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Liz started playing the flute at the age of six. At a very early age she started formal musical training in her native home town of San Juan Puerto Rico and quickly developed great appreciation for music and arts. She was accepted in an arts specialized school where she was constantly exposed to private lessons, large ensembles and chamber music. Upon finishing this program, she was accepted in the Conservatory of Music in Puerto Rico where she earned her Bachelor’s Degree in flute performance. In 2005 she was awarded 3rd prize of the concerto competition as well as a substitute position with the Puerto Rico Symphony Orchestra where she had the opportunity to play many of the greatest orchestral masterpieces under world-renowned conductors. Shortly after graduating she moved to the city of Cincinnati OH, where she studied privately with the principal flute of the Cincinnati Symphony Orchestra, Mr. Randolph Bowman. Liz has participated in master classes with Amy Porter, Jim Walker, Lisa Ruoho, Paul Edmund Davies, Amy Likar, Keith Underwood, Carol Winsenc and Mary Karen Clardy. In 2009, she was accepted in the Master of Music, performance division, at the Boston University’s College of Fine Arts under the tutelage of flutist Linda Toote. In the summer of 2011, she participated in Trevor Wye’s master class “Preparing for Employment” where she had an opportunity to work extensively with this world-class flutist. Now a graduate she is actively engaged as a freelancer and private flute instructor in the New England area.
I'm passionate about music. I've written, conducted, and performed music as a multi-instrumentalist. I've also taught privately (on a number of concert band instruments) and written on the subject.
I am a passionate and patient instructor who loves to help students find joy in making music. I believe that developing a methodical way of practicing and thinking about music reading, tone production, and creating rhythm is the key to unlocking students' abilities to enjoy the music they produce. In 2008 I graduated from the University of Maryland with a Bachelor of Music Education degree. During my ungraduate years I studied classical saxophone with Dale Underwood and was selected as a soloist with the university's concert band on two occassions. I was also a member of the school's jazz ensembles and began to study improvisation. Between 2008 and 2013 I taught classes and lessons, mostly classical in nature, but also played regularly in jazz ensembles around Washington DC. I honed my improvisation skills through attending Barry Harris' Jazz Workshop in NY and recieving lessons from the great Lee Konitz. I've had the opportunity to play with many formidable members of the jazz community, both old and young, and have performed at many venues. You can view my website for the particulars, along with samples of my jazz improvisation and free improvisation.
I am a saxophonist and reed player performing in the Boston area with a focus on contemporary music. I hold a Bachelor of Music from Boston University’s School of Music in Saxophone performance, and in May will hold a Masters of Music from the same institution. I have played saxophone and clarinet in musical theater productions including Chicago, Thoroughly Modern Millie and Seussical the Musical, as well as in the Boston University Big Band. As a specialist in new music, I have had the pleasure of working with composers Michael Gandolfi, John Harbison, Ketty Nez and Joan Tower to realize their music, and have premiered works by Ketty Nez, Thomas Weaver and John Williams. Early in 2014 I started a duo with fellow saxophonist Charles Larson devoted to exploring the contemporary repertoire for two saxophones and other modern chamber music. I believe that exploring as many kinds of music as possible and collaborating with other musicians are the most important (and the most fun!) things that we can get from an education in music.
I am a life-long musician [age 5 - present] from a family of musicians who have played with everyone from Fanny Brice (my grandfather) to Benny Goodman (my mother) to Steve Miller (myself). I attended Berklee College of Music in Boston , MA from 1975-1979 and left (5 weeks short of my degree) to perform in a rock band who toured for 5 years in the US and Canada. Having played everywhere from Red Rocks Ampitheatre in Colorado to Elkhorn Resort in Sun Valley, Idaho to Valdez, Alaska to Cobo Hall in Detroit,Michigan, I have lengthy performance credentials and even more varied experience in the styles and situations that I have performed in that include: rock band, orchestra, concert band, jazz combo, folk duo, Big Band, marching band, drum corps, celtic rock band, traditonal gaelic ceili, flute choir, pit band, church choir, chorus, show choir, vocal solo, commercial voice-overs, vocal duet, musical theatre, etc.
Since We Started
Cities with Students
Teachers in Network
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The teachers in our network create a customized lesson plan for every student. Topics covered during Musika's clarinet lessons may include, but are not limited to: learning the notes using a clarinet fingering chart, proper embouchure and tonguing technique, how to read music, how to care for your clarinet, which reed strength and mouthpiece to use, music theory, basic form and analysis, musicianship skills, or how to become a better musician, and most importantly, how to have fun playing the clarinet!
