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Featured Music Teachers Near Parker, CO

4330   5 STAR Musika Reviews

Here are just a few of the many teachers offering Music lessons in Parker . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Autumn Emily D

Instruments: Violin Viola

I am a passionate and motivated instructor with a love for working with students of all ages and levels. I hold four degrees in violin performance and have been teaching for nineteen years. I am a violinist with the Colorado Springs Philharmonic. I teach a mixture of Traditonal and Suzuki. I offer a strong studio environment and love to help students reach their goals. There is a high success rate of students in my studio getting into All State and musical festivals across the country. Read More

Matthew L

Instruments: Flute

I've been playing flute for over 15 years and have taken advanced private lessons myself for over 8 years. In my own journey as a musician, I've realized the importance of regular practice time and setting short and long term goals. In my time teaching younger students, I've learned that locking down the basics of tone and breath control are crucial techniques for becoming a great musician. It's also important to have a good mix of repertoire between classical and modern/pop pieces. Read More

Sue B

Instruments: Piano Voice

I have been teaching since 1980. I am originally from North Carolina and moved to Colorado in the 80s. I am a member of National Music Teachers Association, Colorado State Music Teachers Association and Foothills Music Teachers Association. I have taught both at the private and public school levels and teach students beginning at age 5 through adult level. I have sung with Charlotte Opera, Jacksonville Opera and the Lakewood Chorale as soprano soloist. Read More

Matt G

Instruments: Bass Guitar

I began teaching guitar lessons while in college. I taught to friends and family of friends who were interested in learning music, but too nervous to reach out to a teacher that they were not comfortable with. This experience really allowed me to hone my ability to teach students who had an interest in music, but lacked the experience level and confidence to step out of their comfort zone. This was a huge breakthrough for me, I really enjoyed the feeling of helping these people achieve their goals that may have otherwise been unrealized. Read More

Matthew G

Instruments: Piano Guitar Voice Drums Banjo Electric Guitar Classical Guitar Acoustic Guitar

This will vary given the student's abilities and particular intentions for study. In general, I focus on five distinct areas of learning: technique, theoretical understanding, reading, intuitive playing/learning by ear, and performance. I like to keep each lesson fluid and organized, by maintaining structure within segments of study. Within these segments we may venture into something unanticipated, so long as the student expresses interest, readiness, and the ability to learn. Read More

Teacher In Spotlight

Joseph S

Instruments: Accordion

When will I start to see results?
In students with some talent, I see results within three lessons. In students with natural talent, generally after one lesson and a week of practice. If a child does not have, at least, some innate musical 'feel,' it is probably better to try another of the arts. I know people who are geniuses who can't sing or play no matter what their intelligence level. I know people who sat down at a piano when they were little and can play with the slightest bit of instruction. Look at Stevie Wonder or Ray Charles. Also, great jazz artists like Errol Garner, never had a lesson!

Did you have a teacher that inspired you to go into music? How did they inspire you?
I learned to play quickly when I started, most likely because my sister and father were playing and I heard music all the time. Like most kids, I found practice to be boring and difficult. I learned backwards, I played mostly by ear and would practice parts of classical songs until I got them right and then put them all together. I did not understand chord structure although I could play Mozart. When I began studying with Chelso Ferrari, he opened up a new world to me. It wasn't that he played better than my other teachers, which he did. But he showed me how certain chord enhancements changed the sound of almost any song! My playing got better after one lesson (I was already very advanced on the bass left hand) He showed me that I intrinsically knew what I couldn't understand technically. Then I learned what I was doing by rote and I had to really re-learn what I knew already. Then I could take any song I knew and enhance it.

What do you think is the hardest thing to master on your instrument?
Most everyone would say that playing the bass on the left hand where you can't see the butttons and then playing right hand keyboard is the hardest. It isn't. The left hand is the easiest to learn and you get used to the chord changes on the left hand almost automatically. The most difficult thing to master is playing contrapuntally with chords on the right hand. Malaguena is a killer, both right and left hands have a high degree of difficulty. Playing both hands together on that and other classical songs is really hard. However, when playing pop tunes, using the advanced chord method is also difficult to master. I don't believe I would have been able to learn the advanced chords without playing classical first.

What is your dream piece to perform and why?
It was Malaguena but I've lost a little bit of my speed. I'm 72 years old. Although, I can play songs like But Beautiful, So In Love, Moonlight Serenade, very well. I have a couple of 'fake' books that I put together on my own that work well as dinner music, wedding music, club music. I believe I can play many of the songs as well as my deceased teacher, which is saying a lot.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
It was known in the neighborhood that I could play well, so I was hired to play a couple of (very poor) weddings when I was about 14. Then by word of mouth and recommendation of my final teacher I played lots of weddings, barmitzvahs etc.

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