Voice Lessons in Blue Mounds, WI

Instruments: Piano Voice

To me, performing and teaching are intertwined, enhancing each other. The more I develop my teaching skills, the better my understanding of my own performance practices and vocal technique will be; the stronger my performance skills become, the more I will be able to relate to my students experiences and be a more well-rounded resource for them. My educational studies have included a Master's in Classical Voice and an Advanced Certificate in Vocal Pedagogy from New York University Steinhardt, and a Master's in Vocal Performance Literature and a Bachelor's in Vocal Music Education from Eastern Illinois University. Read More

Instruments: Piano Guitar Voice Drums Bass Guitar Keyboard Djembe Acoustic Guitar

My teaching style is very simple. With the fundamentals in place, it's possible to learn any song you want to. If there's a song that goes beyond a student's fundamentals, then that's what we'll learn next. As my music teachers told me, if you listen to a record and you find something on it that you don't know how to play, go back and learn how to do it! Listening and learning is essential to playing the music that you want to be able to play as quickly as possible. Read More

Instruments: Piano Guitar Voice Organ Music Keyboard Acoustic Guitar

Ray has been hailed by Opera News as, "terrific!", the New York Times praised, "Ray C. was effectively cast...a solid professional with vocal elegance." The Taconic Press acclaims him as, an exceptional voiceleaving audiences cheering" with his performances being, ardent and utterly convincing." The New York Sun said of his stage craft: Ray C. makes the most of it, combining savvy stage business with a warm voiceexpertly straddling that razor thin line between parody and poignancyscored a direct hit." While the Berkshire Review simply calls him, "...Perfect!" His travels have led him to make appearances with Grandview Opera (General Co Artistic Director), the Light Opera Company Of Salisbury (General Artistic Director), Prelude to Performance (Associate Conductor), Amore Opera (Principal Conductor), the Opera Orchestra of New York, New York Grand Opera, Connecticut Opera, Connecticut Concert Opera, Greater New Britain Opera, Berkshire Opera, Bardavon Opera, Jacksonville Lyric Opera, Opera Ischia (Italy), Bronx Opera, New Rochelle Opera, Amato Opera, Bleecker Street Opera (Associate Conductor), Regina Opera, Long Island Opera, the New Britain Symphony Orchestra, the Brooklyn Philharmonic, the Staten Island Philharmonic, the Belleayre Music Festival, American Opera Preview, in collaboration with artists and staff of the Metropolitan Opera, at Carnegie Hall, Bechstein Hall, Merkin Hall, Symphony Space, and Avery Fisher Hall at Lincoln Center. Read More

Instruments: Voice

I've been teaching full time for 5 years, and I am passionate about helping people unlock the full potential of their voice. Every voice is unique- it's cliche, but it's true! It's what makes singing such a powerful tool of artistry. Here's how I help along the way: Kids (Ages 8-12) We’ll build good, healthy vocal habits at a young age so kids are ready to blossom as they grow. Read More

Instruments: Piano Voice

I'm a passionate, veteran voice and beginning piano instructor who loves helping students achieve their goals. I completed my Master of Music studies at the University of Wisconsin- Milwaukee and a Bachelor of Arts in voice performance from Luther College in Decorah, Iowa. As a young artist, I spend three summers performing and studying in Austria with the Franco- American Vocal Academy. In addition to teaching, I maintain a busy performing scheduling in opera, musical theatre, and recital. Read More

Instruments: Piano Voice

I have different methods for piano and voice: depending on the level of the piano student, I will use Faber method books and supplement performance pieces, technique lessons, games, theory discussions, etc. I do not use method books with voice students, although I do have a curriculum that I follow and adjust depending on the level and age of the voice student. I believe that while beginning and intermediate students continue to learn, it is important for them to practice different genres on their instrument -- this allows them to speak different musical languages, improves their understanding of style, and gives them a better context for their own gifts and interests. Read More