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My teaching experience began in 2008 when I was in high school. I began teaching private lessons and quickly was asked to substitute for my teachers and to provide group technique classes at the local high school. I continued teaching through college, and opened my first full-time private studio in Boston, MA in 2015. Currently my studio has twenty students, and is always growing!
Each student is different. Education is not a one shoe fits all deal. Each students learns in unique ways, shapes, and forms. Educators should always, always guide the student in setting goals and meeting/exceeding said goals. Celebrating accomplishments is vital to fueling a desire to progress in this mix.
I have been teaching music since 2000 trough individual lessons and group instruction. I gained further expereince as the director of children choirs and the Music Director at The Bridge. I have developed music and drama programs for children, including a flute teaching method in order to make learning fun and successful. I am looking to have that method published, possibly through online-live classes, in the future. I have been performing music since I was a child. Igrew up singing in church and school choirs and playing in my school band. I continued in High School in the Band, Jazz Band, Choir and Show Choir. In college I pursued a duel degree in Counseling and Music. My music degree included Music History, Performance, Theory, and Conducting. I performed in the band as First Chair Flute and in the Chorale, Chamber Choir and Chapel Choir. I have been a member of various concert bands, though unfortunately there is not one in my are that I can currently join, or I would. I do perform solo flute and vocals at events. I am a current member of the Bridgewater State University Alumni Chamber Choir. In addition to music, I have also been involved in theater. I have performed with famous actors and musicians at the Annual Fundraising Galas at The Hole in the Wall Gang Camp and at The Kennedy Center for Perfoming Arts in honor of Paul Newman and Joanne Woodward in 1992. I had a staring cast role in "Godspell" in 1998 at Assumption College and was in the chorus for other productions, including "A Chorus Line". In 2004 I had a staring role "The Queen of Bingo" in Boston, MA. I have taught summer camp and afterschool programs in Music and Drama, and I continue to work with local programs.
My main objective is to steer the pupil towards a place of autonomy so they are able to solve music related problems on their own and develop the intrinsic ability already present within themselves. It is important to be able to read music, notes and rhythms etc., due to the innumberable and undeniable advantages to being musically literate (this of course extends to, depending on the level of the student, music history and theory as well). Having said that, possibly an even more pressing skill would be to be equppied, physically and intelectually, to play along with an impromtu music session, or "jam." If, say, a former clarinet student of mine should find him or herelf in the company of a strumming acoustic guitarist, it is my hope that they will be condfident and able to contribute musically and sensibly without the need for sheet music. This is why I try to not ignore the deeper, more holistic aspects of the art, which is why I emphasize composition in my lessons. I will compose for my students pieces that highlight something they are working on, but I will also assign compositions for my students because kids love it and creativity yields a deeper connection to any given subject than, say, rote memorization. I love kids and do not stifle their creativity, without steering too far away from the task at hand, I like to listen to what they have to say because you never know what valuable information you may learn about their present perspective.
Since 2009 I have been teaching young musicians as a middle school band director in the Cambridge Public Schools. Prior to joining the Cambridge Public Schools, I was a band director, for three years, in the School District of Philadelphia. In addition to a busy teaching schedule, I have extensive experience performing as a trombonist and am currently the Solo Trombonist for the New England Brass Band. My most influential trombone teachers include Matthew Vaughn, Associate Principal Trombone of the Philadelphia Orchestra; Don Lucas, internationally renowned trombone soloist and Chair of the Brass, Woodwind, and Percussion Department at Boston University; and Ian Bousfield, former Principal Trombone of the Vienna Philharmonic and London Symphony Orchestra.
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Many adult students choose to take the clarinet, even with no previous experience. Clarinet can be a wonderful instrument to learn for the first time and a lot of progress can be made as long as the student is practicing! Clarinet can be a very satisfying instrument to learn as an adult because of the rich sound and various genres in which it is used.
Students can purchase a wooden or plastic clarinet for their use. Wooden clarinets are more durable and longer lasting. Most clarinets will come with a sturdy case. We suggest that students visit a local music store for tips on buying a clarinet, as clarinets come in different sizes and types. Prices and quality will vary. A clarinet kit comes with the bell, the lower joint, the upper joint, and barrel. A mouthpiece is also a necessary purchase.
Teachers create a custom lesson plan for each student, focused on learning how to hold and care for the instrument, how to read music, and basic musicianship skills. Students will may also explore various genres in which the instrument is utilized.
