Trombone Lessons in Upper West Side, NY

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Ukulele Recorder Electric Violin Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Music Keyboard Electric Guitar Acoustic Guitar

Effective music education is both developmentally and culturally appropriate: By working with the student to understand their interests, I hope to provide them with an experience that will enrich their musical and social life outside of the work we do together. Through infancy, I believe Music Learning Theory is effective for developing musical and linguistic skills. If a student in toddlerhood/childhood shows that they have a preferred way to express themselves musically, I will tailor lessons around the Kodaly (voice), Orff (instrumental), or Dalcroze (dance) philosophies. Read More

Instruments: Piano Guitar Voice Trombone Bass Guitar Organ Synthesizer Accordion Harmonica Lap Steel Guitar Banjo Ukulele Mandolin Double Bass

My 30 years of teaching experience includes countless private lessons, and being a Music Teacher at The Bank Street School For Children and other schools. Read More

Instruments: Trumpet Trombone

I like to tailor my approach to each student and the things they find inspiring about brass instruments. I will set goals and motivate my students in a way that works for their learning style. Lessons will always be engaging, challenging and fun. All students will begin with a foundation in the essential trumpet method books including the Arban, Clarke, Schlossberg and Chichowicz. From there we can explore specific areas of interest, with my specialties being upper register development, improvisation, jazz theory, transcription and solo pieces/concertos. Read More

Instruments: Trombone Euphonium

It is very refreshing to be able to see the enthusiasm and eagerness of a student in lessons. As someone who still routinely takes lessons, I know firsthand how important the relationship between teacher and student can be. I’m very passionate about fostering a friendly, open environment in which students feel comfortable learning, making mistakes, and voicing opinions. In my time teaching and taking lessons, I’ve found that the growth that comes from one on one attention is like no other, and that the solid foundation that private lessons build prepares students for success in other musical settings, as well as in the classroom and, eventually, the workplace. Read More

Instruments: Trumpet Trombone Euphonium French Horn Tuba

For beginning brass students, I typically work on developing on their embrasure and proper playing technique. Getting everything secure right at the beginning is the key to having players who are comfortable and will result in greater successful down the line. I believe that good breathing techniques are the key to playing brass instruments successfully. I will work with students on breathing, buzzing and creating a beautiful sound on their instruments. Read More

Instruments: Piano Guitar Voice Violin Cello Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Accordion Harmonica Ukulele Mandolin Recorder Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Conga Latin Percussion Music Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

PROFESSIONAL EXPERIENCE My teaching experience started in 2007 with teaching young kids from our youth meeting in church. Now I am teaching in my home studio in Belleville, NJ since 2016. With more than 10 years experience, I love working with new students of all ages. I use a curriculum developed by Mrs, Irina Gorin which specialize in kids from 4-6 years. Her method is based on involving both the students and the parents in the piano learning experience. Read More

Instruments: Piano Trombone Euphonium

For beginner students, I will usually start with the basic fundamentals of playing the instrument. This would include tone production, articulation, flexibility, scales, arpeggios, and sight reading. Once the student has become more fluent in the technique of their instrument I will start to ask them what they want to work on and improve upon. One method I truly believe in is playing duets with the student. The best way to improve at anything is to practice with someone who has more experience. Read More