Viola Lessons in Norwalk, CT

Instruments: Violin Viola

This pedagogy uses the Suzuki repertoire but can also be used with other books. The Suzuki (Japanese) method is one of the most popular in the US. This method establishes strong musical and technical fundamentals. Other methods lead to similar results and can be just as enjoyable and interesting. Some examples are Robert Trorys (British) books or The Sassmannhaus Tradition (German). For older children and adults, I choose appropriate repertoire based on their musical interests, while still focusing on technique. Read More

Instruments: Piano Violin Cello Viola Electric Violin Fiddle

Paganini's 4th Violin Concerto with cadenza which Oleg Rutkovsky composed especially for this event. After competition he was invited to participate in music festival in Rimini, Italy where he shared the stage with such famous musicians as Boris Berezovsky (1st Prize 1990 P.I.Tchaikovsky Piano Competition), Enrico Pace and Evgeny Bushkov (both winners of many international competitions). After one year with State Symphony Capella of Russia where conductor was legendary Gennady Rozhdestvensky and where Oleg performed in section 1st Violins in 1992 he accepted position of Assistant concertmaster of famous Moscow Radio Symphony Orchestra and traveled around the globe performing in almost every important music hall including Carnegie Hall and Avery Fisher Hall in New York, Royal Albert and Barbican Hall in London, Beethoven Hall in Bonn (Germany), Gewandhaus, Symphony Hall and Suntory Hall in Tokyo and Osaka (Japan), Musikverein Golden Hall  in Vienna and many more. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Bass Guitar Synthesizer Double Bass Music Keyboard Acoustic Guitar

I am passionate about all facets of music and music education. I am motivated by my students, learning from them how best to instruct them and act as a guide through the universe of music. I am from a family of musicians having grown up in the culture of musical performance on both my mother and fathers side. I graduated from SUNY Empire State with a Bachelors in Music Performance with a concentration in Bass and Piano. Read More

Instruments: Violin Cello Viola Double Bass

I am a violinist of 20 years, originally from New Haven, CT. My passion for helping each student reach his or her highest potential has led me to an extensive career in public school teaching. I have taught violin, viola, cello, and double bass privately for over 10 years. I have spent the last 5 years focusing on reaching students of all abilities through teaching in the public classroom- working with students of all ages, and teaching general music, band, and orchestra. Read More

Instruments: Violin Viola Electric Violin Fiddle Music

I began teaching during high school as a supervised intern observing and teaching both small groups of orchestra students and private lessons. Since then, I've gained independence and have taught students in a variety of settings, both individual and group, and to ages ranging from young beginner to adults. Self growth and striving for self improvement is an important tenet of my teaching, and I encourage it in both my students and myself. Read More

Instruments: Violin Viola Electric Violin Fiddle Music

As a teacher, I bring with me over 13 years of experience working with violinists ranging from young beginners to advanced, conservatory-level musicians. I am passionate about pedagogy and foster a fun, productive, and confidence-building lesson environment that is tailored to each students individual learning style and goals. I have created my own personalized curriculum from violin schools including the Suzuki Method and Mimi Zweig, as well as that of my mentor, the renowned violin pedagogue Shirley Givens. Read More

Instruments: Violin Viola

I believe in the importance of holistic music pedagogy for students at every level. Musicianship requires technical proficiency, music theory training, music history study, and creativity. I prefer to craft unique courses of study for each of my students rather than using popular, one-size-fits-all approaches, such as the Suzuki Method. Though many of these methods have valuable pedagogical insights, I hope my students can have a deep engagement with music, art and creativity that goes beyond technical mastery, a goal that requires a greater flexibility than such methods provide. Read More