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Featured Piano Teachers Near Carson, CA

4271   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Carson . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Christopher M

Instruments: Piano Trombone Synthesizer Keyboard

I want to see my students gain knowledge as well as a passion for music from their time of study. I intend to fulfill both of these objectives by assessing and evaluating each students individual skill set and catering to the ideas concepts that in my opinion will help them progress in the way most needed. I find it very important that music becomes fun for those learning it. The enjoyment of the art is what continues to push me forward in my learning to this day, therefore it is very important that music becomes a place of joy and fun, even within education. Read More

Matthew C

Instruments: Piano Guitar Drums Bass Guitar

My main focus of teaching is on the student, and on developing and expanding their existing musical interests. I develop a lesson plan and schedule that begins with the musical interests and passions of the student, their favorite bands, favorite songs and musical styles. From there I take each of their favorite pieces of music and demonstrate how the building blocks of music were used to create each, and how they can not only recreate their favorites, but start to create their own musical identity. Read More

Jamie C

Instruments: Piano

As with methods, I do not have one lesson style.  My approach with a three year old is different than with a seventy year old. I am detailed in my critiques, but patient, positive, and creative with explanations.  My goal is for the students to learn to love and appreciate music and for them to use it not as a short term goal, but as something they can live with and enjoy for the rest of their lives.  I sets appropriate goals with recitals, festivals and examinations to both motivate and encourage students, ensuring that they have a positive experience. Read More

Fernando P

Instruments: Piano Saxophone Flute Clarinet

I love teaching; it is my passion! But most of all, I get great satisfaction in sharing the love of music with my students.  Seeing the accomplishments, achievements, an growth of my students is the thing that continues to inspire and drive me. I encourage my students to have fun and have a say in the music selection process, because I want them to feel like they too get to choose the music that they want to learn and play. Read More

Larry M

Instruments: Piano Voice

I generally use different methods with different students. Since I expect excellence, I tend to treat students as professional colleagues, expecting them to work as hard and effectively as I do. I tend to develop my own methods as we progress, encouraging introspection by the student and developing a sense of musical independence. Success is subjective; enjoying one's journey is not. If a student is not enjoying the process then what's the use? Read More

Steve B

Instruments: Piano Voice Cello

Have fun. Love what you do. If it stops being fun push a little further ahead and see what happens. All it takes is a little ember to start a fire and I am ready to help my students find that fire within themselves. Its not always going to be easy and they will fall and stumble and when that does happen (and it will) I will be there to show them how to pick themselves up. Read More

Teacher In Spotlight

Mike B

Instruments: Drums Conga Latin Percussion Djembe

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
Since the age of 15, i knew I wanted to make an honest living with my passion and love for drums. I began teaching in Williamsport, MD in 1993. I walked into this music shop to buy some drumming gear for an upcoming gig and the owner was frantic over his drum teacher leaving suddenly. I inquired and he had me play a kit sitting in the showroom and he hired me on the spot. So, I started with 21 students handed to me. In all essence, I began teaching drums because I wanted to yet I walked right into it one day.

What is your dream piece to perform and why?
I Don't Care Anymore by Phil Collins.

What is your favorite style/genre of music to play and why?
I love playing rock and blues - anything that I can use the entire kit on. I love Buddy Rich's style of jazzy big band swing also.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
I started in life playing guitar and bass along with drums but the drums chose me and it just stuck.

Does music run in your family? Tell us a little about your musical family members.
Both my parents were not musically inclined. My sister plays guitar and sings.

What does a normal practice session look like for you?
While every student and lesson is unique, here's a general outline of how I structure a typical drum lesson: 1. Warm-up (5-10 minutes): Rudiments: We begin with essential rudiments like single stroke rolls, double stroke rolls, and paradiddles to develop stick control, hand-foot coordination, and warm up the muscles. Stretching: Light stretches for wrists, fingers, and arms to prevent tension and promote flexibility. Technique Review: We revisit key techniques from previous lessons to reinforce proper form and address any challenges. 2. Concept/Skill Focus (15-20 minutes): New Concepts: Introduction of a new concept or skill, such as a specific rhythm, groove, fill, or drumming technique. Demonstration and Explanation: I demonstrate the concept and break it down into manageable steps, providing clear explanations and visual aids. Guided Practice: Students practice the new concept with guidance and feedback, focusing on accuracy, timing, and musicality. 3. Repertoire Building (15-20 minutes): Applying Concepts: Students apply the new concept to a song or exercise, integrating it with previously learned material. Exploring Styles: We explore different musical styles and grooves, applying the new concept in various contexts. Creative Exploration: I encourage students to experiment and improvise, developing their own interpretations and variations. 4. Songwork/Performance Practice (10-15 minutes): Playing Along: Students practice playing along to their favorite songs or backing tracks, developing their timing and groove in a musical context. Performance Preparation: For students preparing for performances or auditions, we dedicate time to refining their pieces and building stage presence. 5. Review and Assignment (5 minutes): Recap: We review key concepts and techniques covered in the lesson. Practice Goals: I provide clear practice goals and assignments for the following week, ensuring continued progress and reinforcement. Feedback and Encouragement: I offer constructive feedback and encouragement, celebrating achievements and motivating students for their next lesson. Throughout the lesson: Individualized Approach: I tailor the lesson to each student's specific needs, goals, and learning style. Positive and Supportive Environment: I create a fun and encouraging atmosphere where students feel comfortable taking risks and exploring their creativity. Open Communication: I encourage open communication and questions, ensuring that students fully understand the concepts and feel supported in their learning journey. This structured yet flexible approach ensures that each lesson is productive, engaging, and tailored to the student's individual needs, fostering continuous improvement and a lifelong love of drumming.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
"Progressive Steps to Syncopation for the Modern Drummer" by Ted Reed is more than just a book; it's a comprehensive guide to unlocking rhythmic mastery and achieving drumming excellence. This timeless text serves as the foundation for countless drummers, from beginners taking their first tentative steps to seasoned professionals refining their craft. By incorporating "Progressive Steps to Syncopation" into my teaching, I ensure that my students develop a strong rhythmic foundation, a deep understanding of musicality, and the versatility to excel in any genre. This book is not just a stepping stone; it's a lifelong companion on their drumming journey.

What musical accomplishments are you most proud of?
I had the honor to collaborate and work with members of notable recording artists like A Perfect Circle, Puscifer, Saving Able, Tantric, Saliva, and Kix. I have worked in the backend for acts like Lady GaGa and the Rolling Stones. I have performed with many notable musicians throughout my life.

What do you think is the hardest thing to master on your instrument?
Timing is probably the most important consideration in drumming. Without timing, everything falls apart.

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