Piano Lessons in Saint Paul, OR

Instruments: Piano Drums Mallet Percussion Orchestral Percussion

For beginning students who are children, I like to start with Piano Adventures by Nancy and Randall Faber. In addition to the method books to introduce music theory I incorporate musical games and flash cards. Keeping lessons fun and stimulating for young students I believe is vital to their growth. For older and more experienced students, I like to personalize my lessons to what the student is interested in while keeping lessons challenging and enjoyable at the same time. Read More

Instruments: Piano Voice

Possessed a Bachelor Degree in Education with the emphasis in Music Theory Had a continuing education in teaching elementary and pre-school children. Had an extensive experience in teaching elementary and secondary school children Had an experience teaching piano lesson and music theory on one-to-one basis with different age group Had an experience working as an assistant teacher and also as a nanny and tutor Committed to high standard and integrity in providing a quality education and learning environment to each students involve in learning Take pride in producing talented and skillful student especially in each lesson Highly organized and detail oriented in delivering each lesson and learning to individualized students Possessed a positive attitude and strong work ethics Read More

Instruments: Piano Voice Synthesizer Keyboard

In most of my lessons, I use one of several piano methods, which I supplement with additional materials, chosen according to the student's musical preferences and goals. My preferred courses for beginning students are Alfred, Faber and Bastien. I always include music theory, as it is fundamental to appreciating and understanding the music, and it allows students to learn the basics of improvisation. For students interested also in vocal training, I have experience and an excellent teaching method available. Read More

Instruments: Piano Cello

Nothing is more rewarding than seeing a student develop a passion for music! Therefore, it is my job to have each student progress at their own pace. I hold recitals twice a year as a checkpoint to see how students have progressed and to have them practice performance. These recitals help motivate the students to practice and give acknowledgement to all their hard work and accomplishments. This acknowledgment is what drives them to work even harder and progress even further therefore leading closer to their dreams as a musician. Read More

Instruments: Piano

I believe every person learns differently and thrives off of positive reinforcement, which is why I base my curriculum solely on who I'm currently working with. Every student I work with has their own specific curriculum. Every week I'll have an assignment for the student to practice that will be expected to be completed. This will be the gauge towards their improvement. As we work week after week, I will be observing what inspires the student most and conduct assignments and based on that. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Harmonica Ukulele Recorder Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Music Keyboard Electric Guitar Acoustic Guitar

My methods vary on the student and subject. Beginning students will typically focus more on technical pieces of music to improve on certain aspects of a few pieces to perform. More advanced students will still practice technical parts of their music, but less time will be spent on it during a lesson. Advanced level students will spend more time on repertoire and performance. The more advanced a student gets, the more I expect them to practice outside of lessons and apply their newly learned technical skills into their music on their own. Read More

Instruments: Piano Keyboard

Furthermore, I guide my students to find a balance between authentic, historically informed performance practices and their own fresh, creative interpretations. For example, when working on a Baroque piece, I would introduce the stylistic elements such as ornamentation and articulation as well as strictness and academical preciseness typical of that era. However, I would also encourage the student to explore how they can infuse the piece with their personal expression, allowing their own voice to shine through while maintaining respect for the musical tradition. Read More