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Featured Drum Teachers Near Portland, OR

4045   5 STAR Musika Reviews

Here are just a few of the many teachers offering Drum lessons in Portland . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Vaughn B

Instruments: Drums

  Each and every student who takes lessons from me is an individual. My focus in the beginning is on technique for sticks/hands/mallets. I also focus on body mechanics to help students be comfortable when playing the percussion instrument. When it comes to learning grooves and soloing concepts, I introduce students to a variety of styles. If a student shows interest in one, that particular style will be developed. Read More

Corey C

Instruments: Guitar Drums Bass Guitar Ukulele

Drums: For students who want to ROCK! Drumming is a perfect way to get active and distracted students engaged and interested in the world of music. Students will learn basic rock/dance/jazz beats, marching cadences, musical symbols and notation, solos, and much more. The book used, Basic Drumming by Joel Rothman, is a wonderful book that will last for 3 years of lessons and beyond. Your teacher will take you from beginner, to intermediate, to advanced, and help you learn the style and genre of music you like best. Read More

Amanda G

Instruments: Piano Guitar Drums Mallet Percussion Orchestral Percussion Latin Percussion Keyboard Acoustic Guitar

I love watching students learn and develop a passion for music. I love to inspire each individual student. I think it’s important to relate to each student in their own way so they each can thrive. I like to set goals during each lesson that are practical, yet give the student a feeling of accomplishment when reached. Goals are important to keep driving you forward and developing your skill. Read More

Mary A

Instruments: Piano Drums Mallet Percussion Orchestral Percussion

For beginning students who are children, I like to start with Piano Adventures by Nancy and Randall Faber. In addition to the method books to introduce music theory I incorporate musical games and flash cards. Keeping lessons fun and stimulating for young students I believe is vital to their growth. For older and more experienced students, I like to personalize my lessons to what the student is interested in while keeping lessons challenging and enjoyable at the same time. Read More

James S

Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Keyboard Electric Guitar Acoustic Guitar

I strongly believe in learning from my students, and that music lessons are about sharing, and exchanging ideas. I also understand that students at the beginning of their musical journey may need more of a guiding hand than others further along. For piano students I use the Neil A. Kjos Piano Library method books. I am flexible and I can tailor my lessons to what the student is interested in learning. Read More

Lance E

Instruments: Guitar Drums Bass Guitar Ukulele

I first began teaching music lessons as a way to earn extra money for college and I have been teaching ever since. I have been mostly a freelance teacher, but I have substitute taught many times at Musical Beginnings in Vancouver, Washington. My first instrument is drums, though I have also been playing and teaching guitar and ukulele for a long time. In church settings I have often had the opportunity to help younger and less experienced musicians find their place in the praise band or worship team and to learn how to play music as a part of a group. Read More

Ben H

Instruments: Drums Orchestral Percussion Latin Percussion

Throughout my entire life I have possessed a great amount of zeal and love for music, and helping others develop their own relationship with music brings me great joy. I started playing at age 8 and began gigging professionally at age 14. From hardcore punk bands to symphony orchestras, jazz groups to indie rock bands, freely improvised avant-garde music to ska bands, Ive performed in a vast array of musical settings and I still love finding new performing experiences every day! Read More

Teacher In Spotlight

Daniel S

Instruments: Guitar Electric Guitar Acoustic Guitar

When will I start to see results?
It really depends on the student, their interest level, their age range, and most importantly their practice routine. Different people have different natural talents. That's not to say the most important skills on any instrument aren't learned through training and practice, but rather that some things like perfect pitch or a natural affinity for dictation, "good ears" so to say can't help anyone with a genuine interest develop quicker then their counter part. The most important thing I think in terms of developing results is the students interest level which will then directly effect their practice routine. A player who is truly passionate will develop the quickest because they'll put more time into the instrument. Some students only truly care to be casual players and will then develop at a casual rate based on their own comfort level. Students who arn't truly interested and don't want to learn will struggle to develop at all. Younger students may also develop slower then older students although full adults can often be hindered in development by their busy schedules.

How do I know if my child is ready to start lessons?
You can't force an interest in music. If children are ready to take music lessons they will let you know. It's definitely worth asking them if they start to express curiosity about music because it is important to nurture that interest. However, the best and most successful players I've know are the ones who really want to play. Otherwise I think early adolescence between 10 and 12 is probably the best age range. I started playing when I was twelve and could just barely grasp the concepts at the time necessary to progress. Younger students might struggle to find the focus and finger strength especially to really progress at an effective rate.

What advice do you have about practicing effectively?
My best advice for practicing effectively is to do so frequently. Practicing for say three hours one day and then taking the next four days off doesn't work nearly as well for development as practicing 30-45 minutes each of those days would. Much like studying for a test, when we cram that much information our brains can't really process it all. However when we develop consistent practice routines it's easy to develop concepts over multiple sessions by compounding practice day after day. Shorter more regular practice sessions are less exhausting and easier to digest while keeping students from becoming frustrated by allowing them to track their progress day by day.

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