Music Lessons in Highland Park, NJ

Instruments: Voice

I am an enthusiastic voice teacher who is dedicated to my craft. Currently, I am an adjunct voice teacher at New York University while studying there for my Master of Music degree in classical voice along with an additional Post-Master's Advanced Certificate in Vocal Pedagogy (May 2020 candidate). I have a particular interest in Vocology and have established a relationship with the NYU Langone Voice Center as part of my program where I have observed otolaryngologists and speech-language pathologists in their working environment. Read More

Instruments: Guitar

My approach to teaching really varies depending on the students specific needs. For absolute beginners, I can tend to follow a more concrete progression, but depending on who the student is, and what they're level of passion may be for learning something specific, the lesson may be highly specific. If the student is interested, I personally like to give them an understanding of some of the theory as they go along, even if they are a beginner because I believe it helps them to see the bigger picture. Read More

Instruments: Piano Voice Violin Viola

Excellent, nurturing Suzuki violin pedagogy - treating music as a mother tongue to absorb, imitate, and engage with - informs my methods for beginning and intermediate students. Gradually, as the student shows readiness, we blend in the traditional yet humane study of expert violin playing and thoughtful musicianship modeled for me in Dorothy DeLay's masterclass. As distinct from many string players, I am also a devoted and accomplished singer. So breathing, posture, phrasing, color, line, and articulation are key to my approaches to making and teaching music, and thus to helping my students x22singx22 through their playing. Read More

Instruments: Piano Voice Drums

For young students, I would usually start them off using Bastien Piano Basics. It's very digestible, and gives a good starting-off point for both technical playing, and larger musical concepts as a whole. With a student who is older or perhaps more advanced, who has a solid grasp on technical proficiency and music theory, I would typically recommend studying specific pieces, starting with Classical, and eventually moving into Jazz. I feel that following a chronological study of music is one of the best ways to become a well-rounded, versatile player who feels comfortable approaching any material. Read More

Instruments: Cello

I frequently premiere and performs works of contemporary composers. I have had the opportunity to work directly with numerous composers including Pulitzer Prize winner Paul Moravec, Nick Virzi, Felipe Salles, Nick DiBernadino, Shelley Washington, Gemma Peacocke, Rob Deemer, Saad Hadad, William David Cooper, Matthew Recio, and Masatora Goya. I have performed on such series as Bargemusic: Here and Now, Fordham University at Lincoln Center Concerts, Luzerne Faculty Concert Series, the Composer's Voice, and Interlochen New Music Series. Read More

Instruments: Drums

I like my students to have fun and at the same time to see progress. Any small or big achievement can be very important for the student, such as completing a new song or a new exercise. Every small step further is important because it's a reward that makes their passion for music grow. Read More