Cello Lessons in Ossining, NY

Instruments: Piano Cello

For beginning students, i'll typically start with Suzuki books. It's important for students to learn the left and right hand separately before putting everything together. Once a student has progressed to have a grasp of the fundamentals, I'll introduce some simpler solo repertoire appropriate for his or her skill level. For advanced, I'll be happy to talk about more advanced musical techniques and theories. I play the piano as well, and I will be happy to accompany my students playing repertoire that needs an accompanist. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Ukulele Recorder Electric Violin Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Music Keyboard Electric Guitar Acoustic Guitar

I am incredibly fortunate to have access to the resources at NYU and to love teaching music more and more every day: I have had practical experience in woodwind, brass, string, voice, and percussion pedagogy, as well as music in early childhood and for students of all abilities. My teachers include Jason Noble (instrumental conducting), Paul Speiser (choral conducting), Kim McCord (childhood/special ed music pedagogy), Ethan Hein (electronic music pedagogy), and Christopher Bush (clarinet performance). Read More

Instruments: Cello

I taught in Hod-Hasharon Conservatory of Music for two years and had a private studio, teaching kids, adolescents, and adults from all ages in private and group settings. My goal as a teacher is to pass my love for music to my students. I believe that the only way a student can improve is through an enjoyable and rewarding practicing experience, while receiving the right mentorship and maintaining a strong and positive teacher-student relationship. Read More

Instruments: Cello

I have always liked this statement: "The only difference between a student and a teacher is that the teacher gets the student to where the teacher is only quicker." Sometimes students would feel agitated about practice. I would try to instill the desire and patience into the student to make them realize the rewards of hard work and practice. I also understand the importance of embracing the diverse cultural backgrounds. Read More

Instruments: Cello

I very much believe in a dialogue between student and teacher - the relationship is very much a two-way street, as we can both learn from one another in many ways. I dont have a dogmatic, one size fits all approach; rather, I adjust to each individual student and his or her own needs. I do believe in laying the groundwork through fundamental technical training, however I approach this in different ways with each student based on learning styles. Read More

Instruments: Cello

Nothing is more rewarding than seeing one of my students develop a passion for music! Therefore, it's important that each student progresses at his or her own pace. I emphasize the importance of basics therefore I usually spend more time developing a solid fundamental skillI that allows my students to progress faster later on when they start playing solo pieces. I encourage this by setting realistic goals for my students at each lesson. Read More

Instruments: Cello

For beginners, I start with Hal Leonard's Essential Elements and Suzuki Book 1 for cello. These books give a firm structure and introduce classical pieces as well as familiar tunes. Once we finish these two method books, I focus on what the student is more interested in. Are they geared towards classical, or do they really like showtunes? Whatever their interest may be, I find suitable repertoire and continue to challenge and strenghten their abilities. Read More