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Featured Voice Teachers Near Colorado Springs, CO

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Here are just a few of the many teachers offering Voice lessons in Colorado Springs . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Michael R

Instruments: Piano Guitar Voice Saxophone Flute Clarinet Recorder Piccolo Oboe Bassoon English Horn Music Keyboard Classical Guitar Acoustic Guitar

As your teacher I make your music goals my top priority and guide you through our lessons based on what you hope to achieve. I have a wide range of experience and can draw upon many different teaching styles depending on the needs my students. Every student has challenges they face when learning an instrument and my goal is to help isolate those challenges and create a plan for conquering them. Read More

Brooke M

Instruments: Piano Voice

Learning proper vocal technique- Breathing, Posture, Positioning your mouth and tongue correctly, Music and facial expressions. Voice lessons we do 10 min of vocal warmups and 20 min of songs. Vocal warmups are for basic technique.I try to have my students sing a variety of music but most common among my students is Musical theatre and pop. Piano-FABER method books consists of a variety of songs students can play. I use thier Lesson, performance and theory books. Read More

Christina H

Instruments: Voice

My focus is for my students to not only understand music, but enjoy it to the fullest extent. For this reason, there is no set structure for all students, but each lesson varies based on the student's needs and wishes. It is incredibly rewarding to watch my students grow in their passion and love for music as well as grow in their confidence. During the first few lessons, we focus on setting goals and building a roadmap that will enable to the student to reach these milestones as well as allow them to dictate where the lessons go and what individual goals they have set for themselves. Read More

Kamen R

Instruments: Piano Guitar Voice Flute Bass Guitar Organ Synthesizer Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I blend the tried-and-true poise of classical technique with holistic approaches to satisfy two purposes: 1) the traditional desire to hone skill with practice and discipline, and 2) the psychological development of the student's independent musicianship. Music without expression is only sport. While technique, exercise, rigor, and history are essential in order to develop the deepest possible understanding of music, I aim to go beyond this to shape the independent expressionism of each student. Read More

Teacher In Spotlight

Kiah C

Instruments: Piano Voice Cello

What advice do you have about practicing effectively?
One of the most important things about practicing is consistency. It is better to practice 15 minutes every day than to practice 2 or 3 hours in one day every week. It is also important to make sure that you practice with good posture and breath. It doesn't matter if you are a vocalist or an instrumentalist, breathing is essential! How you practice breathing will always affect how you perform. When practicing, feel free to slow things down in the beginning. Use a metronome when appropriate. Also, having a mirror to practice in front of may be helpful. By all means, work on the things your instructor has given you to work on. Stay present and learn to enjoy practicing.

How do I know if my child is ready to start lessons?
Are they willing? If so, they are ready. It may depend somewhat on what instrument they are wanting to learn, but the basics of most instruments can be taught at an early age. Sometimes they will have to start on a miniature instrument. The second question is, "Is the rest of the family ready to deal with them practicing?" Many instruments don't sound good when beginners first start. Beginner level instruments are much more difficult to play than professional grade instruments. Add that to the fact that they are being played by inexperienced students and the sound is not always going to be very pleasant. Still, this does not mean they aren't ready or learning.

When will I start to see results?
There are certain results you can look for within the first week of taking lessons. Does the student have more inspiration, energy and excitement toward learning and practicing? Do they feel confident and encouraged or overwhelmed and discouraged? There are other things to look for when measuring results. Are they making new sounds and feeling more free to experiment? Becoming more aware of freedom from tensions can be a huge result and will often lead into other results like better intonation and improved and fuller tone quality. Some things can happen rapidly at the start. Other results may take years of practice and performing. At times results will seem to come suddenly after months or years of working on the same things. What kind of exposure students have had with music prior to taking lessons plays an important roll. Sometimes, as is often the case with singers, there may be bad habits that have to be disentangled from their muscle memory. Results (in terms of the time it takes for freeing up the vocal chords to phonate without subglottal or supraglottal pressure) will vary from student to student.

