Trumpet Lessons in Glen Head Matinecock, NY

Instruments: Piano Guitar Voice Violin Cello Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Accordion Harmonica Ukulele Mandolin Recorder Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Conga Latin Percussion Music Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

Classical: Irina Gorin Books which is suitable for kids 4-6 years old Then I explore the classical repertoire. Jazz theory: Own developed curriculum Pop songs: Same as Jazz theory. The only difference is the repertoire of songs explored For intermediate- advanced students I work on developing their favorite music styles and songs. I like to help the student self practice and self understand music. I encourage them when they show interest in practice. Read More

Instruments: Piano Trumpet Saxophone Flute Clarinet Music Keyboard

I like for a student to look at a piece of music and then to explain to me what they think it is. Their perception is different than my perception and I can learn a lot about how to teach them based on how much they may already understand or do not understand. Understanding musical concepts and musical language is important and I emphasize getting basic concepts right immediately. If a student has a misconception about something I try to correct it so they can move forward make progress. Read More

Instruments: Piano Trumpet Music

I have taught music for six years at Montclair State University and Rutgers Community Music Program. I also have taught with Musika for 10 years. I have toured with my own bands as well. My first quarter Sight travel across America playing a fusion of African traditional music and jazz. I released 2 albums under that name and have had the music played on satalite radio. Now I play with my solo project Wave Magnetik. Read More

Instruments: Voice Trumpet Drums

Practice is ideal for each student. I encourage my students in their practicing. Progress will be made most quickly by those students who maintain the recommended practicing time (1 hour per day). Parents are also encouraged to be involved in their students practice. Taking the time to listen to your child play their weekly songs, or creating a set time for practicing in the students daily routine are good ways to become involved. Read More

Instruments: Trumpet Trombone Euphonium French Horn Tuba

I started teaching privately in college at Florida State University, and was even asked to teach for the F.S.U. summer jazz camp as the middle school instructor for their big band. I also taught trombone masterclasses as well as a small group. In New York I've taught privately for 5 years, and have also had the opportunity to work with elementary schools in the city doing jazz presentations through my Master's degree program at Manhattan School of Music. Read More

Instruments: Piano Trumpet

Depending on how experienced the student is, I make sure to gauge where they are at regarding music theory and music history. Although the main goal of learning an instrument is to learn how to express yourself through music, it is important to understand how we can do that by having a solid understanding of theory and history. I've found that teaching students on a week-by-week basis through exercises that I create for them has been very successful, especially since a lot of method books are very limiting, and they expect every student to be starting out with the same baseline. Read More

Instruments: Trumpet Trombone

I like to tailor my approach to each student and the things they find inspiring about brass instruments. I will set goals and motivate my students in a way that works for their learning style. Lessons will always be engaging, challenging and fun. All students will begin with a foundation in the essential trumpet method books including the Arban, Clarke, Schlossberg and Chichowicz. From there we can explore specific areas of interest, with my specialties being upper register development, improvisation, jazz theory, transcription and solo pieces/concertos. Read More