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Featured Piano Teachers Near Castro Valley, CA

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Here are just a few of the many teachers offering Piano lessons in Castro Valley . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Jonathan H

Instruments: Piano Guitar Keyboard Acoustic Guitar

For beginner's in piano and guitar, I generally use the Alfred's and Mel Bay methods as starting places. In every situation, I tailor and personalize the curriculum to individual student needs; as students progress, I employ more and more personalized curriculum which reflects the research I have done into cognition and learning, and which maximizes the creative learning of the student. For more advanced students, I will challenge them in targeted domains, with customized exercises that focus upon their musical growth, with an emphasis on realizing their maximum potential. Read More

Willa G

Instruments: Piano Voice Ukulele Music Keyboard

My lesson plans are curated for individual needs. Over the past twelve years, I have worked with all ages, talent levels, and abilities, and have learned that it is absolutely essential for the teacher to adjust their methods for each students, as each individual has different goals, learning styles, interests, and needs. I strive to find new music my students will fall in love with, and am constantly learning new music to help them play their favorite songs at their current level. Read More

Annemarie W

Instruments: Piano Voice Ukulele

I am a pragmatic teacher. I coach my students in order that they succeed in all areas of life, not just in the performing arts field. My lessons ensure that the students mind and body are working optimally. I published a thesis at Sonoma State University, which validates that those who sing and play piano, are more likely to attend graduate school as well as think with excellent cognitive ability. Read More

Gina P

Instruments: Piano Voice

My teaching experience began in undergrad, our teachers started a vocal pedagogy class in which we were required to have a student. Also in undergrad we participated in a studio repertoire class where we would sing for one another. We watched our teacher give constructive criticism and participated in giving compliments and criticism as well. Read More

Lauren P

Instruments: Piano Voice

I have found that this helps the student to progress more quickly and gain a true love of music. I also like to have my students work on a wide variety of repertoire, even if they would like to specialize in only one field. Coming from a liberal arts college,I find that having a specialty while also being well versed in other fields as well is important to a successful music study. Read More

Daniel W

Instruments: Piano Guitar Bass Guitar Synthesizer Music Keyboard Electric Guitar Acoustic Guitar

I am open to a wide variety of teaching methods! By not committing to one specific method, I allow myself to be flexible and respond to my student's needs. For example; if a student has limited eyesight, as a previous student of mine had, I will focus on teaching by-wrought rather than by using written notation. I take extreme care planning lesson plans for my students, and often find myself thinking what would best help my students in my off time. Read More

Lai Ming P

Instruments: Piano

I am passionate and motivated instructor who loves working with students and sharing my love of music. I graduated from University of Hawaii with B.B. A. degree. I finished Diploma of Piano Performance in Associated Board of Royal School of Music, England. I have over 15 years of teaching experience. I teach classical as well as pop music. Most of my beginning level students are able to learn for long time. Read More

Teacher In Spotlight

Joshua W

Instruments: Saxophone

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a Bachelor of Music degree from Western Connecticut State University in Jazz Saxophone Performance. Before I attended WCSU, I was in a classically oriented program at a liberal arts college and I found it to be stifling creatively. I greatly respect the classical saxophone tradition, but as a tenor player I found that there was a lack of interesting tenor repertoire that I was able to play. By pursuing a jazz performance degree, I found that it gave me more than enough time to practice what I was interested in while giving me a lot of time to perform outside of school and make my network bigger.

What musical accomplishments are you most proud of?
There are a few that come to mind. One of the most prominent is the first time I performed a composition that I wrote in front of an audience. The feeling of being able to share my work with people while playing with a great band was indescribable. Another proud accomplishment of mine was performing with one of my longtime heroes Orrin Evans at a concert while I was a student at WCSU. Orrin is one of my absolute favorite musicians and being able to play with him was truly a blessing. Finally, winning the Jazz Chamber Group portion of the 2016 James Furman Concerto Competition. I was placed in a great combo with some of my best friends, and being able to win while we were just being ourselves felt great.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I actually have had a few teachers who have inspired me to be a musician full time. The first was one of my saxophone teachers in high school, John Lowery. John taught at a summer camp I attended, and he introduced me to some of the older jazz records that helped me shape my concept of how to play the saxophone. The second was Mike DiRubbo, who taught me while I was at working Litchfield Jazz Camp in college. At this stage I was feeling very unmotivated about pursuing music as a career and I wasn't practicing as much as I should have been. Mike gave me a tough love speech about how I wasn't doing myself any favors by not trying my hardest, and that all the natural talent I had wouldn't help me if I wasn't willing to work hard. This was the wake-up call I needed to start studying music with everything I had.

When will I start to see results?
This greatly depends on the student and how much they practice on a daily basis. If a student is highly motivated to learn and they practice consistently on a daily basis and they grasp the material, you could see results in as little as 1 or 2 weeks. For some students, there will be some difficulties with certain topics or with finding the time to practice, so the process will take a bit longer. It's important to be patient and understanding with each student while they try to find their way. It's a marathon, not a sprint.

What advice do you have about practicing effectively?
I find that splitting the allotted time I have to practice into 3 topics helps me tackle the most important elements of the saxophone: sound, technique, and music. For example, let's say I have 1 hour to practice some things before I leave for work. By following the "rule of 3", I have 20 minutes for sound, 20 minutes for technique, and 20 minutes for music. I'd probably divide it up like this Sound: 10 minutes of longtones with a tuner, 5 minutes of overtone exercises, and 5 minutes of altissimo practice. Technique: 5 minutes of working on triad patterns, 10 minutes of scales in 3rds, and 5 minutes on arpeggios. Music: 10 minutes working on a melody for a tune, 5 minutes on a transcription, and 5 minutes on an etude. By doing this, I've covered a wide variety of topics in just 1 hour.

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