Piano Lessons in Oakland City, GA

Instruments: Piano Voice Synthesizer

During my undergraduate time I was apart of those vocal ensembles and worked closely with professors and students to write, arrange and perform full length vocal compositions. Soon after graduation, I was a full-time musician giving freelance voice lessons, and also teaching jazz voice while an artist in residency at Duke Ellington. During my time at Duke, I continued to perform and record around Washington, DC. This is where I began to be recognized for my talent, and was approached by an independent label who would soon thereafter move me to Atlanta, Ga to pursue my goal of being a full-time artist. Read More

Instruments: Piano Trumpet Trombone Saxophone Flute Clarinet Synthesizer Recorder Euphonium French Horn Tuba English Horn Latin Percussion Music Keyboard

Typically when I begin with children I incorporate the Hoffman Method and Books such as the Little Mozarts books, Alfred, Faber and Master Theory. I allow for children to learn fundamentals in a fun way so they can begin to read music and perform if they are interested. Students get to learn the basics like Mary had a little lamb, hot cross buns, jingle bells, and other fun tunes. Classes are also available for older beginners interested in learning classical or other styles. Read More

Instruments: Piano Trumpet

My teaching style starts with really trying to understand the student that I am teaching, when I can do that, it makes the whole process of teaching easier. For example, in my experience, something that works for some students, really wont work for others, and if I can identify why something isnt working for a student, I can give them the right tools to fix it. I will usually start with asking the student to play something for me or see what they want to learn, then give them things based on what I hear in their playing, or what they tell me. Read More

Instruments: Piano Guitar Voice Trumpet Trombone Flute Clarinet Drums Euphonium Keyboard

For beginning students both children and adults, I typically start with Bruce Pearson's Standard of Excellence books. Once my younger students have progressed to have a grasp of the fundamentals, I begin to introduce solo repertoire that is appropriate for their first recital performance. Once the adults have progressed to have a grasp of the fundamentals, I try to find out what the student is interested in and guide my instruction towards that interest, all while keeping the lessons engaging and fun. Read More

Instruments: Piano Guitar Voice Bass Guitar Synthesizer Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

Displeased with how my playing sounded I started crying. My mother came to me and asked me what was wrong. I told her that I wanted to play piano like Mr. Rogers' friend on the show. I was four years old and from that day forward my musical journey began. I continued piano lessons and often got in trouble with my teachers, I played by ear, and while my piano playing was superb, my sight reading lacked immensely. Read More

Instruments: Piano Music Keyboard

My teaching experience began with my junior year in high school. After having withheld the majority knowledge necessary for my own particular developing-repertoire; i began to instruct and tutor my peers personally. In what time that I received to cultivate this desire of mine--to teach, i noticed that my transmittance to the youth was as a medium between what appears to be more transfixing than actually so. It was found that the results were rewarding, in me having been able to see how much a difference the presentation of knowledge makes in matters of retention. Read More

Instruments: Piano Guitar Ukulele Mandolin Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I taught my first students around 1993 back in my homeland, Greece. Since then, I taught several instruments such as piano, guitar, mandolin, ukelele, Greek bouzouki, ud and Greek Lute. In my teaching, I always combine elements, from any musical style I have taught to strengthen my teaching skills and help students achieve their best. I believe in a good balance between studying theory and practicing technique and music. Theory reveals the secrets of music. Read More