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Sarah, violin, has performed throughout North America, South America and Europe. An avid orchestral player, Sarah performs regularly in Manhattan’s most elite concert venues, including Carnegie Hall, Avery Fisher Hall, Merkin Hall, and Alice Tully Hall. Sarah currently holds the position of Assistant Concertmaster of Astoria Symphony, Principal Second Violin of One World Symphony, Assistant Principal Second Violin of Metro Chamber Orchestra, and Section Violin of Philharmonic Orchestra of the Americas, Distinguished Concerts International New York, Leora Chamber Orchestra (formerly known as the New York Chamber Virtuosi), Westchester Chamber Symphony, Mimesis Ensemble, Ubuntu-Shruti Orchestra, Ensemble 212, Ossia Symphony, Bronx Opera Orchestra, and Artemis Chamber Ensemble. Notable engagements include touring from 2009-2010 as Concertmaster of the Broadway North American Tour of Camelot, and performing in Mexico with Philharmonic Orchestra of the Americas on the Mi Alma Mexicana tour, celebrating the 2010 Mexican Bicentennial. The CD released from that tour by Sony Classical went on to reach Platinum status on the U.S. Classical music charts, and was hailed by the New York Times as “unabashedly lush…A beautifully performed survey of works”. The POA orchestra went on to perform in 2010 for the President of Mexico on national television, and again in Mexico City’s Auditorio National, for a sold-out audience of 10,000 people. A Massachusetts native, Sarah earned her Masters degree in 2009 from Manhattan School of Music as a student of Curtis Macomber, and her Bachelor of Music degree in 2007 from the Oberlin Conservatory of Music, under the tutelage of Marilyn McDonald. Sarah has played in master classes for Sylvia Rosenberg and Mark Steinberg, and performed with such esteemed conductors as Kurt Masur, Robert Spano, Sir Simon Rattle, and David Zinman. Sarah currently resides in New York City, where she enjoys freelancing and teaching. With fourteen years of experience as a violin teacher, Sarah enjoys working with children and adults of all ages. In her private violin studio, she nurtures students with all degrees of experience to hone their craft with patience, kindness, and enthusiasm. A Suzuki registered teacher and member of the Suzuki Association of the Americas, Sarah has seen her beginning students progress while developing pride and enjoyment in regards to their playing. Her adult students benefit by integrating technique from the Galamian school, along with Carl Flesch, Josef Gingold, and Adolf Busch.
I studied guitar with international performing artist Anna Maria Rosado and composition with American composer Annette Le Siege. I hold a Bachelor of Arts degree in Classical Guitar Performance from New Jersey City University. I have performed extensively in small venues throughout Vermont, and was a house musician for several seasons at the Yosemite Theater in Yosemite National Park, California.
I have a BM in Music Ed. I would describe myself as outgoing. I’m a K-8 Music Teacher working for the NYC DOE, and privately tutor students. I have NYS certifications in Music B-12 and Students with Disabilities 1-6. Currently, I am working toward my MA at Hofstra finishing my last class and beginning my thesis.
I am a full-time teacher of language arts, but still a life-long violinist. My musical background is classically based, but expands to all forms of music. I received my degree from Montclair State University, where Icontinued to study and participate in small chamber ensembles and solo engagements for public and private occasions. I continue to practice and study regularly, always looking to further my own abilities with the instrument(s), and greatly value those students who willingly wish to study.
I enjoy teaching those who wish to learn. The most important thing that a teacher can teach a student is fundamentals - i.e. the basics. The fundamentals do one very important thing - enable the student to execute. When you get on stage you might be nervous, but I can guarantee you will know exactly what to do and that knowledge will calm you down enough to enjoy the experience. The musical aspect of playing, I believe, is something you either have or don't. I can coach you, of course, on what I believe is the way to play a phrase; however, in the end that really shouldn't be my job (nor anyone else's).
Since We Started
Cities with Students
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Once you’ve met with your teacher for your risk free trial lesson, continuing with Musika is easy! If you are satisfied with your lesson, all you have to do is register with us to continue! The trial will count as your first lesson if you continue, however, with our Great Match Guarantee™ if for any reason you decide not to continue then the trial is FREE. Go ahead give it a try, you really have nothing to lose.
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Background checks available on instructors. Instructor can opt to have a background check on file. You can request to only be connected with teachers that have a check. The choice is yours.
Our earliest recommended starting age for violin is 4, although exceptions can certainly be made for younger students who are capable of handling the strings properly and who have sufficient strength in the fingers and hands. A teacher can help you decide which size instrument to choose depending on the age and height of your child.
When you choose in home lessons, you are choosing the most convenient way to add music to your life. By having the instructor come to your home you are saving time, money, and energy! Not only is this a convenient option for busy schedules, but it allows you to learn your instrument in the familiar, comfortable space of your own home.
