Trombone Lessons in Malibu, CA

Instruments: Trumpet Trombone Ukulele Euphonium Tuba

Use all major method and etude books. Have a large library of rare etude books on PDF as well as my own exercises I've written out. Example trumpet books for intermediate student: Arban Clarke Sachs Schlossberg Stamp Charlier Vizzutti Bai Lin Irons etc I encourage students to find music they would like to play, even if they aren't able to play immediately. I can modify the music to make it playable until they have progressed enough to play the original. Read More

Instruments: Trombone

The Arban book is available for free on PDF. For beginning students, I discuss long tones, sound, and simple scale studies. Once students grasp the fundamentals, I like to teach how they relates to the music they listen to. Through this, students can learn how theory and scales become music As we get advanced, I like to move in to scale studies, technical warm ups, and theory. When working on a recital performance, or simply learning the instrument, I like to concentrate on listening, developing a clean and full sound, breathing, and musicality. Read More

Instruments: Trombone

Every student is different, so I do my best to nurture musical growth and development at a pace that is feasible for each student as an individual. No two lesson plans are identical. Based on how confident the student feels with the prospect of moving onto the next level in their studies, I begin to assign goals for the next lesson. The size of those goals will vary depending on the skill level of the student, as well as how confident the student feels. Read More

Instruments: Trombone Euphonium Music

I bring a wealth of teaching experience to my students, including teaching students of different ages at many different levels. I have taught private students at the beginning, intermediate, and college level as well as coached brass students at several middle schools and high schools throughout southern California, and I currently maintain a private teaching studio. In addition to private one-on-one lessons, I am also experienced in conducting group lessons and sectionals where students can explore the joy of playing with other students at their level. Read More

Instruments: Trombone

My first experience teaching was at the Saturday Conservatory of Music, currently based in San Gabriel, CA. I came on as the trombone teacher, but only acquired one student. This left me available to become a regular substitute and assistant for numerous other classes. I even taught the intermediate theory course for a semester. I spent a semester teaching music and English in Spain, and discovered an aptitude for approaching music from different directions. Read More

Instruments: Trumpet Trombone Euphonium Tuba

For beginning students who are not musically literate, I emphasize a program that focuses on the aquisition of skills to read music proficiently followed by a basic program that helps students get the basics of their instrument down. For intermediate musicians, I focus more on taking their basic skills and expanding on them to help them discover new abilities and progress further in their musical development. This will include playing basic to intermediate solos, etudes to develp musicianship, scales (done fun!), sight-reading, and duets. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Harp Accordion Harmonica Lap Steel Guitar Banjo Ukulele Mandolin Recorder Lute Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Shakuhachi Oboe Bassoon English Horn Conga Latin Percussion Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

For beginning students who are children, I typically start with Hal Leonards Essential Elements book, as well a basic understanding of music. Once the student has progressed to have a nice grasp of the fundamentals of music, I usually begin to introduce solo repertoire appropriate for their first recital performance. I also believe in the importance of listening to as many professional recordings as possible of the instrument the student is taking lessons on. Read More