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Featured Violin Teachers Near Edison, NJ

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Here are just a few of the many teachers offering Violin lessons in Edison . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Robert P

Instruments: Piano Guitar Violin Flute Clarinet Bass Guitar Harmonica Banjo Ukulele Mandolin

I have over 30 years of experience teaching both private and group lessons. I have taught several special needs students, and  have successfully incorporated many of these students into mainstream settings. My students range in age for 6-80, and I am capable of teaching all styles and levels.  My focus is on individualized lesson plans that address the particular students needs and interests. My hobbies include learning various instruments, and arranging and recording various folk styles from around the world. , Read More

Marilyn S

Instruments: Piano Violin

I have been teaching music for over 35 years privately and in the public schools. I am currently the Director of Educational Services in the NYS school system. I have directed theatrical performances, conducted performing choruses, and implemented recreational programs at after school programs, senior citizen centers in New York and Israel. Read More

Lauren B

Instruments: Piano Violin Cello Viola

I like to stay flexible and work with students on their interests. Together, we can work to achieve their goals. My main goal is for students to enjoy and love music and their instrument. Read More

Joseph M

Instruments: Violin Viola Electric Violin

I have been teaching private violin lessons since I was high school student. I have also taught private and group/string orchestra with the Atlanta Music Project and Chapel Hill Middle School in Atlanta, Georgia. Most recently, I worked with Lessons in Your Home in Miami, Florida. As a college student, I performed in various gigs in the Atlanta area. I was active at my university in the chamber music program as well as the Emory Symphony Orchestra, where I served as the principal second violin chair and played an 1870 Scarampella violin. Read More

Alyssa M

Instruments: Violin Viola Electric Violin Fiddle Acoustic Guitar

I love to begin with the Suzuki method but is all dependent upon each individual student and their learning style! My initial priority is to make sure student's understand the fundamentals of violin technique. Along with technique is extensive ear training. This will lead to flexibility such as being able to improvise in a vast amount of genres. This fosters a long and engaging relationship with music and the violin. Read More

Mia N

Instruments: Violin Viola Electric Violin Fiddle Music

In addition to maintaining a private studio since 2009, I have taught at the San Francisco Conservatory Pre-College, The Chamber Music Institute, Little Mission Studios, San Francisco's Kipp-Bay Academy, and Inspire Music. I am currently a Teaching Artist for the Midori Friends Foundation and Elizabeth Faidley Studios, and I was previously a Teaching Artist with Oakland Symphony's MUSE program. My students have performed alongside members of the Kronos Quartet, won numerous concerto competitions, regularly participate in All-City and Honors orchestras, and gain entry to music schools and youth orchestras such as the Ruth Asawa San Francisco School of the Arts, Crowden Music Center, and Berkley Youth Orchestra. Read More

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Recent Articles from the Musika Blog

Chord Substitution

...If you’re a songwriter, you might find yourself getting stuck in the frustrating routine of writing the same boring chord progressions over and over again. Our brains are designed to develop and maintain habits, and this can result in writing the same types of predictable music over and over again. But if you take the time to learn just a few basic music theory concepts behind something like chord substitution, you’ll be able to approach writing chord progressions in an entirely new and interesting way.   What is chord substitution?   Chord substitution occurs in music when composers add foreign chords that substitute the ones typically found... Read More

Siblings in the Suzuki Studio

...teacher.’ This is especially useful with young children, as a toddler or preschooler will definitely have a hard time remembering how to do everything himself for a structured practice session at home. (Remember, practice sessions do not have to be grueling two hour events: fifteen minutes for very young players is usually enough for the day.) So here, the ‘open’ studio concept is fairly limited to three necessary participants. But what happens when there are siblings or friends? Good question. Very often, for a family that has decided to use the Suzuki method, the student will have other siblings who may ... Read More

Understanding Time Signatures in Music

...case of our 4/4 example, the bottom “4” is referring to a quarter note. So, in music-speak, 4/4 translates to four quarter notes per measure. Time signatures are not set in stone and can switch throughout one song or piece of music. Though rarely found within popular music, there are many examples of multiple time signatures found within one piece of music in the classical and art music world. The subversive “Math Rock” genre has built its reputation on its use of frantic and unpredictable changes of meter within one song.   The song “Tonto” by Brooklyn math rock geniuses Battles is an example of a song that features ... Read More

Reading Music for Beginners: Rhythm and The Staff

...This is the staff. Don’t get intimidated! The big curly symbol on the left is called the treble clef. Different clefs represent different ranges of music for performers to play in, but you don’t need to worry about that right now. Let’s take a look at the “4/4” symbol. This symbol is called a time signature, and it’s how we’ll know what kind of rhythmic content is to be played in a piece of music. The top 4 represents how many beats fit into a measure of music (a measure is the box you see featured in the picture above). The ... Read More

The Benefits of Learning About Audio Engineering

...no engineer available to help you set up and create a quality sound. Be it a large band or a solo performance, there will come a time where it’s helpful to know how to set up some audio gear, place a microphone correctly, choose the correct microphone, and adjust the levels and tone of the projected sound.   One part of becoming an audio engineer is training your ears to hear properly and correctly. Knowing how various frequency levels relate to specific keys, and being able to hear a key and attribute it to a frequency level, can help a musician ... Read More
Chord Substitution
Siblings in the Suzuki Studio
Understanding Time Signatures in Music
Reading Music for Beginners: Rhythm and The Staff
The Benefits of Learning About Audio Engineering

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