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Featured Voice Teachers Near Funkstown, DC

4325   5 STAR Musika Reviews

Here are just a few of the many teachers offering Voice lessons in Funkstown . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

James S

Instruments: Voice

Each student has individual strengths, weaknesses, physical and emotional needs and goals for their singing, and it is my responsibility as a teacher to meet students where they are. By facilitating a safe and low-pressure learning environment during a lesson, the student is free to explore their own abilities, experiment through trial and error, and fully flourish on their singing journey. I believe good technique is best discovered through the diligent study of scales and vocalises, which are then incorporated into whatever repertoire they are interested in working on. Read More

Carmen G

Instruments: Voice Saxophone Clarinet Ukulele Recorder Music

For a beginner student, I tend to use the Rubank method books there are several for specific instruments. This book is just a guide though the majority of my lessons are student based. I take into consideration their level and what they can accomplish in their own practice and dedication. For adults or advanced students I want to see where they are and what they need help or work with. Read More

Brent M

Instruments: Voice Saxophone

Hello my name is Brent, I have studied music for over 40 years. Saxophone was my first instrument to learn, since then I have learned guitar, piano, bass, drums, and vocals. In middle school I played in concert band (second chair), in high school I played in concert band and jazz band (first chair), in college I played in jazz band (first chair). Also , I received the opportunity to be first chair in All-County and All-State jazz band. Read More

Dwight H

Instruments: Piano Guitar Voice Drums Bass Guitar

Since I took my first piano lessons as a child, I've dedicated my life to learning as much as I can about music both inside and outside of school and spreading the joy to others. I have been performing consistently with groups since my teen years: first jazz combos, ensembles and University orchestras, and more recently rock and metal acts. I have extensive experience touring, and encourage students to draw on my knowledge as both a studio and live performer. Read More

Chun-Ting C

Instruments: Piano Voice

I believe making music fun can keep students motivated and improve their skills. When you love music, you are more motivated to improve. I also believe music is based on a lot of techniques. In order to express your feeling through music and have more fun, you will need to practice to mature the technique. Practice makes perfect!!! I believe that everyone is unique. I encourage my students, but insist that they need to learn something new every lesson so they can get closer to their goals. Read More

Harry W

Instruments: Piano Voice

I have been involved with music for as long as I can remember. My first love was singing, and I still enjoy singing today. My first instrument was the accordion, after which I moved on to piano and keyboards. I remember my piano teacher, Mr Scholl, was a neighbor and he would come to my house for lessons. I had no idea that years later as an adult I would be "paying it forward". Read More

Alex A

Instruments: Piano Voice

I adjust my teaching based on each student's abilities to maintain a relaxed, fun, and engaging atmosphere.For younger students, I typically start with Music for Little Mozarts, which includes a variety of activities in addition to the exploration of music. For older or more intermediate students, I recommend Faber Faber's Piano Adventures, which incorporates not only interesting musical selections, but also introduces music theory and analysis. For advanced students, I prefer to piece together selected repertoires based on music relevant to their interests; this typically includes a selection of classical and contemporary compositions with some discussion of the pieces' context within a greater scope of music history and theory. Read More

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