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Featured Piano Teachers Near Lyons, IL

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Here are just a few of the many teachers offering Piano lessons in Lyons . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Pei-Yun L

Instruments: Piano Violin

I believe music is unique because of individuality. I make lesson plans depending on each student's interests and learning progress. For young beginners, I encourage lots of participation from parents because it helps children feel supportive and it is always nice to see how much they grow. I like advanced students to express their ideas about the needs and wants as well as musical ideas. Different opinions would make lessons more interesting and inspiring. Read More

Willis M

Instruments: Piano Guitar Saxophone Flute

For beggining students in guitar or piano, I would have them start with a basic beggining book such as something by hal leonard. With guitar I will teach basic chords and go from there to working on songs. Scales and chords will be a big part of beggining work in these instruments. As for Saxophone, I will usually begin with scales and long tone work- the later being something extremely important. Read More

Vickie P

Instruments: Piano

Cultivating a love of learning, and a love of music, is the most important part of any lesson. One can be the most masterful and technically skilled musician, but if he/she hates to play, we will never hear the beautiful music. I believe that above all else, students really need to develop a love for learning, and the teacher has a unique qualification and responsibility of developing that love. Read More

Hugo S

Instruments: Piano Trombone Euphonium Music

My philosophy in teaching is: "Everyone learns in a different way". I like to analyze and help the student to find the simplest and easiest way to approach a piece or music in general. Nothing is more rewarding than seeing one of my students develop a passion for music! Therefore, it's important that each student progresses at his or her own pace. I encourage this by setting realistic goals for my students at each lesson. Read More

Codrut B

Instruments: Piano Voice

Everyone can play or sing. I will be there to guide every student at their own pace. I always tailor my instruction to their wants and needs. Nothing is more rewarding than seeing one of my students develop a passion for music! Therefore, it's important that each student progresses at his or her own pace. I encourage this by setting realistic goals for my students at each lesson. Acknowledging accomplishments helps fuel a students desire to progress, and makes students eager to learn more. Read More

Emi Lee F

Instruments: Piano Voice

My teaching style is fun, focused, and efficient. I like to keep the environment positive and encouraging, as that is what helps a student progress the most! When a student first starts lessons, we establish a few goals to accomplish over the semester, such as "become more confident" or, "learn a foreign language piece". With these in mind, I will teach the lessons, pick warm ups, and select repertoire (with the student) accordingly! Read More

Rudolph T

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Clarinet Bass Guitar Synthesizer French Horn

For the past 20 years, I've studied and performed with keyboards, guitars and woodwind instruments while exploring a very wide variety of music ranging from classical and rock to jazz and avant-garde. Expanding and sharing that knowledge with other people in a helpful and friendly manner is something that I consummately enjoy- especially if they're beginning where I once was. My education includes a Bachelor of Music in Music Composition from DePaul University, and I've been working on my Music Education Certificate at UMSL since August 2014. Read More

Teacher In Spotlight

Marjorie L

Instruments: Piano

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I have developed my own method of teaching and currently and working to get them published ina book. The first lessons the student learns the keyboard, then the white key scale positions, and the rudimentary elements of music. I have designed my own worksheets, so the student learns to read music that is similar to the way keyboard music was taught during the classical period. The students also learn to read music, develop musical skills, and improve their talent by composing their own songs and transposing familiar tunes. After the student has acquired a basic knowledge of the keyboard, C and G position and chords, finger movements, then I ease them into printed music. I use easy classical music such as is found in Bartok's Mikrkosmos, Masterwork's Classic's Edited by Jane Macgrath, Alfred publisher, Technic is fun, and contemporary fun publications

What does a normal practice session look like for you?
If a student reviews their assignment 3-5 times a day, that is a good practice session. This is better than insisting on 30 minutes. When the brain is engaged in processing new information, it grows new brain cells. These will eventually integrate with other cells in other regions increasing the student's abilities. If an individual goes over something more than 5 times in sequence, the brain stops engaging and that is when bad habits can set in. It is better to go over some scale positions and chords, then use these in a form of transposing, improvising, and using these same elements in a notated piece.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have the equivalent of a double Masters of Music, Piano Pedagogy and Piano Performance. For the Master's degree and part of working on a doctorate, I was privileged to study with internationally known, Dr Maurice Hinson, known for his teaching, and hundred's of publications/editions with Alfred Publisher. I wanted to be the best piano teacher, and perhaps even a concert pianist. However, while working on the master's degree, I became involved with teaching children with autism, which inspired me to do everything that I could to help them, so I applied and was accepted at Indiana University and acquired an Educational Specialist Degree in Special Education. This degree is the same as a doctorate but many more electives on the doctoral level. Mine was in Brain Sciences, neurology, Autism, Developmental Disorders, and music.

What is your dream piece to perform and why?
Currently, I am working on selections from Rachmaninov's Moments Musical, and Chopin's "Winter Wind" Etude in a minor. Now that I've finished my degrees, and made a good start on my books, I deeply desire to get back into piano performance. Performing, or even just practising/ ]=, those pieces bring a great deal of satisfaction. My deepest goal is only to perfect these pieces. that is my personal challenge and goal. Another motivation for mastery of these selections is based on the effect that music has on the brain. When playing the piano, the brain is activated in many areas simultaneously. Music is very good for the brain and spirit of a man.

If you weren't a musician what do you think you'd be doing instead?
Pediatric Psychologist working with children with developmental disorders to improve their cognitive processing (which is what music does for the typical and atypical brain). I love working with children and their cognitive development. For me, there is little more in life that is more rewarding than helping a child improve their cognitive processing. In autism, improved cognitive functions results in an improved lifestyle for them and their families. To hear one of my autistic students speak in a complete sentence for the first time is a great reward!

What is your favorite style/genre of music to play and why?
Rachmaninov, Beethoven are my favourite composers. Rachmaninov presents some great challenges technically, and mentally. His music is very complex and difficult to perform. Some of his works such as Moments Musicaix N0. 4, in e minor, and No. 6, in C major are physically exhausting to perform. The speed and volume require much energy, both mental and physical. Beethoven's repertoire presents different challenges of technical skills to bring out what he is trying to say emotionally. His volatile dynamics represent sudden changes of emotions.

Does music run in your family? Tell us a little about your musical family members.
I come from a family of musicians. I have perfect pitch, as does my father, grandmother, and great-grandfather. My daughters have perfect pitch. One of my great grandfathers was a singer and was constantly singing hymns and praises. My other great grandfather was a music leader in his church and organized many music groups. My father was also a music director and soloist in several churches. My grandmother, who had perfect pitch, played hymns for her church and learned from shaped notes and read music according to the solfege system

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
The decision to become a professional musician was a gradual one. It came as a result of wanting to help people improve their mind and lifestyle. I had a friend who began teaching piano in high school, I thought that I could do that too. However, when I started studying at Butler University, I decided that I love piano so much, that I wanted to perform piano in order to help others enjoy piano music as well. I made a slight turn from that path and decided that helping children and other adults to learn music was a much better occupation.

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