to be a well rounded musician while having concentrated study in a specific genre or idiom. In my lessons, I strive to cover the major elements required to be a successful trombonist or musician in not only the jazz idiom, but the general music industry as a whole. These subjects include: sight reading, music theory, aural training, music listening, improvisation, composition, arranging, basic music notation, basic music recording techniques, historical and cultural contextualization, music entrepreneurship, and performance edict. Read More

Natalie A

Instruments: Piano Guitar Violin Saxophone Clarinet Recorder Keyboard Acoustic Guitar

Because I accept children as young as 3, my methods vary quite drastically. I also work with children who have learning disabilities, so I like to cater my lessons to the needs of the student. We play a LOT of games and when I feel they are ready, they can progress to books. I use everything from Hal Leonard and Bastien to Alfred and Faber Faber. Being a Special Education Aide, I understand that no book is a one size fits all". Read More

Teacher In Spotlight

Robert C

Instruments: Guitar Drums Bass Guitar Electric Guitar Acoustic Guitar

What is your favorite style/genre of music to play and why?
The Blues. I love a lot of genres, especially classic rock from the 1960s and 1970s and I enjoy writing songs in that genre. I absolutely love The Rolling Stones, Pink Floyd, The Doors, The Beatles and those are probably my favorite to listen to, however nothing compares to playing the Blues. It flows out of me naturally and puts me in a meditative like state. Howlin' Wolf, Muddy Waters, Mississippi Fred McDowell, and perhaps most importantly, Robert Johnson, those Bluesman created what was to become Rock and Roll. Chuck Berry sped up the 12 bar blues, added cool lead guitar parts and loud guitar solos and boom! You have Rock and Roll. I love playing the Blues and I am in it for life. Even if it's on my front porch with my dog, I'll be playing the Blues for however much time I have.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
Well, I started off on saxophone while in 4th grade for the school band. My grandfather, who is a professional drummer heard that I had rhythm, so under his tutelage, I began playing the drums and became an exceptional drummer. While I was playing drums for a band that started while I was in 8th grade and lasted through high school, I started picking up the guitarists guitar and learned a few things from the two guitarists and kept going with it and began teaching myself and even started to write songs for the group. I was lucky to have a first band like I had, because we were all versatile and we all wanted to learn all the instruments. Later on in life, in more serious bands, I had to learn how to pick up any instrument while in the studio. A lot of experiments go on while recording, so if a song needed a little of this or a little of that, I was usually the first one to give it a go.

Does music run in your family? Tell us a little about your musical family members.
I only know my family's musical history starting in the 20th century, but the word is, my family goes back further than that, particularly on my maternal grandfathers family. In the early 1900's, practically right off the boat from Europe I know of my grandfather's great uncle John and his son were jazz bassists and reached professional status, playing on records and were members of the Musicians union. My grandfather also had another uncle who was a professional saxophonist and he too was a part of the union. My grandfather was a professional drummer and landed his first big gig in 1955 at the 500 club in Atlantic city, owned by "Skinny" DiAmata and played alongside legends like Frank Sinatra, Dean Martin and many others. He was there for about 5 years and continued to play professionally into the 1990s. Although, my uncles can play the drums, they never did anything with it, but along came me. It's important to me to keep my family's musical legacy alive by passing on the gift of music by teaching it to the younger generations (or older, for that matter,) and keeping the spirit of real music played with real instruments alive. As well as being an experienced music teacher, I was in a few gigging bands, one of which wrote songs used in BMX movies sold all around the world.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
Well, I kind of stumbled into it as a teenager. It was my first band and I was the drummer. I had Doug Sabolic (A Life Once Lost) on guitar and vocals as well as two other very talented and versatile musicians. We all knew how to play eachothers instruments to a pretty high degree and that's how I got into playing guitar. I started writing songs for that band and when we split up, I kept playing more and more guitar while still practicing the drums. I was basically just a musician and really didn't take part in the financial side of things until later on. For instance if I put X amount of dollars into t shirts and we sell out, than I get this much back. Same with the cover charges at the door. If you see 200 people that came out for you, make sure you get paid what you're owed. My most successful band had a following right away because the rhythm guitarist/vocalist was a major professional BMX rider and I was also professional, but not as high profile as he was. The BMXers loved us and we did very well, packing the Khyber in Olde City Philadelphia PA. We also composed songs for BMX movies sold all around the world.

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