Children are recommended to start the clarinet at age 7 or 8. A student needs to be able to hold and support the weight of the instrument for extended periods, have long enough fingers to reach the different positions, and also have enough lung capacity to support the sound.
Taking clarinet lessons in your home offers a great way to master your skills on the instrument without ever leaving your home! Many students and parents find this very convenient as there is no additional time for travel.
Review by Chrystal
I was skeptical at first not knowing what I was getting my self into.. I am very happy that I forced myself to get into voice lessons because Eli is an awsome voice coach.. Very skillful and he helps you reach the goal you are trying to reach.. He is also very helpful with getting you to open up and come out of your shell and being heard.. I would and I already have recommended friends and family to sign up with Eli if they're serious about singing..
Review by Paula Chacon
I've always said, "It's all about the teacher." That skillful, effective teacher who can reach that child and ignite her passion, is truly a gift. Ric does that for my daughter. As a former music teacher myself, the most challenging thing in working with children is how to build their fundamental musical skills while letting them have fun and be expressive. The teacher must create a safe, supportive environment, and Ric does that. Ric immediately focuses on fundamentals of tone and technique, giving my daughter succinct instruction on how to improve, thus she can sense the improvement immediately. Ric seems extremely easy going; even when lighting a fire under her sometimes under-achieving butt, Ric never criticizes, judges or blames. He works with my child, understanding her, helping her problem solve, and even giving her the quick answer sometimes so she can move quickly and stay motivated. Ric balances fundamentals with fun and expressiveness, so my child feels as though she can 'play' and they truly make music in every lesson. I am thankful we found a good match with Ric.
Review by Heather Berest
I started my 5 yr old daughter with Karleen this Fall. Karleen has a calm and honest disposition. My daughter adores her and cannot wait for her arrival. I was concerned because my daughter is not so willing to "practice" during the week. Karleen advised me to allow her habits of practicing to evolve naturally as her love and understanding of piano increases. She emphasized how nurturing my daughter's love of music is most important. This was music to my ears :)
Review by John
When I started with Darrell, I didn't know anything bout music. Nothing. We started with basic music theory & moved into scales and reading. It hasn't been very long at all, but my confidence is growing quickly. He does ask a lot from you and he expects you to keep up. But I can honestly say that if you are willing to work hard and spend the time at home doing what he asks, you will see the results. He wants you to succeed and takes pride in watching you grow. If you want it as bad as he does, you will see the result very quickly.
Review by Jon
Michael is exactly what I was looking for in a teacher. The first thing he did was to determine what I wanted to get out of lessons, and what my existing skill level is. He is now aiming me in the right direction - and he is clearly skilled, experienced and knowledgeable, in addition to being very easy to get along with. I'm very happy.
Review by Kaleen Todoroff
Noel is amazing. She is helping me to work toward my vocal goals for auditions to several musical theaters. She has helped me choose strong audition pieces and is teaching excellent ways to get the sound I need in a safe and healthy way. She works outside our lessons on new warm ups and new music pieces. She is the best.
Review by Lucinda
Melissa is very encouraging, positive, supportive and patient. She knows how to explain the technical details of flute and music notation to kids in a way that makes sense to them. She has been reliable so far turning up on time and calling if there is a need to reschedule. I would definitely recommend her to others.
Review by Roberta
My 4 year old son is quite energetic. Another piano teacher tried to teach him before Peter and could not get my son to listen to him at all. That teacher told me that my son had no interest and that we needed to wait before having my son take lessons. Peter started teaching my son a few weeks later. He quickly developed a great rapport with my son. I was astounded when my son sat down and listened to Peter during the first lesson. Peter has remarkable patience and is a natural working with children. He knows when to follow the child's lead. My son is very interested in how the piano works, so Peter takes the time to teach him about this. He is able to use my son's interests (superheroes, Lego, Star Wars, etc.) to refocus him back to playing the piano. Between lessons, he brainstorms on how he can teach my son better. For example, my son was playing the notes, but not understanding rhythm, so Peter looked into it and came back the next week with a new plan which helped. My son looks forward to his lesson every week. When he hears the doorbell ring on lesson day, he exclaims, "Yay! Peter's here!"
Review by Angie Ignazzitto
Stephanie is an excellent voice teacher! Our 10-year-old daughter enjoys her lessons with Stephanie each week. She has an amazing way of connecting with our daughter through music. Stephanie knows how to offer constructive feedback in a positive way that keeps our daughter interested and wanting to learn more. I would recommend Stephanie without hesitation.
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