Drum Lessons in Waterbury, CT

Instruments: Drums

Chris Dorn is a professional drum instructor located in the Dutchess County area. He has been playing drum set and percussion for 30 years, and has taught in the Dutchess County area for 15 years. In 2007 he was the drum tech for Jessica Simpson setting up drums, percussion and recording gear all across the US. In 2008 Chris founded and built Ghostgate Studios, a lesson and recording studio in Poughkeepsie designed specifically for drummers. Read More

Instruments: Drums

I have toured the country with Peter Frampton and others and have played big concerts including Madison Square Garden. I took lessons from several different drummers including Sonny Igoe. I learned during my time that if I wasn't having fun in my lessons it turned into a less enjoyable task. So I make sure that all my students have a good time, they enjoy learning and that I give them the tools to succeed. Read More

Instruments: Piano Guitar Voice Drums Electric Guitar Acoustic Guitar

I have experience teaching on both a private lesson and public school environment. I started to teach private lessons shortly after my undergrad career and during my grad school career. During my grad school program I had the opportunity to teach both at a elementary and high school level in General Music and in Strings. I during these placements in the public school I wrote out lessons plans and taught music theory and instruments to the students. Read More

Instruments: Piano Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums French Horn Piccolo Oboe Bassoon English Horn

My methods used for piano students are the Randall and Nancy Faber teaching books; they are among the very best teaching materials due to their ease of comprehension, their logical sequence of concepts taught, and also their practical exercises and songs for the student. My methods used for Band instruments (trumpet, clarinet, flute, drums, and trombone), are the Standard of Excellence books, as they are also among the very best in regards to explaining musical concepts, presenting new songs, and logical progression. Read More

Instruments: Drums Mallet Percussion Conga

My approach to teaching is to try and understand each students level of musicianship and evaluate their weaknesses and strengths. I believe that repetition and the reduction of speed are essential for learning, mastering and remembering technique and the nuances of music. I encourage each student to explore the style or genre of music that is most appealing to them. As well as experiment and persevere through new challenges of unfamiliar works or styles, such as classical, jazz, African and Latin/Cuban. Read More

Instruments: Drums Orchestral Percussion Conga Latin Percussion Djembe

A New York native and life-long professional drummer, I played Dvorak at Carnegie Hall, punk and ska music at CBGB's and classic rock at Wetlands in NYC all during high school. After furthering my studies in percussion performance at Berklee College of Music in Boston, I founded progressive jazz quartet Schleigho, hit the road in 1991 and toured nationally until 2004 , releasing 5 CD's and playing over 3000 shows with the likes of jazz great John Scofield, funk legend Maceo Parker and rock icons The Allman Bothers Band, who signed them in 1998 to their record label, Flying Frog Records. Read More

Instruments: Piano Guitar Voice Drums Bass Guitar Organ Synthesizer Banjo Ukulele Mallet Percussion Orchestral Percussion Latin Percussion Music Keyboard Electric Guitar Acoustic Guitar

I've actually written and produced my own music theory book that was in all Borders stores before they closed down. I've learned a few methods and I try to incorporate them all unless the student or parents wants something specific. My method is a method where I can teach 1 thing countless ways. I love my students to learn theory because it is a very important backbone to music. Some people can play instruments without ever really kwoing what they are playing or understand the theory behind it, and I think it holds them back from truely being creative and understanding of music.    With my methods students will be able to play from any genre, any book, and hopefully will be able to create their own music. Read More