Cello Lessons in Howell, NJ

Instruments: Cello

My main foundations for my teaching are rooted in goal setting, collaboration, and engaging music learning. At the beginning of every semester, I like to evaluate the goals from the previous semester, talk about what progress has been made, and what the future goals are. I personally feel that many times students quit because they do not enjoy practicing at home week after week, so for me, collaboration either with students from school, other students in the studio, or in local music schools or orchestras is a must. Read More

Instruments: Piano Cello

I've been studying and teaching cello since the 20th century. Within the first few lessons, you'll be able to fluently read music and as time goes on you'll be able to perform classical literature or compose your own music. I have a historical basis behind my musical decisions so we will study old traditions and new ones from various sources. Piano and Cello are demonstrative so I will always have my cello or piano at hand. Read More

Instruments: Piano Guitar Cello Bass Guitar Recorder Double Bass Keyboard

I am a musician, composer, and educator with backgrounds in both jazz and classical studies. I have a Bachelors of Music from New England Conservatory and a Masters of Music at Berklee College of Music's Global Jazz Institute. I am regularly performing in a wide variety of settings from jazz to avant-garde to hip hop and anything in between. Some of my past teachers include Susan Hagen, Dave Holland, John Patitucci, Cecil McBee, Danilo Perez, Frank Carlberg, and Jason Moran among others. Read More

Instruments: Cello

A passionate and organized educator with a love of the cello and music education. In 2013 I earned a Master of Music from New York University and have been playing in solo shows, ensembles, and recordings since. I've also maintained a growing teaching career by holding adjunct cello appointments at NYU and the Abrons Arts Center. For fun I like to watch indie pop artists at small venues in Brooklyn, improvise music on subway platforms, and take photos of the food I cook. Read More

Instruments: Cello

It depends on the student's age and level of skill, however, I like to focus on building a good rapport with a student while learning and cementing the essentials of cello playing: having a good posture, holding the bow, reading, etc. I prefer to have a process that is somewhat slow in the beginning and that gradually picks up as the student becomes more acquainted with the cello. If a new student already knows the basic things, I still like to do a quick brush up to see what bad habits need to be fixed and how we can move forward in the most productive way. Read More

Instruments: Cello

Moreover, apply what they have learned and perform in front of audiences will help them building confidence. Respectability is also a vital aspect of teaching. A student must be allowed to explore his or her own imagination with the guidance of the teacher. This means a teacher cannot dictate, but a guide. I would never order students to do exactly what I tell them to do. For example, students could come up with their own fingerings, bowings, or musical ideas which enables their critical thinking. Read More

Instruments: Cello

I am a former Suzuki student--I began at age 3.5 with my mom as my teacher--so I believe that Suzuki is an incredible method for teaching young string players. The aural memory I attained by learning this way still continues to benefit me in my career each and every day! I obtained my Suzuki Teacher Certification from the School for Strings, NY, with Pamela Devenport, and am happy to teach the Suzuki method only or in combination with traditional methods. Read More