Music lessons are tailored to the students specific needs. The teacher will work with each student individually to develop a lesson plan that ensures the quickest and easiest path to progress. While working towards the specific goals, there will be lessons in music theory, how to correctly handle the instrument, and how to develop the students own unique skills. While Musika does not mandate a particular style of teaching, if there is a method you are interested in we will do our best to match you with a teacher that specializes in that methodologies.
Music shops that sell violins can usually also work out violin rentals. This is best for smaller, short-scale violins that are designed for small children. For adults, either used or new violins will work just fine. The only factor to keep in mind is that used violins are sometimes sold as-is, meaning it may not be in the best condition. The instructors in our network are familiar with good violin maintenance techniques and can be of assistance.
We love adult students! We have adults who are complete beginners, some who haven't played their instrument in 10 years, and some who are more advanced students looking to take their skills to the next level. The teachers in our network have proven methods to get you the results you desire.
Review by Terri
Caitlyn is friendly, helpful and still holds my high-school aged daughter accountable for practicing. She also makes sure the music technique is mastered correctly during the lessons - they work hard and still have a good time together. I can highly recommend her as a flute teacher. My daughter is very happy & grateful to have found Caitlyn as a teacher.
Review by Robert Stallone
I am in my 60s and decided to get back into playing my guitar. I thought taking lessons would be a good way to formalize the endeavor. I did have some concern about whether working with a teacher would work out as I've behave only played for my own enjoyment for a long time. Peter and I have had a few lessons together and I am truly enjoying the experience. He is very supportive and flexible. We arrived at a three gold approach that is really working for me. We focus on developing a playlist, learning some of the more iconic tunes from leading artist that I would have a hard time learning on my own and developing some technical skills related to style and music theory. Now I look forward to my next lesson and am already playing better and enjoying the journey. Peter is a great teacher I'm lucky to have the opportunity to work with him.
Review by Lea G
Kevin was such a fun, smart and innovative voice teacher to work with. I had the pleasure of taking lessons with him for over a year and I couldn’t have been more pleased with my time under his training. In just a few weeks I noticed my voice was stronger and I was able to apply his teaching and see the results. He explains his techniques in a way that the student is able to actually hear and feel the changes he is referring to. This allows the student to efficiently practice outside of lessons. Even further, he believed in me and truly cared about my progress. He was always energetic and focused in lessons and was continually surprised how far a song could come in just one hour of his time. Under his teaching I developed a stronger belt in my higher range, learned how to color my voice for different sounds and improved my stage presence. I wholeheartedly trust Kevin’s musical insight and was grateful that he challenged me with a wide variety of songs and styles that I hadn’t considered trying before.
Review by Yury
I would like to thank Polina for the series of classical piano lessons I've taken recently. Polina is a fantastic teacher and a high class performer, and I'm really happy I had a chance to meet her! I believe anyone can benefit from the teaching method Polina is practicing regardless of the student proficiency - from beginners to advanced performers. It was a pleasure for me to study classical piano courses under the guidance of such an intelligent & professional teacher! Without doubt, my playing technique has improved a lot and I have signed up for the new classes online already.
Review by Travis Dalenberg
Travis is the greatest. He knows his music and how to teach it. He gives you time to learn, but will not allow student time to get lazy. I know he teaches all age groups. Young pre-teens to us old folks 78 years young. I have been taking lessons from him since early December 2014. He is a true professional. You can't go wrong with him.
Review by Heather Berest
I started my 5 yr old daughter with Karleen this Fall. Karleen has a calm and honest disposition. My daughter adores her and cannot wait for her arrival. I was concerned because my daughter is not so willing to "practice" during the week. Karleen advised me to allow her habits of practicing to evolve naturally as her love and understanding of piano increases. She emphasized how nurturing my daughter's love of music is most important. This was music to my ears :)
Review by Natalie Kretcher
I really like her. And as an adult student, a good teacher who keeps the pace up but still keeps it reasonable in terms of difficulty is really hard to find. She does a great job of explaining little detail things in terms I (as a musically challenged human) can understand. I'm having a blast! 10/10 would recommend!
Review by Jacob Solomon
Ileen is a very attentive instuctor. she is patient and works hard to see her student succeed. if a concept is unclear she expains it in other ways to ensure understanding. I would highly recommend ileen to students of all levels who want to learn guitar and music theory to thoroughly enjoy the instrument and music
Review by Ro J.
“My son has been instructed by Mark for almost four years. Mark is an outstanding teacher. His credentials are by themselves impressive, but his ability to relate his knowledge to kids is even more so. Connor's ability to understand and read music is fantastic. Mark also knows the performance side of playing drums and has encouraged Connor to actually incorporate his knowledge to play alone and in a band. He is patient and encouraging which is what motivates Connor to work and practice. He is a mentor as well as a teacher. He is superior at what he does and we highly recommend him.” Ro J.