21 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
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Instruments:
...The music theory work also supports the students growing musical knowledge. 3- The student's choice of music. This is most important and critical to the student's success. ... Read More
Instruments:
...My teaching experience began in the fall of 2010, when I started my college career. Since then I have been teaching private lessons and have also taught in group homes. ... Read More
Instruments:
...I also feel that students learning classical is a great starting point as it does get more complicated down the road, but I also feel that learning more popular music such as what is out now, is also a great starting point as this will allow students to see how classical and popular music differentiates. ... Read More
Instruments:
...I am 26 years old and have been playing as well as performing music for about 19 years. I specialize in guitar as well as piano. I've performed many times out in Las Vegas, NV, Madison, WI as well as the Chicago/Rockford area.... Read More
Instruments:
...I graduated with a BA in music from Saint Joseph's College. I studied both choral and instrumental education. I did not work towards becoming a teacher because I want to work in more non-traditional education settings (sacred music, worship teams, private lessons).... Read More
Instruments:
...I strive to help the students see and understand their talent, help build their confidence level, and then challenge them to keep practicing and excelling in order for them to see their full potential.... Read More
Instruments:
...Ray has been hailed by Opera News as, "terrific!", the New York Times praised, "Ray C. was effectively cast...a solid professional with vocal elegance." The Taconic Press acclaims him as, an exceptional voiceleaving audiences cheering" with his performances being, ardent and utterly convincing." The New York Sun said of his stage craft: Ray C. makes the most of it, combining savvy stage business with a warm voiceexpertly straddling that razor thin line between parody and poignancyscored a direct hit." While the Berkshire Review simply calls him, "...Perfect!" His travels have led him to make appearances with Grandview Opera (General Co Artistic Director), the Light Opera Company Of Salisbury (General Artistic Director), Prelude to Performance (Associate Conductor), Amore Opera (Principal Conductor), the Opera Orchestra of New York, New York Grand Opera, Connecticut Opera, Connecticut Concert Opera, Greater New Britain Opera, Berkshire Opera, Bardavon Opera, Jacksonville Lyric Opera, Opera Ischia (Italy), Bronx Opera, New Rochelle Opera, Amato Opera, Bleecker Street Opera (Associate Conductor), Regina Opera, Long Island Opera, the New Britain Symphony Orchestra, the Brooklyn Philharmonic, the Staten Island Philharmonic, the Belleayre Music Festival, American Opera Preview, in collaboration with artists and staff of the Metropolitan Opera, at Carnegie Hall, Bechstein Hall, Merkin Hall, Symphony Space, and Avery Fisher Hall at Lincoln Center.... Read More
21 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
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