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Featured Violin Teachers Near Memphis, TN

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Here are just a few of the many teachers offering Violin lessons in Memphis . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Karissa W

Instruments: Piano Voice Violin Keyboard Acoustic Guitar

I am just 20 years old, and while I am still a growing musician and teacher myself, I have had experience in teaching lessons for the past three years. I started teaching private lessons on acoustic guitar a couple years ago, and I have also taught classes of vocal, violin and piano students. Currently I am teaching piano and violin classes at the Salvation Army in Memphis. I have found a joy in helping students develop a love for music, as it was my first piano teacher at the age of eight who played a part in developing my love and passion for music. Read More

Priscilla T

Instruments: Violin

I teach the with Suzuki method. The Suzuki Method focuses on the Mother Tongue Method and was created by Dr. Sinichi Suzuki. He, and I, believe that every child is able to play music beautifully. The method emphasizes listening and parental involvement. I look to find the balance between challenge and enjoyment for each student. I enjoy working closely with the main violin parent and getting to know my students through our time together with the violin. Read More

Teacher In Spotlight

Carla P

Instruments: Guitar Voice Ukulele Electric Guitar Acoustic Guitar

What does a normal practice session look like for you?
I start by doing a few stretches to free my body from tension. I often practice guitar scales and warm up my voice simultaneously. i concentrate on covering my vocal range using a variety of vowel sounds. After I've covered my basic range using a combination of vowel sounds with various consonants I work my way into the higher ranges using lip trills. My average guitar warm up is covering the major scale using the metronome to gradually increase my speed. When I have more time I work my way through the modal scales and pentatonic scale. I then go on to practice whatever music I will be performing at the next gig.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
At an early age I became aware of the therapeutic benefits to listening to music. I was always curious about the reasons music is so powerful in improving mood in particular. As I went through difficult times in my life I noticed that I relied on music to improve my outlook. When I began reading about music therapy I realized that music has therapeutic benefits beyond what I had imagined. I enrolled at Howard University and studied music with a music therapy specialization. I went on to earn a master’s in music therapy with guitar as my therapeutic instrument.

What do you think is the hardest thing to master on your instrument?
Many guitar students find the idea of playing lead guitar intimidating. However, once a student begins practicing scales they are on the way to being able to play lead melodies. The pentatonic or blues scale is the first scale that I introduce to students. When a guitarist becomes fluent with the scales learning lead guitar for rock or pop music becomes a lot easier. Most beginner vocal students find singing with good pitch challenging because they can’t hear when they are out of key. Vocalist work on improving pitch through ear training. We are actually training our brain simultaneously. Very few people have “perfect pitch” naturally. As with all instruments we learn scales as part of our training. Vocalist need to practice scales on a regular basis to familiarize the brain with the intervals between pitches.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I use the Hal Leonard guitar method for students 6 years old and up. This book starts by teaching the notes on each string in the first position. Its gradual approach helps student to build up dexterity while learning basic theory and sight-reading. The majority of my students learn by using Fake book style charts that I put make for them. i will give them a lyric sheet with diagrams of the chords on the same page. I will also give diagrams of the scales such as the Pentatonic and Major scales. The student collects song charts and Music theory in a 3 ring binder resulting in a personalized music book.

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Recent Articles from the Musika Blog

Ear Training for Musicians: A How To Guide

...each basic chord, move on to memorizing the sound of extended chords and inversions.   Extended Chords and Chord Inversions Extended and inverted chords both feature basic chords being played with added or rearranged notes. For example, a C major 7th chord features the added interval of a major 7th, which is a B note. A C major 7th chord would be C,E,G, and B. Memorizing what 7th chords sound like is a great place to start your ear training for extended chords.   Chord inversions are chords where the root isn’t played in the bass. For example, if... Read More

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...Fa Do Mi Do) 6th Sequence: C4 – A4 – F4 (Do La Fa)   Intervals: Octaves An octave (also known as an 8th) is the largest interval discussed in this article. An octave covers the space of eight notes or pitches, and just like any other interval, it can be sung as an ascending or descending vocal exercise. Beginning by singing a chosen pitch lower in the vocal range on an “a” vowel, slide up the octave (that same pitch an 8th higher), and finish the exercise by sliding back down to the starting pitch. ... Read More

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...music may have blues and chromatic harmonies, Baroque music is often contrapuntal, sophisticated rhythms in jazz or pop music, etc). You may want to choose a particular style and master it.   Improvisation: Playing new ideas on demand from your own mind rather than a score offers the same benefit as transposition, but requires you think ahead and process larger chunks of musical ideas. Reading music requires an ability to successfully guess what comes next, and improvising requires you to create those answers yourself in a similar “real time” pace.   Ledger Lines: Pianists normally do not read ledger lines often enough to play them ... Read More
Ear Training for Musicians: A How To Guide
Great Percussionists (Who Happen to be Women)
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Vocal Exercises: Intermediate and Advanced
Ways to Improve Piano Sight Reading

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