Drum Lessons in Hamilton, MD

Instruments: Drums Orchestral Percussion Conga Latin Percussion

That includes "found sounds", the many different objects that resonate, ring, buzz, pop, and provide some other when struck that allows for spontaneous music making. Said in another way, my teaching style is ALL ABOUT IMPROV. Improv in the teaching itself and conveying the notions of improv to the student, so even when you're reading the music that they're playing, they improving to whatever degree the situation allows. Improv means to make it your own. Read More

Instruments: Drums Conga Latin Percussion Djembe

I am deeply inspired by students who are eager and motivated to learn drumming. I meet each student where they are, looking and listening for the unique learning style of each student. After i access what approaches work best based on their ability level, I design a systematic practice routine based on Technique, Vocabulary, Independence, Coordination, and Musicality. If its required I can assist in writing charts for songs. Im focused on targeting the areas where improvement is needed and to encourage and challenge students to develop discipline, good habits, while striving to improve and overcome the weakness aspects of their drumming. Read More

Instruments: Drums

Over the years I've gained alot of experience in what makes a great preformer a great preformer. Studying at Montgomery College and being part of the Latin and Jazz emsembles taught me that music in more of a language and any. Everything that is played is interpreted by the listener as a true of false statement. Much like a typicall dialog with another human being, we interact on more than one level. Read More

Instruments: Piano Drums Mallet Percussion Orchestral Percussion Keyboard

For beginning students I generally use some of the Alfred piano series, selecting those I think are appropriate. No need to purchase every single book of every level. Some students want to get directly in chords, while others wish to learn sheet music. For students who want to become more proficient classically, I will usually use the John Thompson system, along with my own curriculum of theory and hand exercises. Read More

Instruments: Drums

Steve is originally from the Binghamton, NY area and began studying drums at the age of 12 with local jazz musician Tony Monforte. He participated in the All State Orchestra and was placed on the Pro-Mark Honor Roll for young, up-and-coming drummers. Steve received a Bachelors of Music in Jazz Studies from Ithaca College in Ithaca, NY where he studied with Gordon Stout, Steve Brown, and Robert Bridge. He was selected to participate in the Henry Mancini Institute where he worked with some of the leading jazz, film, and classical musicians and composers from around the world including Terence Blanchard, Bud Shank, Christian McBride, and Jerry Goldsmith. Read More

Instruments: Piano Guitar Voice Violin Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Recorder Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Music Keyboard

During my employment with Sallie B. Howard School for the Arts and Education (in Wilson, NC) where I introduced a marching band program and lead the band to winning second place in the Music in the Parks competition in May of 2015. During my internship I was able to develop a percussion line with the students in under a month. The formation and level of proficiency of the percussion section was so astonishing that administrators, staff, other teachers, and even the principal dropped in from time to time just to hear the progression of the ensemble. Read More

Instruments: Drums Conga Latin Percussion Djembe

My teaching method goes beyond just technique; it's about unlocking the inherent creativity and therapeutic potential within each student. I believe the drums can be a powerful tool for self-expression and personal growth, and I encourage my students to explore this aspect of their musical journey. While I guide them through a comprehensive curriculum covering diverse styles like rock, blues, jazz, and funk, my emphasis is on fostering a deep connection with the instrument. Read More