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Featured Piano Teachers Near Islip Terrace, NY

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Here are just a few of the many teachers offering Piano lessons in Islip Terrace . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Teodora P

Instruments: Piano Voice

I am a energetic, dedicated, warm and caring music instructor who is eager to share over 16 years of musical knowledge with students. I graduated from Berklee College of Music with Bachelor of Music in Vocal Performance and Professional Music,I was previously educated in European School of Music, where I studied classical piano and opera singing for 10 years. At 17 years old I auditioned for Berklee College of Music and received a Tuition Scholarship to attend their Bachelor's Degree Program. Read More

Barbara W

Instruments: Piano Voice

I graduated with my Bacholers in Music and Pyschology with a focus on opera voice in 2009. In my performance program I really grew as a vocalist and learned how to overcome my own obstacles and improve my vocal technique for myself. I feel confident now in sharing my experience and my education with my students so they are able to really grow and improve as well. I started professionally and privately studying vocal technique when I was 17 and prior to that I was performing musical theater in school and in community performance groups. Read More

Nick N

Instruments: Piano Drums

I began music studies at an early age and quickly became an in demand musician among the local community of Jazz musicians in South Florida by my teens, performing often with Pianists Mike Gerber and Antonio Adolfo, and Multi-Instrumentalist and Be-bop great Ira Sullivan. Upon graduating high school, I relocated to Boston to attend the New England Conservatory of Music, where I studied with the legendary drummers Rakalam Bob Moses and Billy Hart, and studied composition and improvisation with pianist Anthony Coleman, Guitarist Joe Morris and composer Stratis Minakakis. Read More

Sophia S

Instruments: Piano Flute Recorder Piccolo

For young beginners I typically with Suzuki Book 1 or the Abracadabra Flute Book.  For children preparing for NYSMA I use the Rubank method with supplements from Forty Little Pieces and gradually move on to more solo repertoire.  For adult students I make repertoire selections based on students' interests while taking care to keep lessons both engaging and fun no matter their starting level.  Although my training is primarily classical, I am happy to incorporate music from other genres into lessons. Read More

Cameron P

Instruments: Piano

I'm a passionate and motivated instructor who loves working with students and sharing my love of music. I have studied classical piano for 10+ years with the Field Studio, Myra K Garvette, and the Westport School of Music, as well as at Fairfield University. I also have chamber music ensemble experience, having gone to CAM Camp and working with piano trio and quartet ensembles under Millette Alexander. I also have accompanying experience for church and school choirs, and have been on the worship team at my local church. Read More

Joshua E

Instruments: Piano Voice Music

Vocal: I meet students where they are, working on some repertoire they select while throwing in some of my own selections. My students generally focus on vowel shape, vocal placement, breathing technique, and expanding range through knowledge of the head, chest, and mix voices (including belting). I am open to what students want and will generally be willing to throw out a lesson plan if that plan is not working for the student and try something new or different. Read More

Robert S

Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard Electric Guitar Djembe Acoustic Guitar

I am an intuitive teacher: I have learned how to observe my students, their moods, their energy levels, and adjust my lesson plan on the fly. For instance, one student has ADHD, which I manage by injecting exciting new rhythms for him to mimic when I see his attention wander. I then harness that renewed focus towards the original goal of the lesson, whether it’s learning a new time signature or a complex cross-rhythm. Read More

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