860-288-5608
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25 Years
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Here are just a few of the many teachers offering Piano lessons in West Hartford . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Violin Viola
I consider myself a teacher first and performer second. Teaching is my calling and also in my blood I have been teaching violin, viola and piano for the past 30+ years. I am equally skilled on all 3. I have been on the faculty of a music school in my area since 1994. However I have always kept a private studio as well. I have worked with beginner to advanced students from all different backgrounds with great success in helping them acquire the essential skills for independence. Read More
Instruments: Piano
I am a passionate and dedicated instructor who loves working with students and sharing my love of piano. In 2009 I graduated with a Bachelor of Arts in History and a minor in Music from the University of Saint Joseph. At that time I was taking piano lessons at the University of Hartford and teaching my own students. After graduation, I worked at Music Makers Academy in Manchester, CT for a few years before continuing to teach private lessons. Read More
Instruments: Piano
I am currently attending the Hartt School at University of Hartford pursuing my masters in piano pedagogy. I have been teaching piano for the past three years and absolutely love working with students of all ages and levels. I have had the opportunity to perform multiple times with the University of Central Florida orchestra, as well as in solo, chamber and New Music Ensemble settings. I have been lucky to be influenced by many great music teachers throughout my childhood and know the importance of fostering an interest and a safe place for students to express themselves through music. Read More
Instruments: Piano Guitar Voice Music Keyboard Acoustic Guitar
I use a variety of different pedagogical approaches from Music for the Classroom - Kodaly and Orff methodology, to series like Hal Leonard, the Music Tree (Frances Clark), Piano Adventures (Randall and Nancy Faber), John Thompson and Alfred's Piano Basics. In Voice, my approach is ecclectic but effective, drawing from traditional Classical approaches & vocal building techniques to some of the latest ideas and discoveries on developing a beauty of sound and a solid foundation in the control of the breath. Read More
Instruments: Piano Guitar Voice Drums Bass Guitar Organ Mandolin Conga
My teaching method is based on good old time tested traditional methods. This is combined with whatever new findings can help in easier understanding and progress of students. My students are partially participate in creating their own repertoire. This makes them feel as an active and important member in their own artistic and emotional development. Read More
Instruments: Piano Synthesizer Harmonica Music Keyboard
I am a devoted and energetic teacher for all age students who is focused on results and have successes bringing the ability of the student to play effectively from the first lessons. Fundamentals are covered in early lessons for the beginning student who can then move rapidly into playing their preferred style of music. Teaching is accomplished with friendly and caring delivery of new concepts and repetition of new ideas on the keyboard right from the start of lessons. Read More
Instruments: Piano Voice Synthesizer Keyboard
My name is David I'm a Classically Trained Composer/Pianist/Producer/ Audio Engineer. An American Dominican born in Bronx New York. Although I am Classically trained I am also self-taught so my teaching style is unorthodox. My goals as a teacher are not to teach how to play the keyboard but to unlock the inner music in you. The objective of teaching students is not just to learn how to play a couple songs but to unlock the inner creativity in a student. Read More
Instruments: Voice
What advice do you have about practicing effectively?
1) Repetition, repetition, repetition. Break apart the piece into its individual components (rhythm, notes, words) and only start assembling it when each element is solidly and independently learned. Can you self-conduct the rhythms? Can you speak the rhythms on words? It's easier for the brain to process simpler tasks, and approaching the music from many different directions helps memory. 2) Distributed practicing. Practice for 15 minutes here and there throughout each day, with the intent of accomplishing a specific task or goal. If you have this kind of focus, it's easier to actually get things done, and you won't get bored and tired cramming music for 4 or 5 hours, once a week, which is horrible for memory and technique.
How do I know if my child is ready to start lessons?
A child can start learning about the voice at anytime, however it takes the vocal folds a while to mature. To avoid serious injury or longterm vocal health issues, it's best to wait to begin formal lessons until the student is 13 or older. Sometimes, if the student is younger than 14, people recommend learning the basics of music and performance through another instrument, like the saxophone or piano. This helps the child become a good musician before their voice is ready to take voice lessons in the studio. If the passion is there in high school, there's no reason they shouldn't pursue lessons.
When will I start to see results?
Lessons develop voices, but they also develop confidence, musicianship, and responsibility in the student. Results are determined by the effort expressed in lessons and when practicing at home. Students obtain new ways to use and think about their voice during the first lesson, and results could theoretically begin to manifest from this first hour or half hour in the studio. However, real and longterm change takes time, and every learns at different paces. There shouldn't be pressure to be perfect right away--there's a lot to learn!
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
The methods of my lessons are lightly adapted from the teachings of my own instructor and mentor, W. Stephen Smith. He has had tremendous success with his students, who have gone onto garner some of the biggest professional careers in opera and musical theater today. He developed several "inventions" that work to disentangle the vocal apparatus and, in doing so, help to free the voice and musical expression behind it. His methods are universal, easily adjustable for each student, proven to work, and fun.
If you weren't a musician what do you think you'd be doing instead?
I have always had a passion for writing, and if I didn't choose to be a musician, I may have studied to become and author of fiction. Even now, it's a hobby of mine to read and write. This is an asset in the studio and practice room, because singing is a language art. The biggest difference between the voice and any other instrument is, of course, the ability to use words. An easy and clear delivery of text is a goal of mine every time I sing, because, without words, I might as well be playing any other instrument! I indulge in the luxury.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in West Hartford to students of all ages and abilities.
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