Music Lessons in Tracys Landing, MD

Instruments: Piano Guitar Voice Violin Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Recorder Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Music Keyboard

To make the learning experience fun and engaging. I first introduce concepts; then connect to well known songs and music that allow you to understand and appreciate the vital concepts and themes being illustrated. Together we set realistic goals, learn from where we may have missed the mark, and celebrate our achievements. This allows me to tailor your lesson so that you may gain the absolute most at of each and everyone. Read More

Instruments: Piano Voice

For my vocal students, I start with vocal exercises every lesson and allow them learn to vocal techniques through different vocal exercises. Then I work with my students on the repertoire that they are interested in or repertoire that can help them practice their weak spots. For my piano students, I use many different series (Alfred's, Faber, or some classic repertoire) depending on their level and age. For all students, I will also include music theory when I teach because the students will have a stronger foundation with all of these components, which will enable them to learn better, faster and even by their own. Read More

Instruments: Piano Trumpet Keyboard

I then started my own studio while working towards my masters degree in New York. I teach at the Larchmont Music Academy, and was very involved with the outreach program at Manhattan School of Music. Through this program, I was able to teach in a variety of different subprograms - giving lectures about the history of jazz music to elderly people as well as teaching at numerous public middle schools' after-school music programs. Read More

Instruments: Flute Recorder

I work very hard, and I enjoy seeing the progress you achieve as we move on with classes. Until now i have raised many talents, that have finished their bachelor's and master's degrees and some of which are globally known musicians. As a flautist I have performed with many orchestras, chamber orchestras, and choirs and held solo recitals and fundraising concerts for local music schools. Recently I have recorded a piece written by American composer and guitarist Garth Baxter. Read More

Instruments: Guitar Trombone Bass Guitar

I have been teaching off and on since I was a teenager. I have taken my knowledge of music from many talented and diverse musicians across many genres. I have spent a significant amount of time on the road and in studios learning from some amazing people. I try hard to use all of this knowledge in providing students with fun, helpful, and diverse lessons. Read More

Instruments: Cello

My teaching experience actually started with tutoring friends and classmates in math and occasionally other subjects. I find that most principles of teaching are cross-disciplinary though, and it did not take me long to feel comfortable teaching cello. I maintained a small personal studio for about three years, during which time I also had a temporary gig introducing music to children with disabilities. As much as I can obsess over mastering my own skills and hobbies, it somehow makes me even happier to see and nurture that growth in others. Read More

Instruments: Piano Guitar Voice Saxophone Bass Guitar Organ Music Keyboard

Recently I was hired as piano instructor for Quartertonez Music, in Washington DC. Also, I have had experience teaching and studying music education under my high school mentor, renowned music teacher Tim Savage; I was his student-teacher for a semester course at St. Lawrence University. Additionally, throughout my experience as his music student, his teaching approach has infused music education and facilitation lessons within the musical instruction itself. My past teaching experience also includes being a Drill Instructor for the Italian Department at Vassar College for two years during my time as an undergrad (I not only "ran drills" for students who had already started learning the material, but also had to compensate in a variety of ways for the unsuccessful, dysfunctional, or half-hearted engagement that is typical in a foreign language class). Read More