Voice Lessons in Mazomanie, WI

Instruments: Piano Guitar Voice Organ Music Keyboard Acoustic Guitar

Ray has been hailed by Opera News as, "terrific!", the New York Times praised, "Ray C. was effectively cast...a solid professional with vocal elegance." The Taconic Press acclaims him as, an exceptional voiceleaving audiences cheering" with his performances being, ardent and utterly convincing." The New York Sun said of his stage craft: Ray C. makes the most of it, combining savvy stage business with a warm voiceexpertly straddling that razor thin line between parody and poignancyscored a direct hit." While the Berkshire Review simply calls him, "...Perfect!" His travels have led him to make appearances with Grandview Opera (General Co Artistic Director), the Light Opera Company Of Salisbury (General Artistic Director), Prelude to Performance (Associate Conductor), Amore Opera (Principal Conductor), the Opera Orchestra of New York, New York Grand Opera, Connecticut Opera, Connecticut Concert Opera, Greater New Britain Opera, Berkshire Opera, Bardavon Opera, Jacksonville Lyric Opera, Opera Ischia (Italy), Bronx Opera, New Rochelle Opera, Amato Opera, Bleecker Street Opera (Associate Conductor), Regina Opera, Long Island Opera, the New Britain Symphony Orchestra, the Brooklyn Philharmonic, the Staten Island Philharmonic, the Belleayre Music Festival, American Opera Preview, in collaboration with artists and staff of the Metropolitan Opera, at Carnegie Hall, Bechstein Hall, Merkin Hall, Symphony Space, and Avery Fisher Hall at Lincoln Center. Read More

Instruments: Voice

My favorite stage credits include Young Frankenstein (The Monster), Singin in the Rain (R.F. Simpson), Catch Me If You Can (Roger Strong), Neil Simon's Rumors (Ken Gorman), One Man, Two Guvnors (Stanley Stubbers), The Magic Flute (Sarastro), and The Marriage of Figaro (Bartolo). In addition to theatrical roles, I also hove over a decade of choral experience including concert, symphonic, and madrigal choirs as well as vocal jazz. I amd the librettist of the short opera PETROV, which, in 2019, had its international premiere in Belgrade, Serbia. Read More

Instruments: Piano Voice

I began teaching voice during my undergraduate college years. Since then, I have taught both in-studio and in-home lessons. My students have consistently received high honors in solo and ensemble performances, as well as singing, leads in school and area productions. My piano students develop good beginning technique and theory skills that help prepare them as they move into the advanced repertoire. Both my piano and voice students perform in competitions regularly. Read More

Instruments: Piano Voice

As our time together continues, my goal for the student is that they become more self-sufficient (as is age-appropriate). For example, a teenage/adult student who has been taking lessons for a year will lead the lesson more than a beginner student; they will understand my warm up system and will arrive at the lesson warmed up and arrive with goals and questions prepared. This is because my goals for each student surpass their ability on their instrument: being a good musician means taking responsibility for one's practice. Read More

Instruments: Piano Guitar Voice Drums Bass Guitar Keyboard Djembe Acoustic Guitar

Hi there! I'm the lead singer and founding member of indie rock band Gregular and I want to teach YOU how to play music! I write and record my own music, so playing all of the instruments of the rock rhythm-section is a must. If you want to train your voice, your drum kit chops, bass grooves, piano shredding, guitar face-melting, or even practice your song writing and music composition, then we're going to have a great time! Read More

Instruments: Piano Voice

In 2012, I participated in two educational opera programs: Music in the Marche program in LItalia and the Midwest Institute of Opera program in Bloomington, IL. During my time at EIU, I was the recipient of two performance scholarships, was a Concerto Competition winner, and a Departmental Honors recitalist. I performed regularly in both Musical Theatre and Classical shows, as well as for religious, sporting, and collegiate events. I also received awards for research and presentations in the fields of music history and voice. Read More