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Featured Piano Teachers Near Orange, CA

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Here are just a few of the many teachers offering Piano lessons in Orange . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Oanh L

Instruments: Piano Keyboard

I'm an passionate and enthusiastic music teacher. Music is the passion of my life, and I always want to share it with young children. Currently, I'm pursuing a AA degree in Piano Performance at El Camino College. I will transfer to University and get my Bachelor degree in Piano Performance in the future. In my life as a musician, I have had the opportunity to perform in the Choir at Carnegie Hall in New York, as well as performing in many concerts at school and local churches. Read More

James S

Instruments: Piano Voice Violin Viola Mandolin Keyboard

My teaching style is well rounded approach. I teach not only music performance which includes technique, memorization, practice techniques, body mechanics and health, and memorization but also theory, ear training, music history, performance and music business. All my students have opportunity to perform, learn how to audition for local musical theatre productions, how to record and how to prepare for careers in the arts (if they choose). Many of my students are composers/songwriters, produce albums, perform with local companies, Disney performers or are actors in theatre, television and motion picture. Read More

Matthew G

Instruments: Piano Drums

For piano I use a combination of the Bastien books, if you are a beginner. For more intermediate or advanced I use whatever music the student is interested in. It could be the Great American Songbook or classical music. For percussion, for beginners I use the Garwood Whaley book, Fundamentals for the Snare Drum. For drum set I use the Syncopation Book by Ted Reed and a variety of other books depending on the need. Read More

Addy S

Instruments: Piano Voice

As I refine my own skills as a singer through performance experiences, I am eager to pass along the knowledge I have learned to the next generation of students and enthusiastic amateurs. Music is meant to be shared and I cannot wait to give you the tools to unlock your creative potential. As students develop, I hope to inspire a deep appreciation for all types of music through creative repertoire choices and varied ways of thinking about music. Read More

Petar C

Instruments: Piano Guitar Ukulele Classical Guitar Acoustic Guitar

I am very fortunate to have worked with great teachers, who not only inspired me to play the guitar at a very high level but also to desire to pass on that knowledge to my students. I am very passionate about working with all my students. I strive to make every student comfortable, but gently nudge them to become the best musician they possibly can. I encourage students to get ready and perform on stage and in front of an audience as soon as possible. Read More

Fraser P

Instruments: Piano Voice Trumpet Euphonium

I always like to get a feel for the students ability first and then choose the right level to begin with them. I always start with some exercise work to strengthen the basics and then include a lot of fun pieces to boost the fun and satisfaction with the improvement. I am very effective at improving a players ability and enjoyment of the instrument. Read More

Teacher In Spotlight

Gust T

Instruments: Piano Guitar Trumpet Saxophone Drums Mallet Percussion

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I went to Berklee school of music and learned the basic theory and history of music. I have studied privately and in those situations learned Orchestration and composition. I currently study with one of the greatest tenor saxophonists and a former band mate Gregory Tardy. Having done much in the business of music I have come to know that degrees are only good for teaching. Usually the degrees are only good for the institution one studied in. A teaching degree in music has become somewhat of a low valued achievement. Unless you get your Doctorate. The state of music in the public school system has dwindled to an embarrassing amount of programs. I know may musicians with degrees who cannot find a teaching position. Whether they are performance or teaching degrees, the market for musicians has become smaller.

What does a normal practice session look like for you?
I practice for more than 4 hours a day and have done so for years. I begin with long tones on the horns and then go to improvisation with mock ups and or etudes I write of my own. i also use the books mentioned for this instrument. For drums I plays beats for as long as possible. All styles possible. For guitar I usually practice picking exercises while doing scales slowly. For trumpet many long tone just to loosen up my embouchure. The trumpet is the hardest of all the instruments. it takes more maintenance than most instruments. Practicing any new phrase as slow as possible is my favorite exercise. Composing is also a part of my practicing regimen.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For drums I use Thomas Chapins independence methodolgy For piano I use my own simple exercises for beginners. Once we progress I use Hanon, Bach and Chopin. For improvisation and understanding the art of harmony I use several books. Mark Levine the Jazz piano book. Along with transcriptions I have done or use from various books. I use these to analyse the melody and harmony. For trumpet I use Arban's method. I also use transcriptions. For tenor sax I use The Slominsky thesaurus and Jerry Bergonzi books volume 5 and 6. For vibraphone I use my own technical exercises for 4 mallet technique. For guitar I use chord pattern books and Mel Bays encyclopedia of guitar chords and scales.

What do you think is the hardest thing to master on your instrument?
Musicality. Having a great technique is helpful, but being musical is always the main ingredient which separates the musician. Once you learn to play an instrument well throwing out the technical expression is best. I have heard musicians who sing or play an instrument with very little technical ability make more music than the well schooled performers. I have heard mechanical performances on every instrument and every genre. When I hear a performance on an instrument that sings no matter how many or how few notes are coming out, then the music is clear. I remember walking through the halls of Julliard with a world renowned pianist Vladimir Ashkenazy and him pointing out the endless machine like performances. I've witnessed the same in Jazz concerts. But then it is a matter of perspective. Musicality first and forever.

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