Clarinets come in either plastic or wood varieties. A wooden clarinet will be more durable and will also produce a more professional sound. Clarinets come in all sizes and price ranges, so it is important to keep your budget in mind when visiting a local music store. Many students will choose to rent the instrument monthly at first instead of committing to buying the instrument. Clarinets typically come with the bell, the lower joint, the upper joint, the barrel, and the mouthpiece.
Clarinet lessons in home are a convenient way to learn an instrument. In home lessons are structured the same way as in-studio and there is no additional travel time. Our teachers generally teach students one lesson a week.
It is never too late to play an instrument, and we have many adult students playing clarinet for the first time. The teachers in our network can work with you whether you are a beginner or advanced player. Many of our adult students notice significant progress in just a short time! It is important to practice every day between your lessons to notice the most progress.
Our recommended starting age for clarinet is around age 8 or 9. The clarinet has many keys, so the most significant factor to keep in mind is whether or not the student's hands are large enough to facilitate playing. It is also important that the student has developed the lung capacity to play. The clarinet is also a great choice for musicians already familiar with other wind instruments.
Review by Dylan Jacinto
Jessie is the finest musician I have ever had the pleasure of knowing. I find her overall concept of approaching an instrument to be both comprehensive and effective. Each technique she has acquired has made it possible for her to tailor her method to a variety of ages and individuals. I cannot speak more highly of Miss Jessie's abilities. Her lengthy and impressive cradecials speak for themselves. I recommend no hesitation in seeking her services!
Review by Jeremy
Dr. Nedra C is incredible. She knows her craft in and out, it truly shows in her teaching. As well, she cares a great deal about the student, and preps plenty of material outside of the lesson for those that she teaches. I've had many different music teachers and am aware who's talented and cares, and who isn't. Dr. Nedra C is true phenomenal, and any student would be lucky to have her.
Review by Roselynbrown
After moving from NY and parting from our amazing piano instructor, we thought we couldn't find a piano teacher close to what we knew. We are happy to say Musika matched us up with someone professional and friendly who enjoys teaching younger students. Thank you! We definitely recommend Kuan as a piano instructor :)
Review by Lea G
Kevin was such a fun, smart and innovative voice teacher to work with. I had the pleasure of taking lessons with him for over a year and I couldn’t have been more pleased with my time under his training. In just a few weeks I noticed my voice was stronger and I was able to apply his teaching and see the results. He explains his techniques in a way that the student is able to actually hear and feel the changes he is referring to. This allows the student to efficiently practice outside of lessons. Even further, he believed in me and truly cared about my progress. He was always energetic and focused in lessons and was continually surprised how far a song could come in just one hour of his time. Under his teaching I developed a stronger belt in my higher range, learned how to color my voice for different sounds and improved my stage presence. I wholeheartedly trust Kevin’s musical insight and was grateful that he challenged me with a wide variety of songs and styles that I hadn’t considered trying before.
Review by Brad Schimmer
I have been playing the drums for about 5 years and I have to say that Alvaro is very patient. He has opened me up to new styles of music and I can now play a Songo groove! What I liked most was that he was flexible in what I wanted him to teach me and would also bring in new material specifically to what I wanted him to show me. Overall, great patient teacher and would highly recommend! Thanks Alvaro!
Review by Violetking
Bill has been a great teacher for both my 6 yr. old and my 8 yr. old. He is always on time, keeps them engaged, and gives them just enough of a challenge for the next week. They are both beginners, but I am surprised by how much they already know after just a month or so of lessons. Both kids are practicing willingly and look forward to lesson.
Review by Maurice Romero
This is the 1st time I've ever taken lessons, and Robert has been a pleasure to work with. I've made quick progress and have enjoyed the process. I'm always listening for those tips that you can't find in a book. I can count on Robert to be strict on the fundamentals and am clear it will make a difference in the long run.
Review by Kristin
Ted S. is teaching clarinet to one of my children, and piano to two others. He is extremely knowledgeable, and very encouraging. His teaching methods are keeping my children enthused about their lessons, and without that, you have nothing. Two of my children were taking piano lesson from another teacher for the past year, and not progressing. Ted has been able to evaluate their skills individually, determine what was missing in their music education, and begin again with some early basics they seem to have missed. I am convinced we are finally moving forward, and am very happy about that. I wish I would have made this change much earlier.
Review by Susan
My daughter is extremely happy and comfortable with Rachel, and looks forward to her piano lessons every week. She is a very kind and patient teacher, always using positive reenforcement with my daughter, which makes all the difference in the world to children. We definitely are looking forward to continued piano lessons with her. So glad we found her.
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