Drum Lessons in Peconic, NY

Instruments: Piano Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums French Horn Piccolo Oboe Bassoon English Horn Keyboard

I normally use the Standard of Excellence method books for most of my students; however, I am open minded to adjusting to each individual student's musical needs, whether it be Jazz, Classical, or whatever style music the student is focusing on. For Drummers, I prefer the Haskell Harr Method, or the Buddy Rich Method Book, as well as the Breeze Easy Method Book. For piano instruction, I prefer the Faber Piano Method Books, as they are tailored to the students' individual needs. Read More

Instruments: Drums Orchestral Percussion Conga Latin Percussion Djembe

  Hands: Master Studies by Joe Morello (for technique, control and endurance) Stick Control by George Stone (the quintessential book of stickings) Alfreds Drum Method Book 1 (do entire book with stickings provided- Alternating all strokes), repeat entire book with Right-Hand-Lead (sometimes called 'traditional' sticking), repeat entire book again using doubles for all pairs of notes (2 consecutive 8th, 2 consecutive 16ths, 32nds, etc) Alfreds Drum Method Book 2 (more advanced rudiments and more challenging context). Read More

Instruments: Drums

For materials I use the following; Vic Firth Snare Drum Method, Rudimental Swing Solos, Art of Bop Drumming, Brazilian Rhythms for Drumset, Afro-Cuban Rhythms for Drumset, Syncopation, Rudimental Ritual, Tables of Time and Music Minus One. Each book focuses on sight reading, coordination and musical styles. Outside of reading materials, I always give my students music to listen to and recordings to play along to. Playing and listening to recordings provides a musical context for what we're learning. Read More

Instruments: Piano Guitar Voice Drums Electric Guitar Acoustic Guitar

My method of teaching will both implement teaching students how to sight read but also more importantly how to play music by ear. I am very big on learning by ear because it is the way I learned music most of my life. For younger students I do want them to start learning how to sight read at a basic level because it will make it easier for them in the long run. Read More

Instruments: Voice Drums

The way I've always approached music and teaching is with a sense of humilty and thanks. It is a true joy to be able to pass on the knowledge and lessons I've learned throughout my experience to those who are excited and passionate. To communicate the artistry of great songwriters, composers and performers, past and present, is both a privilege and a challenge. With that in mind, I set realistic goals for my students by teaching basic fundamental techniques and applying them to repertoire that is fun, recognizable, expressive and practical. Read More

Instruments: Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion

Nothing is more rewarding in my teaching than watching a student enjoy making progress and exceeding the expectations that others have set for them. My favorite moment in the teaching process is witnessing the excitement of a student who has just performed above and beyond even the goals and epectations I had set for them to accomplish in a period of time. In my experience, students love succeeding, and love even more so to be recognized for succeeding. Read More

Instruments: Drums Mallet Percussion Conga

I have been teaching since 1977. I have studied with the late, great Tony Williams and Alan Dawson, Fred Buda, Ed Soph and composition with Steve Grover. I have taught private lessons, small group ensembles, elemntary music theory, orchestral percussion and voice coaching. I have taught in public schools, private prep schools and college. I have performed in the United States and Germany and the Netherlands. I have recorded with Tiger Akoshi, David Mallett and The Novel Jazz Septet. Read More