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Featured Piano Teachers Near Colorado Springs , CO

Barry L

Barry L

Instruments:

I don't tend to rely on any one method. I have quite a bit of material that I have personally developed over the years. I try to take each student as an individual with their own unique personality, likes and dislikes, and motivations. So I enjoy customizing a lesson plan that is as individual as each student. I do use some published materials that I have found to work well with beginning students. Some of these include: Hal Leonard Piano Lesson series, Rubank for sax and flute, The Contemporary Singer for voice. books on Improvisation by John Mehegan, Andy Levine and Jamey Abersold, along with my own materials. 

Cassandra P

Cassandra P

Instruments:

My preferred book series that I like to use are Piano Adventures, Keith Snell, Alfreds, and Bastien piano books. It all depends on the needs of the individual piano student. 

Brooke M

Brooke M

Instruments:

Learning proper vocal technique- Breathing, Posture, Positioning your mouth and tongue correctly, Music and facial expressios. Piano-FABER method books  

Susan F

Susan F

Instruments:

Clarinet: Rubank, Hendrickson, Klose, Rose Etudes Guitar: Alfred, Hal Leonard, Duncan, Parkening Piano: Glover, Thompson, Bastien, Schaum Violin: All for Strings, Mueller-Ruesch 

Kathleen S

Kathleen S

Instruments:

I use the Rubank method book for clarinet and saxophone, and am currently exploring other methods as well. I typically use Piano Adventures books for beginning piano students, but am also open to other methods, such as Alfred. I will also supplement modern music in for students to work on as well, and have arranged my own pop music for my students if I don't find a particular song at a suitable level for them to play. For adults, I try to find what the student is interested in and guide my instruction based on what they want to work on in their lesson. I keep lessons fun and engaging, no matter their ability level.

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Recent Articles from the Musika Blog

Clarinet Warm Ups: Exercises for All Levels

...or that will be good for the situation that you are warming up for: minor, diminished, augmented, etc.       As mentioned above, in addition to diatonic exercises, you can also warm up with chromatic exercises. These exercises will ensure that every note is working properly, that there are no pads sticking, etc. You should play through your entire range, up and down, and you should listen for accuracy, consistency of tone, and consistency of intonation.     You can target specific spots of the clarinet that you have some difficulty with. A lot of young and/or inexperienced students... Read More

Types of Clarinets

...in Bb, is a Bb instrument, obviously. As stated earlier, it is the most popular in the clarinet family. It’s used in all styles of music. Bass Clarinet: The bass clarinet is a Bb instrument. It’s the second most popular clarinet. It’s also used in many styles of music. A Clarinet: The A clarinet, or soprano clarinet in A, is an A transposing instrument. It’s the only common clarinet that is not in Bb or Eb. It’s slightly larger than the Bb clarinet. It’s used in certain classical music situations as an alternative to the Bb clarinet. It has a slightly different timbre. ... Read More

History of the Flute: Antiquity to the Middle Ages

...sizes in their compositions. Martin Agricola’s Musica instrumentalis deudsch is one of the earliest examples, published in 1529.   The transverse flutes made during this period are really the precursors to the modern flutes of today. The makers of these flutes slowly adapted the finger holes to be more evenly spaced, and though they did not yet have keys, Marin Marsenne drew up a sketch of what these keys might look like and explained their importance to expanding the chromatic abilities of the flute.   History of the Flute Continues Who knows what inspired the creation of the flute? Maybe someone heard ... Read More

Open-String Guitar Chords

...chords is switching from one chord to the next. Or, more specifically, maintaining a steady rhythm while switching chords. This next example offers you a chord-switching technique that will help you develop a few tricks: Switching chords without looking. Feeling your way from chord to chord. Strengthening your fingers. Developing finger independence.   The approach is called The Common-Finger Technique. In this example, notice that each chord has one thing in common: the 6th string, 3rd fret played by the 3rd finger. This finger is common to all four chords. The trick to developing this technique is to “anchor” that 3rd finger ... Read More

Suzuki Violin: A Balanced Approach to Studying the Violin

...the system was designed by Suzuki, each piece presents a new technical challenge. Maybe it’s a first experience with making “circles” in the air with the bow, and creating a smooth landing between violin string and bow during the “Allegro” tune. Perhaps it will be the use of staccato bows in the catchy piece, “Gossec Gavotte.” Whatever each new piece in the book presents, the student is gradually accumulating new techniques and skills that will help him master the repertoire in later books. Because every piece is a building block, many Suzuki teachers will encourage students to review their old ... Read More
Clarinet Warm Ups: Exercises for All Levels
Types of Clarinets
History of the Flute: Antiquity to the Middle Ages
Open-String Guitar Chords
Suzuki Violin: A Balanced Approach to Studying the Violin

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