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Featured Music Teachers Near Oregon, WI

4309   5 STAR Musika Reviews

Here are just a few of the many teachers offering Music lessons in Oregon . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Caroline H

Instruments: Piano Voice

I have different methods for piano and voice: depending on the level of the piano student, I will use Faber method books and supplement performance pieces, technique lessons, games, theory discussions, etc. I do not use method books with voice students, although I do have a curriculum that I follow and adjust depending on the level and age of the voice student. I believe that while beginning and intermediate students continue to learn, it is important for them to practice different genres on their instrument -- this allows them to speak different musical languages, improves their understanding of style, and gives them a better context for their own gifts and interests. Read More

Madison L

Instruments: Clarinet

I have been teaching young clarinetists privately for nearly 8 years, and more recently began working as a clinician and teaching masterclasses at local schools. I prioritize curating diverse resources for teaching and performing, and am frequently trying new technique books and contemporary music for myself and my students. As a performer, I have made great progress through participating in chamber music, and so I encourage my own students to collaborate with their peers and frequently will play chamber music in lessons. Read More

Keith S

Instruments: Piano Guitar Bass Guitar

I have found nothing in my professional life more satisfying that developing lasting relationships with my students. Watching someone grow in their ability to play music, especially music they love, is an experience that is second to none. I will help you become the musician you long to be, and hopefully point you in some new and exciting directions along the way. We embark on this journey together, and no matter where we end up it will be a wonderful ride getting there! Read More

Alex T

Instruments: Voice

My teaching is rooted in the philosophy of functional singing, which means everything I teach has a purpose rooted in the physiology of singing. We do a lot of different exercises and say a lot of funny sounding words, but each exercise is carefully crafted to maximize training your voice's flexibility, agility, or strength. Similar to how you might do a bicep curl to make your bicep stronger, vocal exercises are part of a broader "vocal workout" regimen based on what your voice needs on any given day. Read More

Joel C

Instruments: Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion

I teach anything from Classical to rock to jazz to Metal and everything in between. My specialitesare as follows but are not limited to: Odd Time Signatures Snare coordination Music Theory and History Rudiments based instruction Writing and reading music Playing for the song Preparing youth for high school, college and beyond Teaching Experience: Teaching Drums privately in Madison and its suburbs, WI Feb 2008- Present Taught Drums at JB Music in Stoughton, WI Feb 2007- 2008 Taught Drums in Chicago, IL privately 2005-2007 Taught Drums and Bass at Berea Music in Berea, OH 2002-2004 Taught Drums Privately in Cleveland, Ohio area 1996-2005 Read More

Rami A

Instruments: Guitar Classical Guitar Acoustic Guitar

Regarding musical repertoire, I emphasize a diverse and enjoyable repertoire especially for guitar ensemble and group classes. I tend to introduce my students to different cultures and wider musical experience by playing and practicing works composed by composers from around the world and even arranging traditional music of variety of cultures. For me, teaching in groups was always an enjoyable experience. In my view, making a friendly environment is the corner stone for having successful results. Read More

Adam E

Instruments: Violin

My teaching style reflects the fundamental idea that learning to play the violin is not a linear process. The bow hold is learned through a good bow stroke, and the bow stroke is learned through a good bow hold. Every element of playing the violin can be cast in a reciprocal relationship like this, and in reality it is even more complicated, as it is not simply two parts leaning off one another but all parts. Read More

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