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Featured Piano Teachers Near Brookline, MA

4048   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Brookline . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Phillip G

Instruments: Piano Guitar Clarinet Bass Guitar Synthesizer Recorder

My teaching experience has been as eclectic as my musical experiences. Over the past 2 years I have been teaching private lessons at my home studio consistently. Currently I'm looking to expanding my student-base and focus on teaching full time while finishing my final year of graduate studies. The majority of my students have been beginners ages 5-14, although I've been giving informal guitar lessons to peers for the majority of my college and graduate school time. Read More

Zoey C

Instruments: Piano Music

Ive been also teaching piano for 8 years privately and at music academies to students from young children to adults at beginning to advanced levels. Working with different individuals always expands my way of teaching and my perspectives on how to share and teach. It's an ever-lasting renewing game. Ive been learning a lot from my students by exchanging my perspectives musically and practically with them who all hold different perspectives and different passions and goals, and I am grateful for that. Read More

Christopher L

Instruments: Piano

I develop a lesson plan before every lesson and set realistic goals for each of my students. I spend the first couple of lessons assessing what kind of learner a new student is, that way I can cater more closely to their learning style. Read More

Noom S

Instruments: Piano

For beginning students who are children, I typically start with Alfred's Prep Course Level A which provides strong basic skills in all relevant areas; such as, note reading, rhythm, piano theory etc. I normally advice students to follow Alfred's recommended steps until they reach Level 2. Then, in preparation for basic and more advanced classical pieces, I will introduce students with fingers practice "Hanon" and other fun yet effective program. Read More

Chiuying L

Instruments: Piano

I started teaching my son since he was 5 years old and have helped him win several piano competitions throughout his teenage years. For the past ten years or so, I have been teaching at private music schools, community music schools and my home studio. With every new student, I begin the first lesson by understanding their past experiences of leaning music, what interests them the most in music and what they expect to achieve through my lessons. Read More

Michael J

Instruments: Piano Organ

I received my formal training in music at the University of New Hampshire, having earned a Bachelor of Music degree in Music Theory and Composition and a Master of Science degree in Music Education. Most of my career in music education was spent in the classroom. I was very passionate about discovering and meeting the needs of my students, always striving to teach the whole person. I considered myself a talent scout, never missing an opportunity to encourage any glimmer of talent at the piano that I saw waiting to blossom. Read More

Binan G

Instruments: Piano Saxophone Music

Fundamentals come from slow practice, and unfortunately, there is no true fun way of doing it. However, I pair technical work with listening assignments, so that the students actually see the point of fundamental training. Hanon is the one book that has stayed with me for two decades and I adhere to its various training regimens very closely. The book itself may be insufficient, but the auxiliary exercises I designed will improve the practice efficiency. Read More

Teacher In Spotlight

Sinclair A

Instruments: Voice

What musical accomplishments are you most proud of?
I am most proud of my performances with the New York and Philadelphia Philharmonic Orchestras. My favorite performance of all was performing Leonard Bernstein's Mass in its entirety. We performed not only with the Philadelphia Philharmonic Orchestra, but also the Temple University Choir, the American Boy's Choir, a marching band, professional singers, and world-renowned conductor Yannick Nézet-Séguin. I am also proud of my college voice recitals in 2015 and 2016. Hearing the progression in my voice and learning the arias/song cycles was an experience I will always remember. These were huge accomplishments for me, as I had never performed a recital prior to these. It was amazing performing in front of friends, family, and teachers.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
The way I teach comes from the methods first created by Cornelius Lawrence Reid. Reid was a specialist in the style of bel canto, a way of singing to create an open and rich sound. This technique was used in the operatic world for over 800 years, and came back in the beginning of the 1900s from Reid. He wrote two books that further explained the bel canto technique: "A Dictionary of Vocal Terminology" and "Bel Canto Principles and Practices." Reid's technique was further researched and developed by Manuel Garcia II. Garcia was the first person to invent the laryngoscope, which first x-rayed the vocal chords. I learned these techniques from my high school voice teacher, Mr. Lawrence Lohman. I use this technique for my students and immediately hear a change in the sound. The student will also notice an immediate change, due to how open they will feel in the voice and the body compared to prior.

What do you think is the hardest thing to master on your instrument?
One of the hardest things when it comes to singing is to not overthink. Students, usually who are younger, do not understand that how they hear their voice is different than how others around them hear their voice. Even on a recording, it is still not that students true voice. It is easy to overthink and feel that they did something wrong, they cracked on a high note, they did not have enough breath support, etc. Once the student can focus primarily on opening the sound, making sure it feels comfortable, and in singing the correct segment, the overthinking will stop. This will take time, but they will overcome it!

Why did you choose your primary instrument?
I have always loved to sing. I remember wanting to perform ever since I was a child. I would write my own songs and sing them in front of friends and family. As I grew older, I found singing was a way to relax me and provide me with great joy. I found that singing, along with playing guitar and piano, was a fun way to continue with song writing. I felt it was more than just a hobby for me. Once I started voice lessons, hearing my progress further thrilled me for performing. To this day, singing and teaching others to sing is the highlight of my life.

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