Bass Lessons in Devault, PA

Instruments: Guitar Clarinet Bass Guitar Double Bass

I am a graduate of Rowan University, having studied bass with a Jazz Studies degree. I have been playing and studying music starting with piano at the age of 8. In the 4th grade I ventured towards clarinet for the school band and played academically until graduating from high school, after which I continued in a less formal manner. When I was 12 I switched from piano to electric bass and have been playing it ever since in various styles from rock to jazz to classical and so on. Read More

Instruments: Bass Guitar Double Bass Music

I started taking private music lessons at age 7 and never stopped! From piano, to flute, and eventually to electric bass and upright bass. Supplemented by music programs through my schooling, I progressed rapidly on upright bass, starting at age 15, and graduating with a Bachelor's Degree in Music Performance. Starting in high school I began teaching students as young as 6 and as old as 65, providing in-home guitar and bass lessons. Throughout college I maintained an upright bass studio on Long Island, New York. Read More

Instruments: Guitar Violin Cello Viola Bass Guitar Electric Violin Electric Guitar Classical Guitar Acoustic Guitar

The student may need help working on music from school so sometimes that becomes the priority. Other times, the student is interested in learning a song for their own enjoyment, and that will guide the direction of the lesson. In a typical lesson I will try to incorporate a little of all these things where applicable. I customize the learning experience based on the students' needs so they get the most that they can out of each lesson. Read More

Instruments: Guitar Voice Drums Bass Guitar Electric Guitar Classical Guitar Acoustic Guitar

Let start from the ground up! With a beginner guitarist or bassist I want to both keep them excited about learning and teach the the fundamental necessary structure required to develop into a one of a kind musician. I use finger training and strengthening techniques to get the students physical ability in tip top shape, along with innovative chord ideas and mental understanding techniques. Most importantly by the end of every lesson even the first one I leave my students with a cool riff to play to show them that what they are learning is truly working, I believe this will keep students engaged in the learning and keep them working harder for the next lesson. Read More

Instruments: Guitar Bass Guitar Banjo Ukulele Mandolin Music Acoustic Guitar

I tend to start beginners off with a typical book, usually by Mel Bay or Hal Leonard. I find these books to provide a good basis for music reading and building the required skill set to master their instrument. In addition to those materials, I find music through various on-line sites and from my inventory that students are interested in playing and compliments their abilities. For my adult students, I curtail the lessons to focus on the songs they want to play and understand their goals for playing at this stage in their life. Read More

Instruments: Bass Guitar Double Bass Acoustic Guitar

For beginners, I like to make an introduction about the instrument and its particularly parts, then I start teaching scales and how they work on the instrument and on the paper. I teach how to read music, rhythm, musical figures, analyses of scales etc. Improvisation using scales and creating melodies. Harmonization, play chords, chords inversion. Playing songs with melody and harmony at the same time, creating an arrangement solo about a favorite student's song. Read More

Instruments: Piano Bass Guitar Keyboard

I believe in developing five core areas in musicianship: Theory/Understanding, Technique, Creativity, Reading, and Versatility. Initial lessons will identify the students strong points and weak points, and a personal strategy will be employed to help strengthen and balance the student overall. Many beginning classical musicians are able to read fairly well but have little to no comprehension of how and why the music works; while many contemporary musicians may have "chops" but lack in their ability to read and/or have proper technique. Read More