Voice Lessons in Lynnwood, WA

Instruments: Guitar Voice Drums Bass Guitar Harmonica

My name's Matt, I've been playing guitar since 1986and have been teaching students music since 1991. When not teaching, I'm usually found practicing orperforming with my band onstage or at an open micnight somewhere. I've Networked Jammed/Played With Many NW Legendsincluding: Roger Fisher-(Heart) Lynn Sorensen-(Bad Company/KZOK's Spike The Impalers/Paul Rogers) Jeff Kathan-(Paul Rogers Band/ Bad Co./Montrose) Donny Evola- (Queensryche/Geoff Tate/Foghat) Doug Mcgrew- (Geoff Tate/Queensryche) I have had many guitar teachers myself including onetrue Famous Rock Star legend here in Pacific NW. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Harmonica Ukulele Recorder Electric Violin Fiddle Double Bass Keyboard Electric Guitar Classical Guitar Acoustic Guitar

My teaching experience varies for each of the instruments I instruct. I began teaching private lessons for guitar in 2004. My voice instruction began in 2009, and the rest of the listed instruments I began to teach in 2012. I believe consistent daily practice is essential for improvement in my students, and encourage my students to log their practice time. In the words of my professor Todd Woodbury, "You do not become a master from what you do within these lessons. Read More

Instruments: Piano Guitar Voice Drums

I am a dedicated teacher who understands the enormous value of music and have devoted my life to it. I care deeply about my students and thier musical dreams. I graduated from Baylor University in 2011 with a degree in Music Theory and Jazz and then went on to pursue a Masters in Music Composition at the University of Houston. All the while I've continued to hone my skills as a drummer and I have been fortunate to play with dozens of artists in every genre from classical and jazz to gospel, rock, and country. Read More

Instruments: Piano Voice Flute Clarinet

Libby has many experiences in the music world, and brings this to her teaching. I studied flute at WSU l year, UW l year 2 years with Wendy Wilhelmy, and 7 years with Trudy Antolin. I studied piano as a child, l year at WSU, l year at MSM and 3 months with Olga Sukhover in Seattle l year studyiing piano at UW I played flute in the Issaquah Chamber Orchestra, the UW Band, and Clarinet with Ballard Civic Orchestra (Latino) and with Seattle Symphonic Band I studied clarinet at Northwestern, Manhattan School of music, and University of Washington, and WSU. Read More

Instruments: Voice

I've taught voice at Northwest University for the past 5 years. In 2010, I joined the faculty of the Bellevue School of Music, and last fall began teaching at the Gene Nastri Community School of the Arts in Mukilteo. I also conduct a church choir. I believe strongly that it is important for anyone who sings to study classical technique, regardless of what style of singing they wish to do. It is the best way to maximize the potential of the voice, and to keep it healthy in the long run. Read More

Instruments: Voice

My teaching experience began in 2015 when I served as the Musical Director for On Center Performing Arts in Missoula, MT. In 2016 I moved to the Seattle area to continue my journey as a teacher. I served as an instructor for Voice in the Valley Music Studio in Maple Valley and as a Music Leader for Musically Minded. The past 2 years I served as Director for Voice in the Valley's Musical Theatre/Disney summer camp. Read More

Instruments: Piano Guitar Voice Trumpet Trombone Bass Guitar Ukulele Recorder Orchestral Percussion Electric Guitar Acoustic Guitar

The dedication it takes to learn an instrument can help develop skills values that will benefit the student throughout life, regardless of profession. Therefore, I believe that the process of learning music is more important than any particular performance that we work toward, so I take a pragmatic approach to instruction. Of course, we look forward to recitals and concerts, because they give our rehearsals direction, but it should also be emphasized that our most rewarding musical experiences may happen in lessons or private practice. Read More