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Featured Voice Teachers Near Buckeystown, MD

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Here are just a few of the many teachers offering Voice lessons in Buckeystown . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Rebecca S

Instruments: Piano Voice

My ultimate goal is to instill a love of music in my students. Because of this, I aim to create a positive, encouraging environment that welcomes mistakes and fosters exploration. Since every person is unique, I work with each student at his or her own pace and try to match my teaching style to the student's learning style. I like to set individualized goals and reward students when they achieve those goals; this creates motivated students who are eager to learn more. Read More

Natalie G

Instruments: Voice

I am a passionate and motivated instructor that enjoys MUSIC. sharing my love for music is one of the best gifts i have ever come across, as i believe that it is truly a universal language, They say French is the language of love, however i believe MUSIC is, who doesn't love music? I have spent most of my life in the music field, from performing with choirs to solo work, it has allowed me to travel all across the country and to be apart of so many different projects, the best part is was able to work with numerous individuals like myself. Read More

Colin J

Instruments: Voice

I am a member of the National Association of Teachers of Singing (NATS), the Pan American Vocology Association (PAVA), and the Voice Foundation. As a performer, I have sung in many opera houses and theatres across the country as well as in Germany and Italy. My voice has been described as “ebullient” in roles such as Figaro in Le Nozze di Figaro, Leporello in Don Giovanni, Dr. Dulcamara in L’elisir d’amore, Méphistophélès in Faust, Caspar in Der Freischütz, and Sam in Trouble in Tahiti. Read More

Kenny R

Instruments: Piano Guitar Voice Bass Guitar Synthesizer Ukulele Keyboard

My preferred piano method is Piano Adventures and I recommend using the Lesson, Theory, and Sight Reading books at each level. For guitar and voice I typically do not follow any specific method unless the student has a preference. For more advance piano students I typically will begin using Suzuki or move them to Burgmller Etudes and Schumann's Opus 68 - Album for the Young. I perform an assessment of new students in the areas of sight reading, music theory, rhythm, performance, and ear training. Read More

Carmen G

Instruments: Voice Saxophone Clarinet Ukulele Recorder Music

For a beginner student, I tend to use the Rubank method books there are several for specific instruments. This book is just a guide though the majority of my lessons are student based. I take into consideration their level and what they can accomplish in their own practice and dedication. For adults or advanced students I want to see where they are and what they need help or work with. Read More

Rebecca D

Instruments: Piano Voice

I work to foster a love of music and a desire to excel in each of my students. I want them to practice because they love it and want to succeed! I also feel that it is important to be a well rounded musician, so we will focus on theory, sight reading, composition, musicianship, performance-practice, and other important and fun aspects of music. I believe that it is important to be grounded in a classical foundation (for both piano and voice students), but I also make sure to bring in pieces of the student's favorite style- which I find helps motivate them to practice and enjoy lessons even more. Read More

Melissa M

Instruments: Piano Voice

We also learn age-appropriate songs, of course. In lessons with young children, everything is play-based. I make learning experiences into games, and we move between activities quickly to accommodate the kids' attention spans and keep them engaged. I gradually shift my focus to technique and more advanced repertoire once the students reach middle school. For high school and adult voice students, we focus primarily on technique and learning repertoire. In an hour-long lesson, we might spend 15 or so minutes warming up and doing technique exercises, 10 or so minutes working on music theory, and the remainder of the lesson working on one or two songs or arias we've picked together. Read More

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