Music Lessons in Whittier Heights, WA

Instruments: Viola

I have taught for four years primarily using the Tuttle System and the Suzuki method. I am patient with my students and believe that anyone can become a great violist. I understand that it is difficult in the beginning and progress can be slow, but I encourage my students to keep chugging along. There is nothing more rewarding than accomplishing something as difficult as playing the viola. First and foremost, I prioritize establishing a strong foundation of technical skills. Read More

Instruments: Bass Guitar Double Bass

I began teaching privately in 1994 and my main focus is always on the student's growth. The gift of music was passed down to me through my mentors (some famous, some not) and I always vowed to do the same. I have a very diverse grasp of music and love to blend different genres together. I also love to help bring out the creativity in other people. It is a passion of mine. Read More

Instruments: Violin Viola Electric Violin Fiddle

I approach each student as an individual. Some students take things slow and steady, while others I can barely fit enough into their weekly lessons to keep them happy, and either way is just fine. My ultimate goal as a teacher is to make myself obsolete - I aim to teach my students how to learn, how to be critics of themselves for more effective practice time, and eventually, how to either need a teacher that can take them to more advanced levels, or to play without a teacher. Read More

Instruments: Voice Music

My mission statement is To teach with encouragement, humor, patience, and simple terminology, using applied science and body-awareness, all with the goal of vocal expressiveness. I always create a safe, supportive environment where my students can learn to express themselves through singing effectively. I use the McClosky Technique that employs applied science to help my students to sing with complete relaxation and freedom applied to any style of singing. My philosophy of teaching is based on the fact that working on voice technique is really an athletic process, and follows these principles: o A good voice teacher will let your true voice reveal itself, then follow it wherever it goes with encouragement and well-informed instruction. o A good voice teacher wont jump to conclusions about your voice but listen to how you describe your own experience and take it from there. o A good voice teacher will engage in deep listening with the goal of achieving complete relaxation when singing and speaking. o A good voice teacher will help you learn how to feel your body guiding you. Read More

Instruments: Guitar Bass Guitar Electric Guitar Acoustic Guitar

I've been teaching music lessons for about two years. I have worked privately with two students in the past for over a year. I believe one of the most important parts of teaching is to make it fun and encouraging. I emphasize the idea of seeing continuous progress on their instrument. This motivates students to set higher goals for themselves and achieve them giving them confidence and joy. I believe the student receives the most value when their instruction is effective and rapid in helping them attain their goals. Read More

Instruments: Piano Voice Keyboard

My approach to teaching is holistic, positive, and gentle and influenced by my interest in music psychology. I begin by learning about the student's background, interests, and goals. Since goals can change as we gain experience and skill, I help my students discover the possibilities available to them as they study. One of the most important parts of my teaching is to help students learn how to practice in healthy, positive, consistent manner and to develop faith that persistent healthy practice will yield life-long fruits. Read More

Instruments: Voice Violin

For all beginner students, I begin with the Essential Elements books. Once fingering and bowing have been introduced, I begin incorporating level-appropriate scales. These etudes and scales are vital for learning the technique necessary for more advanced pieces. Once the student has completed the first Essential Elements book, we then select a piece for them to play, and keep this as our main focus while continuing to work on scales and etudes. Read More