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25 Years
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Here are just a few of the many teachers offering Piano lessons in Marlboro . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Voice Saxophone Flute Clarinet Music
I have been teaching music for about fifteen years. Currently I teach music at a charter school where I am the lead music teacher. I currently teach high school students piano performance as well as AP music. I studied at the renowned Hartt School of Music, Jackie McLean Institute of Jazz in Hartford CT where I graduated with my bachelors in music with honors. Some of my mentors have included Steve Davis, Nat Reeves, Abraham Burton, Eric McPherson, Rene McLean and Javon Jackson.While in Hartford I taught saxophone and piano at the Artist Collective for two years. Read More
Instruments: Piano
I have an innate desire to share knowledge. I like to imagine my passion for teaching for my students as a development section in a symphony: Ever expansive! I started teaching piano in the Hoff-Barthelson Music School in the Scarsdale, NY community. Going further I taught and tutored piano and music theory to fellow adults in my alma mater: Manhattanville College. Currently I am the music instructor for the White Plains Youth Bureau STEAM Academy. Read More
Instruments: Piano Voice Keyboard
I teach based on what is best suited for the learner. All students learn differently and at different speeds. Students will be able to choose repertoire and learn technique through the music they love. Students are encouraged to discuss the music that they are interested in, their goals, and interests. Students will be encouraged to practice and will be recognized when they have success and accomplishments. Learning about the student also helps me to understand their future goals with music. Read More
Instruments: Piano Voice
I am a working opera and musical theater performer who is passionate about teaching! I graduated in 2011 from Carthage College (Kenosha WI) with a degree in Musical Theater Performance and a minor in Theater, and I went back to school for my Masters in Vocal performance at Bowling Green State University where I had lots of great performance opportunities as well as valuable teaching experiences. I have performed internationally with programs abroad in Italy and Germany. Read More
Instruments: Piano
I believe every individual has different ways and styles of learning and I adapt my teaching method/style according to the needs of each and every student. Having been trained in the Kodaly method, I found that it is highly versatile and I have been using this method to teach ear-training and music theory to my students. I have been teaching my students with Suzuki, Alfred, Bastien and other classical methods depending on their needs. Read More
Instruments: Piano
My teaching experience has been quite varied, with ample experience teaching private students and group classes of all ages and ability levels. I have taught privately for more than 10 years, and have always encouraged a supportive, compassionate, and engaging learning environment. Most recently, I was awarded a Teaching Fellowship at the Mannes School of Music, where I was fortunate to be a professor of piano for undergraduate music majors. I have also held a teaching residency with the New York Philharmonic. Read More
Instruments: Piano Violin
For beginning students who are children. I typically start with Suzuki Violin Book or Hal Leonard's Essential elements. Once the students has progressed to have a grasp of the fundamentals, I will begin to introduce some repertoire they can perform. For adults, I try to find out what music the students are interested in and as teaching basic skills, I will teach music what they would like to perform. Also I will guide my instruction to encourage their interest of playing violin so they can have fun with playing violin, not get stress about practicing violin. Read More
Instruments: Piano Voice
If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have 2 degrees. My first degree is a Bachelor of Arts from Oregon state university in Vocal performance.
My second degree is a masters in music from Brooklyn college conservatory of music.
I chose to pursue these degrees because I knew I wanted to be trained to the highest degree and be able to use that knowledge to continue to grow as a vocalist and help others grow in their own instrument.
While a masters was not required for the jobs I perform now, it was extremely essential in securing my role as vocal captain in my casts.
What does a normal practice session look like for you?
Vocalizing is absolutely essential to the beginning of every session.
Vocalizing is equally important in my own performing.
I love vocalizing because it allows me to test drive my voice for the day.
Our voices can fluctuate so much day to day, it’s important to feel in tune with your own instrument.
My sessions start with plenty of vocalizing and eventually leads to work on solo pieces.
I always allow plenty of space to communicate with my students and give them the opportunity to speak about what there experiencing while they’re singing.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I am very open to all techniques. I grew up playing violin with the Suzuki method, which had shaped my ear wonderfully, but required me to learn to read music supplementally.
I also was exposed to Orff and Dalcroze methods from a very early age.
As far as vocal technique, I have had teachers who used the Caruso method and Alexander technique.
I am not married to any specific technique though I have experienced many different types.
I believe in a tailored to the student method is best.
My favorite teacher always asked me if what I was doing felt good. That was what was most important.
What do you think is the hardest thing to master on your instrument?
Singing is one of those things that is completely different than any other instrument.
You are exposing your entire self and making yourself vulnerable to the listener and to the art itself.
I think, as with most things, the more you master it, the more little things you find that you want to improve. Living in the imperfection can be incredibly exposing and frustrating, but mastering is not about perfecting.
Sometimes putting down the paint brush is the most difficult part of mastering an instrument.
Some days you’re going to be in amazing voice and sometimes you’re having an off day. Both situations are useful.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Marlboro to students of all ages and abilities.
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