Music Lessons in Mazomanie, WI

Instruments: Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion

If someone does a technique wrong for 7 months, it willprobleytake me 17 to fix it and break the habit. I use several books for my students but two of my favorites are both written by Louie Bellson. "Modern Reading Text in 4/4 time" and "Modern Reading text in odd-time" - They are different books than most use, and I use them especially for my jazz students but I have fount them to be invaluable. Read More

Instruments: Guitar Classical Guitar Acoustic Guitar

I have a Bachelor’s Degree in Music from the Higher Institute of Music in Damascus, Syria, which is one of the most prestigious music schools in the Middle East, and an Artist Diploma from the Kraków Academy of Music in Poland. I also have a Masters of music in classical guitar performance from California State University Northridge. I have more than twelve years of performing experience and masterclasses with the most known guitarists around the world. Read More

Instruments: Voice

They’ll achieve music literacy by using solfege (Do, Re, Mi) and ear training exercises, and kindle a lifelong love of music by having a lot of fun! Teens (Ages 13-18) This can be a somewhat challenging part of your vocal life (yay puberty!), and we’ll focus on building smart singing habits to help you come out of it healthy and stronger than ever! We will start building a flexible, and balanced vocal instrument so you can express yourself in a healthy way. Read More

Instruments: Piano Guitar Voice Organ Music Keyboard Acoustic Guitar

Ray has been hailed by Opera News as, "terrific!", the New York Times praised, "Ray C. was effectively cast...a solid professional with vocal elegance." The Taconic Press acclaims him as, an exceptional voiceleaving audiences cheering" with his performances being, ardent and utterly convincing." The New York Sun said of his stage craft: Ray C. makes the most of it, combining savvy stage business with a warm voiceexpertly straddling that razor thin line between parody and poignancyscored a direct hit." While the Berkshire Review simply calls him, "...Perfect!" His travels have led him to make appearances with Grandview Opera (General Co Artistic Director), the Light Opera Company Of Salisbury (General Artistic Director), Prelude to Performance (Associate Conductor), Amore Opera (Principal Conductor), the Opera Orchestra of New York, New York Grand Opera, Connecticut Opera, Connecticut Concert Opera, Greater New Britain Opera, Berkshire Opera, Bardavon Opera, Jacksonville Lyric Opera, Opera Ischia (Italy), Bronx Opera, New Rochelle Opera, Amato Opera, Bleecker Street Opera (Associate Conductor), Regina Opera, Long Island Opera, the New Britain Symphony Orchestra, the Brooklyn Philharmonic, the Staten Island Philharmonic, the Belleayre Music Festival, American Opera Preview, in collaboration with artists and staff of the Metropolitan Opera, at Carnegie Hall, Bechstein Hall, Merkin Hall, Symphony Space, and Avery Fisher Hall at Lincoln Center. Read More

Instruments: Clarinet

I like to start beginning students with a combination of sheet music and by rote teaching. If a student comes to me with method books or other materials, we will start with those and I will suggest other materials as appropriate. I often have more advanced students work through various scales books and Rose etudes, and whatever other type of music interests them. I utilize duets often in lessons to work on sight reading and blend, tuning, and leadership. Read More

Instruments: Guitar Flute

Each student should progress at their own paceone that instills passion, and makes them enjoy practicing, and love coming to lessons. Since every student is unique, every approach is unique. By trying to find out what inspires students I can successfully tailor my instruction to their wants and needs and get them "fired up" about music. I love to give the student a sense of accomplishment that expands into all areas of their life. Read More

Instruments: Piano Voice

Music lessons were one of my favorite activities growing up and continue to be for me as an adult. I want to give my students the same joy that I have for music, regardless of what their goals are. In the first lesson, I ask every new student what their goals area. That is how we start working together. For instance, if I know that a student is hoping to audition for a school production in a few months, I want to make sure that I include performance preparation in our lesson. Read More