Trumpet Lessons in Summit, NJ

Instruments: Trumpet

I'm a freelance trumpet player, guitarist, educator, songwriter, and composer here in New York City. I have been a student of the trumpet for almost 30 years, and my former teachers include Michael Sachs (Cleveland Orchestra), Raymond Mase (formerly of the American Brass Quintet), Tom Booth (formerly of the Dallas Symphony Orchestra), Larry Black, and James Thompson (both formerly of the Atlanta Symphony Orchestra). I did my graduate studies at the Cleveland Institute of Music, as well undergraduate work at Meadows School of the Arts at Southern Methodist University. Read More

Instruments: Piano Trumpet Saxophone Clarinet

I'm a certified music instructor whose favorite part of teaching is getting to meet new people and bond over music. I graduated from Messiah College with Bachelor's degree in Music education and have taught as a certified music teacher for a year now. I have been playing clarinet since grade school, saxophone since high school, and picked up piano in college. I have also performed in many ensembles, such as the Messiah College Wind Ensemble and Symphony Orchestra. Read More

Instruments: Trumpet Trombone Euphonium French Horn Tuba

Hello! I love teaching and value each and every student I have as an individual, and cater my lessons to match your interests. I'm originally from Georgia, and moved to New York to pursue my career as a jazz trombonist, and since have performed all over the world including Europe and the Caribbean. I also love folk and rock music, and have played banjo for 2 years, and also write music for my own group where I combine trombone playing and the banjo with other jazz musicians! Read More

Instruments: Trumpet

Hello! My name is Noah and I am a passionate trumpet player who loves helping students develop musicianship and discover the joys of music. I graduated from the Juilliard School with a Bachelor of Music in Jazz Studies in 2018, and then received a Masters of Music from Juilliard in 2019. I have been fortunate to play all around the world, from Melbourne, Australia to Bern, Switzerland at some prestigious jazz festivals. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Ukulele Recorder Electric Violin Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Music Keyboard Electric Guitar Acoustic Guitar

Effective music education is both developmentally and culturally appropriate: By working with the student to understand their interests, I hope to provide them with an experience that will enrich their musical and social life outside of the work we do together. Through infancy, I believe Music Learning Theory is effective for developing musical and linguistic skills. If a student in toddlerhood/childhood shows that they have a preferred way to express themselves musically, I will tailor lessons around the Kodaly (voice), Orff (instrumental), or Dalcroze (dance) philosophies. Read More

Instruments: Trumpet Music

For beginner students, I focus heavily on fundamentals consisting of breathing, mouthpiece buzzing, long tones, slurring/tonguing exercises, and scales. I will require each student to learn at least 1 new scale each week once we've established our individualized curriculum. For more intermediate/advanced students, fundamentals are still a must, but we will also begin more challenging repertoire such a solos, etudes, orchestral excerpts, and various other advanced studies depending on the student's level. Read More

Instruments: Piano Trumpet Saxophone Flute Clarinet Bass Guitar Recorder Double Bass Music

For beginning woodwind students, I have had success using the Rubank method books as a starter. Alongside a method book, I like to work on material chosen by the student, as well as my own supplemntal exercises. It is important for the student to understand the musical concepts associated with the repertoire, as well as focusing on performing well. I also prefer to have my students keep a practice log book, in order to track their progress. For piano and music theory, I like to use the John Thompson method for beginner students, and the Bastien Piano Literature series for more advanced students. Read More