Why did you choose your primary instrument?
I chose singing as my primary instrument for many reasons. Firstly, my own body is literally the instrument and I used it with my very first breath. It is easy to bring along, and though difficult to take care of, it is the chief instrument of expression and communication of my life. It is this same instrument I have cried with, laughed with, and sighed with in all the best and worst moments of my life. My voice was there for me when I said my first word. My voice is the best revealer of my heart, my thoughts, and my intentions. While it is the most difficult instruments to master--every feeling, thought as well as sickness will affect the way it sounds-- to me it is the most worthy instrument to learn to wield. When I was born my grandmother looked at me and announced to everyone that I would be a great singer that would travel the world. Since I was a boy I have found great joy in making songs and singing my heart out. There have been great challenges to overcome in learning to sing better, but there are moments when I sing where it feels as though I am making worlds or flying through new realms of consciousness and bliss. I'm able to give myself to others with love and hope. It is these moments that makes all the painful work and resistance worth facing. To sing is to live. To sing well is to live well.

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Recent Articles from the Musika Blog

Warner Bros. and Classical Music: The Anti-Fantasia Movement

...part of a collection) on Amazon, though.   1945: Herr Meets Hare Written by: Michael Maltese   This Warner Bros. cartoon, in which Bugs visits Germany, was released shortly before the end of World War II, and like Rhapsody in Rivets, it was directed by Friz Freleng. Composer Carl Stalling featured the music of Offenbach, Strauss, and Wagner, thus continuing Warner Bros.’ connection to classical music.   You can listen to this one on Youtube, although the quality is awful due to licensing issues. You might be better off buying Herr Meets Hare here.   1946: Rhapsody Rabbit Written by: Michael Maltese   Maltese wrote... Read More

Piano Chord Chart: Basic Chords and Intervals

...when we learn some simple rules that govern a keyboard’s makeup and structure. In this article, we’ll show you how to play a myriad of chords using an easy-to-understand piano chord chart for each chord. To learn these basic chords, you’ll either need a keyboard or the image of a keyboard to use as a reference.   Intervals   In order to understand how to build simple chords on the piano, we’ll have to get familiar with intervals first. In music, an interval is the relationship between two notes. The intervals we cover here will be the ingredients for basic and complex piano chords. ... Read More

Basic Saxophone Maintenance: Caring for Your Instrument

...fix. “The keys are making a lot of noise”: Some people may see this as a problem, while others may not. If you’re just practicing, and the extra noise doesn’t bother you, then there’s nothing really wrong. You probably won’t really hear the extra noise while you’re playing anyway. The problem would be if you’re making a recording. A microphone will pick up the key noise. If you want as little extra noise as possible when making a recording (a solo saxophone or saxophone and piano duet especially), then you may want to get your saxophone tuned up by a repairman. Getting ... Read More

Vocal Exercises: Intermediate and Advanced

...By learning this exercise on a vocal slide, the voice can more easily and safely adjust to the large interval; however, once the exercise has been repeated a few times going up the scale by half step, try eliminating the slide and repeating the exercise precisely as three distinct pitches.   Ex: C4 – C5 – C4 (Do Do Do) Major Scales A full major scale covers an octave’s worth of notes by beginning on a single pitch and ending on that same pitch up the octave. Scales are great for ear training and time efficiency ... Read More

Five Benefits of Music Education

...in the areas of arts education and instruction, nor to convince you that “music makes you smarter.” You can take those declarations for what you will. However, I would like to highlight a few of the numerous ways that music and music education benefits music-makers of all ages, and in various situations. It’s a loaded question, really, when someone asks you why it’s important for his or her child to learn an instrument or participate in a musical activity. And quite honestly, a written or spoken response will never suffice for the actual lived experience of participating in music. But for ... Read More
Warner Bros. and Classical Music: The Anti-Fantasia Movement
Piano Chord Chart: Basic Chords and Intervals
Basic Saxophone Maintenance: Caring for Your Instrument
Vocal Exercises: Intermediate and Advanced
Five Benefits of Music Education

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