Featured Clarinet Teachers Near Allston, MA

Liz T

Liz T

Instruments:

Liz started playing the flute at the age of six. At a very early age she started formal musical training in her native home town of San Juan Puerto Rico and quickly developed great appreciation for music and arts. She was accepted in an arts specialized school where she was constantly exposed to private lessons, large ensembles and chamber music. Upon finishing this program, she was accepted in the Conservatory of Music in Puerto Rico where she earned her Bachelor’s Degree in flute performance. In 2005 she was awarded 3rd prize of the concerto competition as well as a substitute position with the Puerto Rico Symphony Orchestra where she had the opportunity to play many of the greatest orchestral masterpieces under world-renowned conductors. Shortly after graduating she moved to the city of Cincinnati OH, where she studied privately with the principal flute of the Cincinnati Symphony Orchestra, Mr. Randolph Bowman. Liz has participated in master classes with Amy Porter, Jim Walker, Lisa Ruoho, Paul Edmund Davies, Amy Likar, Keith Underwood, Carol Winsenc and Mary Karen Clardy. In 2009, she was accepted in the Master of Music, performance division, at the Boston University’s College of Fine Arts under the tutelage of flutist Linda Toote. In the summer of 2011, she participated in Trevor Wye’s master class “Preparing for Employment” where she had an opportunity to work extensively with this world-class flutist. Now a graduate she is actively engaged as a freelancer and private flute instructor in the New England area. 

matthew f

matthew f

Instruments:

Traditional but with a great sense of joy. I have been lucky enough to study with some of the greatest teachers in ther world, I will use this experience and have combined it with my own love of music.

Julia R

Julia R

Instruments:

In each lesson the student and myself work to make goals for them to accomplish every week and discuss discuss the ways they might be able to go about accomplishing the goals. Sometimes I will make audio recordings of a student to track progress. For a student to sit and really listen to the improvemnets they have made I find to be one of my best teaching tools. To see a student smile over their happiness over music and their continuous progress and enjoyment makes me love what I do so very much. 

Jessica P

Jessica P

Instruments:

I consider myself to be a positive person who loves to laugh. I feel that music is an expression of oneself, so learning should be fun and be full of success. For beginners, I set small goals to start then add on more as I see thae student can handle more. For intermediate and Advanced students, I challenge them, but also make sure they are playing/singing things they like. I hope to foster a love in music, and bring out the musician in all of them.

Evan B

Evan B

Instruments:

Of course, every student is different, and an integral part of my philosophy involves getting to know each student so that I may learn their creative preferences, strengths, and weaknessness. I do not shy away from books, I do indeed enjoy working out of the Hal Leonard collection because I appreciate the step by step structure. This may apply less to guitar, however, if the student's primary ambitions are to learn songs by Green Day or The Beatles, etc. Jazz music has its own rather extensive work load, which differers greatly from classical and rock, but I hope very much to put my qualification in this realm to good use very soon. Typically, I like to break the lesson up with a healthy balance of techique (scales, chords, etc), interpretation (etudes, pieces), and creativity (free play, improvisation, composition, etc.)

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