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25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
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Here are just a few of the many teachers offering Drum lessons in Denver . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Voice Drums Synthesizer Conga
I focus on ear training and theory most especially at first lesson. My methods vary on a case to case basis.Beginer to advanced level grade placement consideration. First lessons are typically to evelauate students strengths and weakness and pivotal areas of focus. I then prepare a custom curriculum and that best fit them fits student. My Main goal is to assist my students in attaining their music and performance goals. Read More
Instruments: Piano Guitar Voice Drums Banjo Electric Guitar Classical Guitar Acoustic Guitar
This will vary given the student's abilities and particular intentions for study. In general, I focus on five distinct areas of learning: technique, theoretical understanding, reading, intuitive playing/learning by ear, and performance. I like to keep each lesson fluid and organized, by maintaining structure within segments of study. Within these segments we may venture into something unanticipated, so long as the student expresses interest, readiness, and the ability to learn. Read More
Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Recorder Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn
I ask all of my students to be prepared for their lessons with a notebook and pencil for lesson notes and assignments. I ask them to bring any materials they have and will often recommend books and supplemental material I have had success with. I believe in writing down notes that help students understand what they are learning, exactly what students should practice, and setting goals for their practice and overall progress. Read More
Instruments: Drums
I want to find out each student's skill level, and start from there. For beginners, I try to keep thing informal and fun while teaching basics without putting any pressure to get into the technical stuff like hand technique and reading until they're ready. For intermediate students, I nudged them along with weekly lessons that are challenging enough to keep them engaged - this includes reading, hand technique and limb independence. Read More
Instruments: Piano Trombone Clarinet Drums Bass Guitar Euphonium Tuba Piccolo Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard
Since I have had many different teachers in many different areas of my musical life, my philosophy is to be flexible and open as an instructor. I have learned many different methods and techniques, and depending on the type of lesson I'm teaching, I use whatever methods are relevant. Whether I'm teaching rock music, orchestral music, or even marching band techniques, my goal is to give students the skills and tools they need to have fun and be successful. Read More
Instruments: Drums
My teaching experience dates back to my college days when I was an instructor for the Rangeview High School percussion ensemble for two years. This led me to start teaching private drum lessons, live/studio session drumming, and music production. After college I was feeling like that music education was not keeping up with the music business. As a record label own I felt that music education should reflect modern music making, that was the start of my passion for teaching students my drum philosophy. Read More
Instruments: Drums Conga Latin Percussion Djembe
What advice do you have about practicing effectively?
Consistency is key! Practicing a little bit every day is better for your growth as a musician than practicing a lot one or two days a week. Always warm up with something you're familiar and comfortable with before pushing into new territory. And of course, practice with a metronome! It doesn't have to be clicking the entire time you practice, but every practice session should feature at least some metronome work. Playing to a click is a surefire way to improve your sense of time, and as a percussionist you'll want to have the best time feel you possibly can!
When will I start to see results?
Results will entirely depend on the amount of work you put in. While it is true that certain students will inherently have an easier or harder time than others depending on the material being taught, the ones who work the hardest and practice the most will be the ones who see results the quickest and make the most consistent progress. As a general rule, students who put in at least a few hours of practice a week can go from complete beginner to being able to play a few basic beats within a month or two.
What do you think is the hardest thing to master on your instrument?
The hardest part about playing the drums is being able to synthesize all you have learned to create music on the fly. That is, instead of pre-planning the beats and fills you're going to play, you instead make up beats and fills that suit the music as you go. This requires a lot of practice so that you're comfortable enough with the coordination required to start, stop, and switch between beats, all while remaining at the same tempo. You'll often be required to do so at different tempos and in different styles as well!
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
The materials I use depend on the genre the student is interested in. For rock, funk, and pop drummers, I tend to go with A Fresh Approach to the Drumset by Mark Wessels. The build-up of ideas throughout the book feels intuitive, and the backing tracks give students a way to practice the material in context. For jazz students, I use John Riley's books The Art of Bop Drumming and Beyond Bop Drumming. As far as I'm concerned, these two books are the gold standard for jazz drumset education, giving students a structured guide through several different aspects of jazz drumming, plus backing tracks and recommended listening. For those interested in Latin percussion, Ed Uribe's books on Brazilian and Afro-Cuban percussion are invaluable assets that go in depth about both individual percussion instruments and how those sounds are combined to make drumset grooves.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Drum lessons in Denver to students of all ages and abilities.
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